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In Why I Am a Hindu, one of India’s finest public intellectuals gives us a profound book about one of the world’s oldest and greatest religions. Starting with a close examination of his own belief in Hinduism, he ranges far and wide in his study of the faith.

This shocking exposé of a true-life Orwellian plot of nightmarish proportions reveals the chilling events of November 1984 following Indira Gandhi’s assassination and the cover-up by the Indian government. For more than three days, armed mobs systematically butchered, torched and raped members of the Sikh community in Delhi and other places, unchecked. The sheer scale of the killings exceeded the combined civilian death tolls of other conflicts such as Tiananmen Square and 9/11.

B.R. Ambedkar's Annihilation of Caste is one of the most important, yet neglected, works of political writing from India. Written in 1936, it is an audacious denunciation of Hinduism and its caste system. It offers a scholarly critique of Hindu scriptures, scriptures that sanction a rigidly hierarchical and iniquitous social system. Arundhati Roy introduces this extensively annotated edition in "The Doctor and the Saint", examining the persistence of caste in modern India and how the conflict between Ambedkar and Gandhi continues to resonate.

In the 1920s, a group of young revolutionaries under the leadership of Ram Prasad Bismil took matters into their own hands to achieve freedom from the tyrannical rule of the British. Bismil and his team set the stage for a defining moment in the Indian freedom struggle by executing the audacious Kakori robbery. This was a direct attack on the British government after a long time, and it rattled them. Revisit the robbery from the eyes of Bismil as he narrates the tale of bravery, patriotism, and brotherhood.

Arundhati Roy examines the persistent inequality in India through an extensive critique of Gandhi's views on race, caste and imperialism.

This is a reporter’s chronicle spanning three generations, backed by firsthand accounts of luminaries, peppered with numerous anecdotes and a passionate examination of his own beliefs. It is as scathing in its takedown of bigotry as it is lucid in charting a blow-by-blow account of our recent past. It is a tribute to the making of India and its founders as well as the affirmation of the will of the Indians to place the power in the hands of the people.

The book covers all the major landmarks of Indian history from prehistoric times up to the 21st century—starting with the country’s geological origins a few billion years in the past and the migration of Homo sapiens from Africa into the region several millennia ago.

The sheer volume of commentaries on the Mahabharata is awe-inspiring. So, what is it in the Mahabharata that gives it its timeless magic? Is it the mythical characters with which it is replete that makes the epic so enchanting? Or is it the great wealth of philosophical and metaphysical ideas in it that dazzles its audiences? Or could it be a combination of all these that makes it ever-fascinating to scholars and audiences around the world? And, most of all, what accounts for its incredible effect on the subconscious of millions of Indians through several generations?

The horse is etched on the Indian landscape, and to view the subcontinent’s past through the prism of the horse is to be swept up in its power and grace. Horses are a thread that connects Indian history, mythology, art, literature, folklore and popular belief. In this inspired and singularly erudite debut, Yashaswini Chandra takes us on the trail of the horse into and within India.

A Índia é tudo aquilo que um turista vê. Mas também o seu oposto. Os contrastes estão a cada esquina. O país é espiritual e material; pacífico e violento; rico e pobre; antigo e moderno. A jornalista Florência Costa—que tem laços de família com a Índia, onde viveu por muitos anos—nos leva à cozinha indiana, com seus múltiplos temperos; às festas monumentais de casamentos arranjados; à espiritualidade e às religiões e até aos banheiros (raros).