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Beyond the sainted Rembrandt—who harbored a startling darkness—and the mysterious Vermeer, whose true subject, it turned out, was lurking in plain sight, Moser got to know a whole galaxy of geniuses: the doomed virtuoso Carel Fabritius, the anguished wunderkind Jan Lievens, the deaf prodigy Hendrik Avercamp. Year after year, as he tried to make a life for himself in the Netherlands, Moser found friends among these centuries-dead artists. And he found that they, too, were struggling with the same questions that he was.

Coal Country Killing revolves around the cold-blooded 1969 assassination of United Mineworkers of America "reform candidate" Jock Yablonski, and the murder of his wife and daughter in their Pennsylvania farmhouse. But driving the story are the extraordinary efforts of a special prosecutor and his "army" of investigators to bring the gunmen, the union boss who ordered the murders, and his henchmen who saw them carried out, to justice.

Written in Tyrrell's trademark satirical style, How Do We Get Out of Here? is an invaluable and intimate recount of the political and cultural battles that shaped our contemporary politics.

Celebrating the vast breadth and scope of Black excellence, Make Your Own History spotlights the principles of success exemplified by the lives of 120 Black role models who have blazed trails throughout American history. Make Your Own History gathers together motivational quotes, historical contexts, and enlightening precepts from Black trailblazers spanning the eighteenth century to the present. These insights encompass twelve central themes: courage, self-discipline, compassion, perseverance, teamwork, integrity, industriousness, self-reliance, optimism, purposefulness, civility, and faith.

In 1913, an unlikely friendship blossomed between Henry Ford and famed naturalist John Burroughs. When their mutual interest in Ralph Waldo Emerson led them to set out in one of Ford's Model Ts to explore the Transcendentalist's New England, the trip would prove to be the first of many excursions that would take Ford and Burroughs, together with Thomas Edison, across America.

Lisa Cornwell never shied away from standing up to bullies. When she was a freshman in college, she saw a man hit a woman in the face with a closed fist while a paralyzed crowd stood by and watched. Seconds later, she took matters into her own hands—with a 3-iron from her golf bag.

In his first memoir, Ander Monson guides listeners through a scene-by-scene exploration of the 1987 film Predator, which he has watched 146 times. Some fighters might not have time to bleed, but Monson has the patience to consider their adventure, one frame at a time. He turns his obsession into a lens through which he poignantly examines his own life, formed by mainstream white male American culture.

On October 8th, 2009, Bobby Jamison, his wife Sherilynn, and their six-year-old daughter Madyson, set off for a drive from their home in Eufaula, Oklahoma, to the nearby Sans Bois Mountains. They didn't return that day, or the next. A week later, their truck was found abandoned on a mountain road. Inside was their dog, malnourished but alive, the family's cell phones, wallets, and $32,000 in cash.

Venice, 2020. As a pandemic rages across the globe, Zito Madu finds himself in a nearly deserted city, its walls and basilicas humming with strange magic. As he wanders a haunted landscape, we see him twist further into his own past: his family's difficult immigration from Nigeria to Detroit, his troubled relationship with his father, the sporadic joys of daily life and solitude, his experiences with migration, poverty, foreignness, racism, and his own rage and regret.

At age four, Phyllis Biffle Elmore was plucked off her front porch in Detroit and dropped on her grandmother Lula Horn's doorstep in rural Alabama. Phyllis felt utterly abandoned until Grandma Lula showed her both all-encompassing love and her intricate "Quilts of Souls." Phyllis listened intently as Lula told epic stories of folks who had passed on as she turned their clothing into breathtaking quilts for their families.

Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888-1935) remains one of our most enigmatic writers. Believing he could do "more in dreams than Napoleon," yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or "heteronyms," under whose names he wrote in Portuguese, English, and French. Unsurprisingly, this "most multifarious of writers" (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match.

The Titans of the Twentieth Century addresses an age-old question: what is the impact of individuals on history? The first half of the twentieth century offered political leaders enormous scope for changing the world. This book consists of essays about eight who, for better and for worse, did just that. Individually, each chapter offers fresh and often surprising portraits of the twentieth century's titans. Collectively, the essays present a vivid and revealing portrait of a turbulent half-century that shaped the world of today.

To their coworkers, neighbors, and others who knew them, they led unremarkable lives. They had careers as military pilots, police officers, landscapers, small business owners, farmers, realtors, reporters, authors, veterinary technicians, nurses, doctors, handymen, painters, and chefs, while they simultaneously stalked city suburbs, college campuses, trailer parks, and red-light districts. This chilling book looks at the horrifying stories of nearly thirty malevolent killers who were mistakenly trusted.

What does it mean to be a "diva"? A shifting, increasingly loaded term, it has been used to both deride and celebrate charismatic and unapologetically fierce performers like Aretha Franklin, Divine, and the women of Labelle. In this brilliant, powerful blend of incisive criticism and electric memoir, Deborah Paredez-scholar, cultural critic, and lifelong diva devotee-unravels our enduring fascination with these icons and explores how divas have challenged American ideas about feminism, performance, and freedom.

A Plausible Man unfolds as a historical detective story, as Susanna Ashton combs obscure records for evidence of Jackson's remarkable flight from slavery to freedom, his quest to liberate his enslaved family, and his emergence as an international advocate for abolition. This fresh and original work takes us through the Civil War, Reconstruction, and the restoration of white supremacy-where we last glimpse Jackson losing his freedom again on a Southern chain gang.

Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnes Varda (1928-2019) wrote and directed some of the most acclaimed films of her era. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards. In this lively biography, Carrie Rickey explores the "complicated passions" that informed Varda's charmed life and indelible work.

Ben Kuroki was a twenty-four-year-old Japanese American farm boy whose heritage was never a problem in remote Nebraska—until Pearl Harbor. Among the millions of Americans who flocked to military stations to enlist, Ben wanted to avenge the attack, reclaim his family honor, and prove his patriotism. But as anti-Japanese sentiment soared, Ben had to fight to be allowed to fight for America. And fight he did.

An illuminating, insider's journey through the world of Little House on the Prairie and beyond, from Dean Butler, who starred as Almanzo Wilder on the iconic show still beloved by millions of fans as it reaches its fiftieth anniversary.

Dr. Willie H. Clemons's inspiring book, This Is My Story: This Is My Song: One Man's Journey To Turning Oppositions Into Opportunities And Fulfilling His Unique Gifts, shares his personal experiences and insights on growing up in Alabama. Along the way, the author weaves a beautiful and inspiring story of his journey to fulfilling his childhood dreams of a life of service.

On the night in 1964 that Muhammad Ali (then known as Cassius Clay) stepped into the ring with Sonny Liston, he was widely regarded as an irritating freak who danced and talked way too much. Six rounds later Ali was not only the new world heavyweight boxing champion: He was "a new kind of black man" who would shortly transform America's racial politics, its popular culture, and its notions of heroism. No one has captured Ali—and the era that he exhilarated and sometimes infuriated—with greater vibrancy, drama, and astuteness than David Remnick.