検索キーワード： 制作 "HighBridge, a division of Recorded Books" 文学・フィクション

At the end of Huckleberry Finn, on the eve of the Civil War, Huck and his pal Tom Sawyer "light out for the Territory" to avoid "sivilization". In Robert Coover's vision of their Western adventures, Huck and Tom start by joining the famous but short-lived Pony Express.

Lakshmi, called Lucky, is an unemployed millennial programmer. She likes to dance and have a drink or two, and she makes art on commission. Fifty bucks gets you high-resolution digital images of anything you want (orcs, mermaids, cos-playing couples in sexy boudoir scenes) and a nice frameable print. Lucky's husband, Krishna, is an editor for a greeting card company. Both are secretly gay.

Pregnant, abandoned by her lover, and banished from her Quaker home and teaching position, Lilli de Jong enters a charity for wronged women to deliver her child. She is stunned at how much her infant needs her and at how quickly their bond overpowers her heart. Mothers in her position have no sensible alternative to giving up their children, but Lilli can't bear such an outcome.

Like Foxcatcher meets The Art of Fielding, Stephen Florida follows a college wrestler in his senior season, when every practice, every match, is a step closer to greatness and a step further from sanity. Profane, manic, and tipping into the uncanny, Stephen Florida a story of loneliness, obsession, and the drive to leave a mark.

Kelp has a plan, and John Dortmunder knows that means trouble. His friend Kelp is a jinx, and his schemes, no matter how well intentioned, tend to spiral quickly out of control. But this one, Kelp swears, is airtight. He read it in a book.

In county lock-up for a traffic charge, Kelp came across a library of trashy novels by an author named Richard Stark. The hero is a thief named Parker whose plans, unlike Kelp and Dortmunder's, always work out. In one, Parker orchestrates a kidnapping so brilliant that, Kelp thinks, it would have to work in real life.

It was supposed to be a simple caviar heist. Dortmunder is almost in the building when the alarm sounds, forcing him up the fire escape and onto the roof. He leaps onto the next building, smashing his ankle and landing in the den of the worst kind of creature he can imagine: nuns.

Every other weekend, Hope and Eden - backpacks, Walkmans, and homework in hand - wait for their father to pick them up, as he always does, at a strip-mall bus stop. It's the divorce shuffle; they're used to it. Only this weekend, he's screwed up, forgotten, and their world will irrevocably change when a stranger lures them into his truck with a false story and smile.

In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith's signature voice - inquisitive, lyrical, and wry - turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence.

Eleven-year-old Grace Carter has a talent for hiding things. She's had plenty of practice, burying thoughts and feelings that might anger her strict evangelical pastor father. The Knowing, as Grace calls it, offers glimpses of people's pasts and futures. It enables her to see into the depth of her mother's sadness, and even allows Grace to talk to Isaac, her twin brother who died at birth. To her wise, loving Aunt Pearl, the Knowing is a family gift; to her daddy, it's close to witchcraft.

It's 1969 when 15-year-old Huey Fairchild begins high school at Claremont Prep, one of New York City's most prestigious boys' schools. His mother had uprooted her family from their small hometown of Akersburg, Georgia, a few years earlier, leaving behind Huey's white father and the racial unrest that ran deeper than the Chattahoochee River. But for our sharp-tongued protagonist, forgetting the past is easier said than done. At Claremont, where the only other nonwhite person is the janitor, Huey quickly realizes that racism can lurk beneath even the nicest school uniform. After a momentary slip of his temper, Huey finds himself facing legal charges.

"It takes an entire lifetime to learn how to die", wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always", and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.

With his mother in jail, Sequoyah, a 15-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his unstable upbringing, Sequoyah has spent years mostly keeping to himself, living with his emotions pressed deep below the surface - that is, until he meets the 17-year-old Rosemary, another youth staying with the Troutts. Sequoyah and Rosemary bond over their shared Native American backgrounds and paths through the foster care system, but as Sequoyah's feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.

Jamie Snyder is 34 and single but not ready to mingle. After suffering through the Year of the Non-Committal Man, the Year of the Self-Absorbed Man, and the Year of the Forgot-to-Mention-I'm-Married Man, Jamie's ready to celebrate the Year of Me - and MacGyver, of course. MacGyver is an adorable tabby with a not-so-adorable habit of sneaking out at night and stealing things from the neighbors. That's right, MacGyver is a cat burglar. MacGyver knows his human is lonely. He can smell it. It's the same smell he's noticed on their neighbor David....

Lake Wobegon is in a frenzy of preparations for the Fourth of July. The town is dizzy with anticipation - until they hear of Clint's ambition to run for Congress. They know about his episodes with vodka sours, his rocky marriage, and his friendship with the 24-year-old who dresses up as the Statue of Liberty for the parade and may be buck naked beneath her robes. In Keillor's words, "It is Lake Wobegon as you imagined it - good loving people who drive each other crazy."

Lola Santisi is a 26-year-old member of Hollywood Royalty (Papa's vying for Best Director Oscar number two, and Mom's a fixture at The Ivy). She suffers from "actorholism" (a fatal addiction to dating hunky actors) and CDD (Career Deficit Disorder, an epidemic among children of Hollywood Royalty).

On the 12th floor of the Acme Building, on a cold February day in St. Paul, Guy Noir looks down the barrel of a loaded revolver in the hands of geezer gangster Joey Roast Beef, who is demanding to hear what lucrative scheme Guy is cooking up with stripper-turned-women's-studies-professor Naomi Fallopian. Everyone wants to know, and Guy faces them one by one, as he and Naomi pursue a dream of earning gazillions by selling a surefire method of dramatic weight loss.

Comic Lorna Landvik gives Garrison Keillor's Lake Wobegon a feminine perspective with her story about Patty Jane and Harriet Dobbin, two wacky Minnesota sisters. Before she can say "annulment," Patty Jane's husband has gone and a baby is on the way, leaving Patty to rely on sister Harriet and the House of Curl, a beauty shop which evolves into a support group and community workshop over three tumultuous decades.

Set adrift when her mother sells the salon that has been a neighborhood institution for decades, Nora Rolvaag takes a camping trip, intending to do nothing more than roast marshmallows over an open fire and under a starry sky. Two chance encounters, however, will have enormous consequences, and her getaway turns out to be more of a retreat from her daily life than she ever imagined.

Adopting the methodology of the music charts, The Classic Fifty Poems presents the "top 50" poems of all time. Newly revised, and read by an ensemble of contemporary poets, The Classic Fifty Poems is a feast for poetry lovers.

It would take a miracle to keep Dortmunder out of jail. Though he cased the electronics store perfectly, the cops surprised him, turning up in the alley just as he was walking out the back door, a television in each hand. Already a two-time loser, without divine intervention he faces a long stretch inside. Then God sends J. Radcliffe Stonewiler, a celebrity lawyer who gets Dortmunder off with hardly any effort at all. Stonewiler was sent by Arnold Chauncey, an art lover with a cash-flow problem. He asks the thief to break into his house and make off with a valuable painting in exchange for a quarter of the insurance money.