検索キーワード： 制作 "Brilliance Audio" 政治学・社会科学

Move over, Zeus. The most powerful goddesses, mortals, and sorceresses of the ancient world have something to say. Bad Bitches of Antiquity is the modern compendium of badass mythological women who used their powers, prowess, mischief, and cleverness to make moves, exact revenge, bestow miracles, and cleverly control the comings and goings of mortals and gods alike.

Even though a growing number of Americans don’t believe in god, many remain reluctant to say so out loud. Kate Cohen argues that not only is it rewarding for those of little faith to announce themselves, it’s crucial to our country’s future. As she details the challenges and joys of fully embracing atheism—especially as a parent—Washington Post contributing columnist Kate Cohen does not dismiss religion as dangerous or silly. Instead, she investigates religion’s appeal in order to explain the ways we can thrive without it.

The 21st century unleashed unprecedented changes across the globe—to its climate, to the demographic makeup of its nations, and to the very nature of allegiance in the digital age. With its global influence waning, America must reevaluate its approach to globalization if it wishes to remain a leader.

In the span of a generation, oil-rich Venezuela spiraled into a dire state of economic collapse. Reporter Paula Ramón experienced the crisis firsthand as her middle-class family saw their quality of life deteriorate. Public services no longer functioned. Money lost its value. Her mother couldn’t afford to buy food, which was increasingly scarce. The once-prosperous country fell into ruin. Like many others, Ramón’s family struggled to survive each day in their beloved city, Maracaibo—until, one by one, they each made the unbearable choice to leave the home they love.

Pidgeon Pagonis always felt like their life was a constant attempt to fit in with other girls—a feeling that was only exacerbated when puberty failed to hit. They never understood why…until they uncovered the secret that had haunted their childhood. Bouncing between their Chicago home and the city’s children’s hospital, Pidgeon weathered a series of traumatic surgeries, fabrications, and misdirections. It wasn’t until college that Pidgeon pieced together the puzzle of their identity.

In the early nineteenth century, as slavery gradually ended in the North, a village in New York State invented a new form of unfreedom: the profit-driven prison. Uniting incarceration and capitalism, the village of Auburn built a prison that enclosed industrial factories. There, “slaves of the state” were leased to private companies. The prisoners earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system.

Capitalist Manifesto is dedicated to seeking out the truth behind the NEA, IRS, and FED―the National Education Association, the Internal Revenue Service, and the Federal Reserve Bank. In Capitalist Manifesto I offer alternatives that any person or family can put in motion. How can we counter communism taught in our schools? By teaching capitalism in our homes.

When Jonathan Kozol’s Death at an Early Age appeared in 1967, it rocked the education world. Based on the Rhodes Scholar’s first year of teaching in Boston’s Black community, the book described the abuse and neglect of children for no reason but the color of their skin. Since that National Book Award-winning volume, Kozol has spent more than fifty years visiting with children and working with their teachers in other deeply troubled and unequal public schools.

A lot has been written about the time contractor Raymond Davis spent in a Pakistani jail in 2011. Unfortunately, much of it is misleading—or downright false—information. Now, the man at the center of the controversy tells his side of the story for the very first time. In The Contractor: How I Landed in a Pakistani Prison and Ignited a Diplomatic Crisis, Davis offers an up-close and personal look at the 2011 incident in Lahore, Pakistan, that led to his imprisonment and the events that took place as diplomats on both sides of the bargaining table scrambled to get him out.

In our interconnected world, self-interest and social-interest are rapidly becoming indistinguishable. If current negative trajectories remain, including growing climate destabilization, biodiversity loss, and economic inequality, an impending future of ecological collapse and societal destabilization will make "personal success" virtually meaningless. Yet our broken social system incentivizes behavior that will only make our problems worse. If true human rights progress is to be achieved today, it is time we dig deeper—rethinking the very foundation of our social system.

As one of a handful of journalists allowed in the courtroom, for 23 days Jonathan Alter sat just feet away from the most dangerous threat to democracy in American history, watching the spectacle of the century: the felony trial of Donald Trump. Highly publicized but untelevised and thus largely hidden from public view, this landmark trial offered hope of real justice amid a grueling eight-year national ordeal and foreshadowed the drama of the 2024 presidential election.

A new generation of Americans has declared that another world is possible. And yet, the stubborn problems of inequality, climate change, and declining health seem as intractable as ever. Where might different answers lie? Intrepid journalist Natasha Hakimi Zapata has traveled around the world, from Costa Rica to Uganda, and Estonia to Singapore, uncovering how different countries solve the problems that plague the United States.

People have been drawing lines on maps for as long as there have been maps to draw on. Sometimes rooted in physical geography, sometimes entirely arbitrary, these lines might often have looked very different if a war or treaty or the decisions of a handful of tired Europeans had gone a different way. By telling the stories of these borders, we can learn a lot about how political identities are shaped, why the world looks the way it does―and about human folly.