検索キーワード： "Roger Deakin" 自伝・回顧録

Cinematography is both an art and science—capturing motion requires a combination of skill, ingenuity, and artistic genius. Lighting, camera movement, and framing are just a few of the important components in the process of turning words on a page into unforgettable moving images. It’s not hyperbole to say that Roger Deakins is the greatest artist & scientist that the craft of cinematography has ever known. In Reflections: On Cinematography, Sir Roger Deakins offers his fans a one-of-a-kind look into his life and improbable road to Hollywood immortality.

Roger Deakin, author of the immortal Waterlog and Wildwood, was a man of unusually many parts. A born writer who nonetheless took decades to write his first book, Roger was also variously—and sometimes simultaneously—maverick ad-man, seller of stripped pine furniture on the Portobello Road, cider-maker, teacher, environmentalist, music promoter, and filmmaker. But above all he was the restorer of ancient Walnut Tree Farm in Suffolk.

Roger Deakin set out in 1996 to swim through the British Isles. The result a uniquely personal view of an island race and a people with a deep affinity for water. From the sea, from rock pools, from rivers and streams, tarns, lakes, lochs, ponds, lidos, swimming pools and spas, from fens, dykes, moats, aqueducts, waterfalls, flooded quarries, even canals, Deakin gains a fascinating perspective on modern Britain.

Calming, thought-provoking, poetic and honest, Notes from Walnut Tree Farm is a collection of writing and musing by documentary-maker, environmentalist and author of Waterlog Roger Deakin. For the last six years of his life, Roger Deakin kept notebooks. In them, he wrote his daily thoughts, feelings and observations about and around his Suffolk home, Walnut Tree Farm. Collected here are the very best of these writings, capturing his extraordinary, restless curiosity about nature as well as his impressions of our changing world.

A collection of the finest New York Times columns written by Roger Cohen over more than a decade, accompanied by an original, twenty-thousand-word essay on the state of the world.