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Supporting Staged Intimacy: A Practical Guide for Theatre Creatives, Managers, and Crew examines the relationship between staged intimacy, intimacy direction, and those supporting the process during pre-production, rehearsal, and performance. Supporting Staged Intimacy is written for every pre-professional and professional artist working behind the scenes who wish to better support consensual workplaces, physically intimate stories, and the individuals telling those stories.

Ted Lasso and Philosophy explores the hidden depths beneath the vibrant veneer of AppleTV's breakout, award-winning sitcom. Blending philosophical sophistication with winsome appreciation of this feel-good comedy, the collection features original essays canvassing the breadth of the series and carefully considering the ideas it presents.

Driven by different motives, Robert Moses and Francis Cardinal Spellman had the same vision: to display Michelangelo's masterpiece, the Pietà, in the Vatican's pavilion at the 1964 World's Fair in New York City.

Beneath the stylized violence and thrilling car crashes, the Mad Max films consider universal questions about the nature of human life, order and anarchy, justice and moral responsibility, society and technology, and ultimately, human redemption. In Mad Max and Philosophy, a diverse team of political scientists, historians, and philosophers investigates the underlying themes of the blockbuster movie franchise, following Max as he attempts to rebuild himself and the world.

It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until WWI, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide.

Produced during the height of the post-World War II film noir movement, Blood on the Moon is a classic Western immersed in the film noir netherworld of double crosses, government corruption, shabby barrooms, gun-toting goons, and romantic betrayals. With this volume, biographer and noir expert Alan K. Rode brings the film to life for a new generation of listeners and film lovers.

For the first time in this audio original, three of the people closest to him are sharing their memories of Russell Tyrone Jones—the man known to the world as Ol' Dirty Bastard. Ol' Dirty Bastard was the heart and soul of the revolutionary East Coast rap group Wu-Tang Clan. He was an iconic figure with a new way of rapping his verse that changed the face of Hip-Hop. In the late 1990s and early 2000s, when big stars like Puff Daddy and Kanye West were just getting started, Ol' Dirty Bastard was one of the biggest stars in rap.

Scripting Empire recovers the literary and cultural history of West Indian and West African writing at the BBC in order to rethink the critical mid-century decades of shrinking British sovereignty, late modernism, and mass migration to the metropole. Scripting Empire works comparatively across dozens of different programs spanning the General Overseas Service, Home Service, Light Program, and Third Program.

Married . . . With Children writer-producer Richard Gurman takes us behind the scenes of this boundary-breaking show to reveal how its inner workings were at times as disruptive and contentious—yet at other times, as hysterical and raunchy—as the Bundy family themselves.

Who built the Empire State Building? Astonishingly, no list of workmen on this historic landmark was ever compiled. While the names of the owners, architects, and contractors are well known, and Lewis Hine's legendary portraits left us indelible images of the workers, their identities—the last generation of workmen still practicing these time-honored trades, have not been identified until author Glenn Kurtz unearthed their individual stories for this book.

A luminous story of loss and resilience, Lightkeeper captures acclaimed photographer Stacy Bass's personal journey through grief—and the art of keeping her parents' legacy alive through memory and photography. In 1995, when a tragic seaplane accident on Block Island claimed her father's life...

I proved that fairy tales aren't as far-fetched as everyone seems to think. I found my Prince Charming, and I married him. Jake is gorgeous. A hot doctor who just happens to also be a billionaire. Our chemistry is nothing short of combustible. And I'm happier than I've ever been. Except for one thing. Lately, Jake's been so busy with work that we're apart more than we're together. It's happening so often that I'm starting to feel like a married single mom. So, I'll need to figure out some way to spice up our marriage over the holidays. Something that'll get his full attention.

Vinyl Record Collecting For Dummies teaches you how to start a collection, grow your collection, and make that collection sound excellent. You'll learn how to shop for new, used, and rare records, and how to select the turntable that's right for you. Learn how to determine a record's value, build your collection on a budget, and properly store and maintain your records.

In Live Dead, musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to "Betty Boards," and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years.

William Shakespeare understood power: what it is, how it works, how it is gained, and how it is lost. In The Hollow Crown, Eliot A. Cohen reveals how the battling princes of Henry IV and scheming senators of Julius Caesar can teach us to better understand power and politics today. The White House, after all, is a court—with intrigue and conflict rivaling those on the Globe's stage—as is an army, a business, or a university. And each court is full of driven characters, in all their ambition, cruelty, and humanity.

Bear Thomsen and I both want the same thing—his grandpa's old auto shop. My dream is to rehab it into a bookstore. Bear's is to tear it down to build a hockey rink. Paradise is the fresh start I'm looking for after taking leave from the police force in LA. I want to escape the big city with its big problems, and avoid a big, unwinnable fight with my commanding officer. But, if I turn in my detective badge I worked so hard to earn, it will be the toughest thing I’ve ever done. Especially because I hate walking away from a fight.

1974 was a busy year for Mel Brooks. Although still recovering after a series of failed projects threatened his career, he pulled off a one-two punch that saw the release of two of the most beloved American comedies ever made: Blazing Saddles and Young Frankenstein. Although both films are well-known, the stories beyond the making of each movie are less so. How did they come to be, and how did the era's culture and politics not only permit them to be made, but help them to become enduring comedy classics?

David Cronenberg's films have long enjoyed a cult following, pushing the boundaries of taste, blending high art with horror, and straddling the commercial and the cutting-edge. Here, the listener will be presented with the familiar and unfamiliar aspects of iconic films such as Videodrome, The Fly, Naked Lunch, and Crash.

By turns fascinating, funny, and bizarre, this book offers insight into the peculiar choices and idiosyncratic psychologies of hundreds of top musicians from the 1960s to the present. Originally published more than two decades ago to great success, it's been out of print for years and has now been completely updated and expanded to feature dozens of exclusive interviews, including conversations with groups like The Black Keys, The Killers, Twenty One Pilots, Coldplay, Cage the Elephant, and Vampire Weekend.

Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two aspects of American culture resulted in them being treated and regulated in similar ways. Rather than looking at drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power.