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21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department, described in the programme as 'just lines on a map of the city of New York, most of the 173,000 people wedged into the nine-tenths of a square mile between 5th Ave and the East River wouldn't know if you ask them they lived or worked in the 21st. Whether they know it or not, the security of their persons, their homes, and their property is the job of the men of the 21st'.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard-boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer.

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer.

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard-boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer.

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard-boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer.

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard-boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer. These classic programmes are wonderful reminders of times gone by. On rare instances the sound may fall short of modern audio standards.

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard-boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer. These classic programmes are wonderful reminders of times gone by. On rare instances the sound may fall short of modern audio standards.

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard-boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer. These classic programmes are wonderful reminders of times gone by. On rare instances the sound may fall short of modern audio standards.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.