検索キーワード： "Newton" 芸術・文学

Voltaire n’a pas été l’homme d’un système. Il a été le trouble-fête d’un siècle brillant et faux. Ce qu’il reste de lui n’est pas un modèle à imiter, mais une tension à reprendre : penser sans plaire, contredire sans cesse, et surtout ne jamais devenir ce que l’on dénonce.

Pendant presque 25 ans, la journaliste Isabelle Richer a suivi les procès les plus marquants et les plus significatifs à titre de correspondante au palais de justice de Montréal. Couvrir ainsi la scène judiciaire, c’est côtoyer le pire de la nature humaine, rappelle-t-elle. C’est plonger au cœur de la violence, la détresse, la folie et la douleur. Être ainsi quotidiennement confronté à tant de drames laisse des traces.

Psychotic Reactions and Carburetor Dung contains the wild and brilliant writings of Lester Bangs—the most outrageous and popular rock critic of the 1970s—edited and with an introduction by the reigning dean of rock critics, Greil Marcus.

Avec une plume aussi bien trempée que son caractère, Nathalie Petrowski a toujours été un esprit libre. Dans La critique n'a jamais tué personne, elle nous livre, sans faux-fuyants et sans règlements de compte, ses mémoires de journaliste. Ceux d'une femme qui, du p'tit Simard à Marie-Mai, de René Lévesque à Manon Massé, du sexisme ordinaire à #metoo et du Jerrold au iPad, jette un regard passionné et critique sur la culture, le journalisme et ses enjeux.

Joining us in the Audible Studios to talk about her narration of Jessie Burton’s The Restless Girls is BAFTA Award-winning British actress Thandie Newton. Known for her starring roles in films such as Crash and Mission: Impossible 2, Thandie Newton has had an accomplished career onscreen. Acclaimed for her role as Maeve Millay in HBO series Westworld, for which she earned a Golden Globe nomination, and her role in BBC One drama Line of Duty, for which she received a TV BAFTA nomination, Thandie now narrates the audiobook of Jessie Burton’s The Restless Girls.

’n Baie lang brief aan my dogter is Marita van der Vyver, een van Afrikaans se mees geliefde skrywers, se ontroerende jeugmemoires. Dit is 'n speurtog deur die skrywer se beginjare, maar dit is ook ’n liefdesbrief aan ’n dogter en ’n taal en ’n land. En bowenal is dit ’n ma se poging om sin te maak van hierdie onverskillige en wrede wêreld waarin sy haar nou begewe.

Granny Takes A Trip was more than just a shop and a fashion brand; it was the original rock and roll clothes boutique, the template for all that followed. What started as an odd retail venture/art installation in a depressed part of London known as World's End became an international byword for glam decadence in Manhattan and Hollywood, combining flamboyant style and all manner of countercultural activity to attract everyone from Pattie Boyd, Marianne Faithfull and Anita Pallenberg to Elton John, Jimi Hendrix, Miles Davis, Mick Jagger, Rod Stewart, the Beatles, and Lou Reed.

They were modern-day pirates, banding together with creative revolutionaries who became the voice of a generation. They are the Knights of Rock, regular guys who had the honor and privilege of working with some of the greatest rock stars during an amazing time in history: the Classic Rock era. Leo Rossi is one of those Knights. A young Italian Catholic boy from the blue-collar Los Angeles port town of San Pedro, he tripped into an impossible dream and helped mega stars such as Fleetwood Mac and Stevie Nicks, The Beach Boys, Bette Midler, Diana Ross, Chaka Khan, Billy Idol, and many more.

Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s. By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam.

One of America's best-known rock and entertainment journalists describes his journey from his childhood, cooped up in the "rice room" of his family's restaurant in Oakland's Chinatown, where he did chores, to the major role he played as a writer and editor at Rolling Stone. It is a story of teen worship of Elvis, but also of Chinese customs and the tragic murder of his brother, and of the '60s scene in San Francisco, where he found freedom - and his career.