検索キーワード： 制作 "Blackstone Publishing" ミステリー・スリラー・サスペンス

Hemlock Falls is one of the most picturesque villages in Upstate New York, with the Hemlock Inn, owned by the amateur sleuth Quilliam sisters, as its centerpiece. For the Quilliam sisters, there’s nothing jolly about this Christmas. Meg and Quill are near-broke. At least there’s one bright start on the horizon: A big-time magazine and television show will feature the Inn. But soon the editor’s husband skis to his death. Now, if the Quilliams are to save the Inn from a lawsuit, they’ll need to prove this was no accident.

While preparing for the 133rd anniversary of the Battle of Hemlock Falls, sisters Sarah and Meg Quilliam, proprietors of the Inn at Hemlock Falls, find themselves faced with murder when patrons of their establishment begin dying and a Civil War reenactor exposes the real history of the town.

Meg Quilliam would rather eat a rat than judge a deep-fat frying contest. But when celebrity chef Banion O’Haggerty offers to do it - for a pretty penny - and decides to stay at Quill and Meg’s Inn, it’s the start of even more turmoil. Before the new franchise even opens, Mr. Holcomb has competition: Captain Cluck is setting up shop here, too. Then, a butcher knife is missing and so is Banion! It’s anyone’s guess who will ruffle this killer’s feathers next....

Hemlock Falls is a pretty little town in upstate New York. Sarah Quilliam, with her talent for business, runs the Inn at Hemlock Falls. Her sister, Meg, keeps the patrons happy with her culinary abilities. But when it comes to murder, the Quilliam sisters have to rely on other skills - spotting clues, solving crimes, catching culprits.

Just when Sarah Quilliam (Quill) hopes a wealthy investor from Finland will allow her to buy back her beloved Inn at Hemlock Falls, things start to unravel. Her sister, Meg, the Inn’s three-star chef, plans to marry and move to New York; Quill’s investor delays signing the check - and mysterious “accidents” occur after a couple of Hollywood scriptwriters and their producer show up at the inn. Quill and Meg set out to uncover the truth - before the number of dead bodies can escalate further.

Sarah Quilliam (“Quill”) and her sister Meg are in deep financial trouble. Unable to pay bills and overhead on their beloved Inn at Hemlock Falls, they’re relieved when five women who call themselves the Crafty Ladies book several days at the Inn. The local crafts fair and wineries, Quill and Meg hope, will bring in more tourists. When a guest at the Inn is murdered, and then a second body is found, both corpses with a triangle nearby, Quill sets out to unravel the motives and find the killer.

The Quilliam sisters, Quill and Meg, are glad to escape Hemlock Falls’ snow and cold weather with a trip to tropical Palm Beach, sponsored by a rich divorcee for her new “charity”. Meg hopes to earn a chef’s “third star” at the charity’s Institute for Fine Foods, and Quill will teach a management seminar. The sisters soon learn they are caught in the middle of a war between the the charity’s spiteful sponsor and her enraged, immensely powerful ex-husband.

Hosting the wedding rehearsal dinner of ex-senator Alphonse Santini, who seeks reelection and has transformed the quiet inn at Hemlock Falls into a political battleground, sisters Sarah and Meg become involved in a recipe for murder.

After her hand is amputated following a tragic accident, Rachel Cooper suffers vivid nightmares of a woman imprisoned in the trunk of a hollow tree, screaming for help. When she begins to experience phantom sensations of leaves and earth with her missing limb, Rachel is terrified she is going mad. But then another hand takes hers, and the trapped woman is pulled into our world.

Fleeing from a traumatic break-in, Londoners Paul and Tricia Feenan sell up to escape to the isolated Holiwell village where Tricia has inherited a property. Scattered throughout the settlement are centuries-old stones used during the Great Plague as boundary markers. No plague-sufferer was permitted to pass them and enter the village. The plague diminished, and the village survived unscathed, but since then each year the village trustees have insisted on an ancient ceremony to renew the village boundaries.

Struggling with the effects of early onset dementia, Dennie Keeling now leads a quiet life. Her husband is dead, her children are grown, and her best friend, Sarah, was convicted of murdering her abusive husband. After Sarah’s tragic death in prison, Dennie has found solace in her allotment, and all she wants is to be left to tend it in peace. Life remains quiet for 12 years, until three strangers take on a nearby plot and Dennie starts to notice unnatural things. Shadowy figures prowl at night; plants flower well before their time. And then Sarah appears, bringing dire warnings....

Quincannon’s pursuit of two con men who have absconded to Hawaii with a considerable sum of his employer’s assets dovetails nicely with Sabina’s vision of a second honeymoon. But neither is wont to stay out of trouble, and Sabina inadvertently becomes involved in a locked room/dying message murder in Honolulu.

First published in 1864, decades before there were official female detectives or female police officers in Britain, The Female Detective features the original lady detective: the determined and resourceful Miss Gladden, known as “G”. She examines crime scenes incognito, tracks down killers, and solves mysteries employing all manner of skill, subterfuge, and charm to achieve her ends while attempting to conceal her own identity from others..

RAN AWAY. So began a score of advertisements every week in the New Orleans newspapers, advertising for slaves who’d fled their masters. But the Turk, Hüseyin Pasha, posted no such advertisement when his two lovely concubines disappeared. And when a witness proclaimed he’d seen the “devilish infidel” hurl their dead bodies out of a window, everyone was willing to believe him the murderer. Only Benjamin January, who knows the Turk of old, is willing to seek for the true culprit, endangering his own life in the process.

Abishag Shaw is seeking vengeance for his brother’s murder - and Benjamin January is seeking money after his bank crashes. Far beyond the frontier, in the depths of the Rocky Mountains, both men are to be found at the great Rendezvous of the Mountain Men, a month-long orgy of cheap booze, shooting matches, tall tales, and cutthroat trading. But at the rendezvous, the discovery of a corpse opens the door to hints of a greater plot - of madness and wholesale murder.

New Orleans, 1836. When free Black musician and surgeon Benjamin January attends the funeral of a friend, an accident tips the dead man out of his coffin - only to reveal an unexpected inhabitant. Just one person recognizes the corpse of the White man: Hannibal Sefton, fiddle-player and one of January’s closest friends. But he seems unwilling to talk about his connection to the dead man....

Nineteenth-century New Orleans is a blazing hotbed of scorching politics and personal vendettas. And it’s into this fire that Benjamin January falls when he is hired to follow Oliver Weems, a bank official who has absconded with $100,000 in gold and securities. But it’s more than just a job for January. The missing money is vital to the survival of the school for freed slaves that he and his wife, Rose, have founded.

Mexico City in the autumn of 1835 is a lawless place, teeming with bandits and beggars. But an urgent letter from a desperate friend draws Benjamin January and his new bride, Rose, from New Orleans to this newly free province. Here they pray they’ll find Hannibal Sefton alive - and not hanging from the end of a rope.

It’s 1835, and the relentless glare of the late July sun has slowed New Orleans to a standstill. When Hesione LeGros - once a corsair’s jeweled mistress, now a raddled hag - is found slashed to death in a shanty on the fringe of New Orleans’ most lawless quarter, there are few to care. But one of them is Benjamin January, musician and teacher. He well recalls her blazing ebony beauty when she appeared, exquisitely gowned and handy with a stiletto, at a demimonde banquet years ago.

In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theater’s impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But it’s pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiences - or for Belagio’s affections - provoke such violent skulduggery?