検索キーワード： "Lavie Tidhar" 選集・短編小説

Le storie di Lavie Tidhar si possono leggere sia come racconti di fantascienza sia come estratti – emozionanti ed evocativi – della vita di personaggi ai margini di una società in espansione verso lo spazio. Storie di persone che, con poco o nulla da perdere, s'imbarcano su “carrette spaziali” per un viaggio dall'esito incerto. E poi c'è chi resta, chi spera di partire un giorno dal “Terminale Terra” e chi farebbe qualunque cosa – il killer, la webstar o il clonatore – pur di realizzare il sogno di riuscire ad andarsene per sempre.

An unabridged audio collection spotlighting the "best of the best" science fiction stories published in 2016 by current and emerging masters of the genre, edited by Allan Kaster, as narrated by top voice talents.

Short novels are movie-length narratives that may well be the perfect length for science fiction stories. This audio collection, nearly 16 hours long, presents the best-of-the-best science fiction novellas published in 2016 by current and emerging masters of this vibrant form of storytelling.

Behind the Mask is a multi-author collection with stories by award-winning authors Kelly Link, Cat Rambo, Carrie Vaughn, Seanan McGuire, Lavie Tidhar, Sarah Pinsker, Keith Rosson, Kate Marshall, Chris Large, and others. It is partially a prose nod to the comic world - the bombast, the larger-than-life, the save-the-worlds and the calls-to-adventure. But it’s also a spotlight on the more intimate side of the genre. The hopes and dreams of our cape-clad heroes. The regrets and longings of our cowled villains. That poignant, solitary view of the world that can be experienced only from behind the mask.

The Unidentified Funny Objects series delivers an annual dose of funny, zany, and unusual science fiction and fantasy stories. All-new fiction from the genre's top voices!

In Rip-Off!, 13 of today’s best and most honored writers of speculative fiction face a challenge even they would be hard-pressed to conceive: Pick your favorite opening line from a classic piece of fiction (or even non-fiction) - then use it as the first sentence of an entirely original short story.