This episode of the fourth series in the Global Campus “To the Righthouse” podcast programme explores how music has been used as an instrument of human rights abuse in different contexts, from torture and ill-treatment in US detention centers in Guantánamo to forced assimilation of Uyghurs in the Xinjiang Region in China. It also reveals how music can restore humanity and identity in the face of brutality and erasure.

* Mansoor Adayfi-441

is a Yemeni writer, activist, and former Guantánamo Bay detainee, imprisoned for nearly 15 years without charge. Since his release, he has become a committed advocate for human rights, highlighting the experiences of former detainees and the global consequences of the War on Terror. He is the author of Don’t Forget Us Here and the recently released Letter from Guantánamo. As the Guantánamo Project Coordinator at CAGE International, Mansoor co founded the Guantánamo Survivors Fund (GSF).

* Rachel Harris

is Professor of Ethnomusicology at SOAS, University of London. She has published extensively on music and religious practice in Central Asia, and the politics of ethnicity and heritage in China. Her latest book is Soundscapes of Uyghur Islam (Indiana University Press). Her current project, “Maqām Beyond Nation” (2023-2028) explores maqām-based music-making across Asia, connecting histories of mobility and exchange with contemporary flows of people and culture.

* Manfred Nowak

is Professor of International Human Rights Law at the University of Vienna and Secretary General of the Global Campus of Human Rights. Among many expert functions, he was UN Special Rapporteur on Torture (2004-2010).