検索キーワード： "Sophie Hannah" 心理学

The New York Times best-selling author of The Monogram Murders - in the ranks of Ruth Rendell, Deborah Crombie, Kimberly McCreight, and Tana French - makes her William Morrow debut with a dark and chilling psychological thriller in which a woman desperate to hide a devastating secret in her past is drawn into a murder investigation.

Amber Hewerdine suffers from chronic insomnia. As a last resort, she visits a hypnotherapist, doubtful that anything will really change. Under hypnosis, Amber hears herself saying, "Kind, cruel, kind of cruel." The words awaken a vague memory, but she dismisses the whole episode as nonsense. Two hours later, however, Amber is arrested for the brutal murder of a woman she's never heard of, and the only way she can clear her name is by remembering exactly where she’s seen those words.

Television producer Fliss Benson is surprised to discover that her superstar boss, Laurie Nattrass, is stepping down - and that she is to take over his documentary about crib-death mothers wrongly accused of murder. Thanks to Nattrass's advocacy, three women are now free, while the doctor who testified against them is under investigation for misconduct. Then one of the mothers is found dead. In her pocket is a card with 16 numbers on it, arranged in four rows of four-exactly like the anonymous card Fliss has just received....

Ruth Bussey once did something wrong-horribly wrong-and was nearly destroyed by her punishment. Now, she has tentatively rebuilt her life and unexpectedly found love with a man named Aidan Seed. But Aidan also has a secret-he killed someone years ago, a woman named Mary Trelease. Ruth's horror turns to confusion when she realizes that she knows Mary Trelease, and Mary is very much alive.

Justine thought she knew who she was until an anonymous caller seemed to know better.... After escaping London and a career that nearly destroyed her, Justine plans to spend her days doing as little as possible in her beautiful home in Devon. But soon after the move, her daughter, Ellen, starts to withdraw when her new best friend, George, is unfairly expelled from school.

Pushed to breaking point, Cara Burrows flees her home and family and heads for a five-star spa resort. All she wants is space and time to think, far from everyone she knows. Instead she gets a shock in the middle of the night when she is given the key to a room that's already occupied - apparently by a father and daughter, who are equally shocked to be woken by a stranger. Back at reception, Cara gets an apology and the key to a new room, and she imagines the drama is over....

Stuck in a traffic jam, Nicki Clements sees a face she hoped never to see again. It's definitely him, the same police officer, stopping each car on Elmhirst Road. Keen to avoid him, Nicki does a U-turn and makes a panicky escape. Or so she thinks. The next day, Nicki is pulled in for questioning in connection with the murder of Damon Blundy, controversial newspaper columnist and resident of Elmhirst Road. Nicki can't answer any of the questions detectives fire at her. She has no idea why the killer used a knife in such a peculiar way, or why 'he is no less dead' was painted on Blundy's study wall.

All Beth has to do is drive her son to his Under-14s away match, watch him play, and bring him home. Just because she knows that her former best friend lives near the football ground, that doesn't mean she has to drive past her house and try to catch a glimpse of her. Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora Braid for 12 years. But she can't resist. She parks outside Flora's house and watches from across the road as Flora and her children, Thomas and Emily, step out of the car. Except....

Pushed to the breaking point, Cara Burrows flees her home and family and escapes to a five-star spa resort she can't afford. Late at night, exhausted and desperate, she lets herself into her hotel room and is shocked to find it already occupied - by a man and a teenage girl. A simple mistake at the front desk, but soon Cara realizes that the girl she saw alive and well in the hotel room is someone she can't possibly have seen: the most famous murder victim in the country, Melody Chapa, whose parents are serving natural life sentences for her murder.

You've left the city - and the career that nearly destroyed you - for a fresh start on the coast. But trouble begins when your daughter withdraws after her new best friend, George, is unfairly expelled from school. You beg the principal to reconsider, only to be told that George hasn't been expelled. Because there is - and was - no George.

All Beth has to do is drive her son to his soccer game, watch him play, and then return home. Just because she knows her ex-best friend lives near the field, that doesn’t mean she has to drive past her house and try to catch a glimpse of her. Why would Beth do that and risk dredging up painful memories? She hasn’t seen Flora for 12 years. She doesn’t want to see her today - or ever again. But she can’t resist. She parks outside the open gates of Newnham House, watches from across the road as Flora arrives, and calls to her children Thomas and Emily to get out of the car.

Ryan and Emily seem to have it all – successful jobs, beautiful house and the secret to a happy marriage. A secret that involves certain 'rules'. But beneath the surface trouble is brewing in the shape of Ada. Whimsical, free spirted and beholden to no-one, she represents he freedom that Emily's been striving for and the escape that Ryan didn't know he wanted. As they are separately (and secretly) drawn to her, things start to unravel. The 'rules' are still the rules, to be taken seriously, not to be broken.

Carolyn, Bronnie, Elise, and Kendall are bound together by one thing - their four daughters are best friends at the highly competitive Orla Flynn Academy for the Performing Arts. Last year the foursome exploded because of brutal bullying between the girls, but they've since forgiven each other. The mothers, however, haven't been able to move on. When new threats surface and 'accidents' begin to happen - just as a mysterious new girl enters the scene - the mothers take matters into their own hands.