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  • Create - Collaborative Futures
    2026/02/06

    In November 2025 Sophie Hope gave a presentation at a conference called Collaborative Futures, organised in Dublin by Create. In this episode she talks with three participants to discuss the program, the outcomes, and the possibilities inherent in the idea of collaborative futures.

    MEANWHILE IN AN ABANDONED WAREHOUSE

    EPISODE 83 | February 6 | 2026

    PARTICIPANTS

    Megan Atkinson | Sophie Hope | Silver Kezir | Damien McGlynn

    COMMENTARY

    In November 2025 Sophie Hope made a presentation at a conference called Collaborative Futures, organised by Create in Dublin, Ireland.

    In this episode Sophie talks with Damien McGlynn, Director of Create; artist and scientist Silver Kezir; and artist and community worker Megan Atkinson, who all attended the conference on 19 November 2025, in the Rialto area of Dublin.

    They reflect on what happened during the day; the importance of intercultural and intergenerational solidarity; the Open Space format of the event; and the significance of good catering!

    The conversation took place online on 12 January 2026.

    REFERENCES

    Create website: https://www.create-ireland.ie/

    Documentation of the event: https://www.create-ireland.ie/networking-day-2025-collaborative-futures/

    The Artist in the Community Scheme: https://www.create-ireland.ie/programme/artist-in-the-community-scheme/

    History on the F2 Centre and Fatima Mansions: https://www.fgu.ie/gallery-3

    The Figures of 8 project: https://www.create-ireland.ie/projectsubpage/sharing-practice-figures-of-eight/

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    49 分
  • THE RELUCTANT TOBACCONIST
    2026/01/30

    In the first episode of the year we embark on another journey through the golden age of radio, beginning with Basil Rathbone and Nigel Bruce in The Reluctant Tobacconist.

    Friday Number Five | Episode 20

    January 30 | 2026

    HOST Owen Kelly

    COMMENTARY

    On months that have a fifth Friday we break from our normal schedule and produce something else related tangentially to questions of cultural democracy. In 2026 we dive once more into the golden age of radio to bring back some historical examples of serials and comedies that let us hear unfiltered aspects of the world as it seemed to our grandparents.

    We begin with a fine example of the ways in which motion pictures and radio worked together. Many movies became radio series, either as adaptations or as sequels or extensions. Basil Rathbone and Nigel Bruce had made a series of succesful movies as Sherlock Holmes and Dr Watson, and they turned this into an equally successful radio series: The New Adventures of Sherlock Holmes.

    Here we listen to The Reluctant Tobacconist, first broadcast on April 30, 1945.

    REFERENCES

    Wikipedia: the New Adventures of Sherlock Holmes

    Archive.org

    Old Radio World

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    31 分
  • An Introduction
    2026/01/23

    Jo Gibson and Sophie Hope begin a new series examining the history of social practice programmes and projects at Guildhall School of Music and Drama.

    Echoes and the Unsaid | Episode 01

    January 23 | 2026 PARTICIPANTS

    Jo Gibson | Sophie Hope

    COMMENTARY This is the first episode in a nine-part series hosted by Jo Gibson (Research Fellow, Institute for Social Justice, York St John University) and Sophie Hope (co-lead of the De-centre for socially engaged practice and research at Guildhall School of Music and Drama). For the first episode Jo and Sophie introduce their research into social practice programmes and projects at Guildhall School of Music and Drama from the 1970s to the 2020s, and give a flavour of what’s to come!

    REFERENCES Introducing the De-Centre podcast on Miaaw.net Sign up to the De-centre for Socially Engaged Practice and Research mailing list More about Jo Gibson’s work

    More about Sophie Hope’s work Guildhall School of Music and Drama Institute for Social Justice, York St John University Our first miaaw.net podcast: Cultural Democracy in Practice

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    21 分
  • Arts in Hospitals
    2026/01/16

    Today A Culture of Possibility celebrates its fifth anniversary with an in-depth discussion with Griselda Goldsbrough about arts in hospitals. JANUARY 16 | SERIES 2026

    A CULTURE OF POSSIBILITY | EPISODE 60

    PARTICIPANTS

    Arlene Goldbard | Griselda Goldsbrough | François Matarasso

    COMMENTARY

    Griselda Goldsbrough is a visual artist and writer, and community educator. She has over 15 years’ experience in devising and curating creative art, science and literature programmes and events.

    On episode 60 of A Culture of Possibility co-hosts Arlene Goldbard and François Matarasso talk with Griselda Goldsbrough, Art and Design Development Manager of the National Arts in Hospitals Network, “a resource for arts managers in hospitals to champion hospital arts across the UK, supporting recovery and wellbeing.”

    The stories she tells about working with patients, staff, and others will inspire you!

    REFERENCES

    National Arts in Hospitals Network

    Griselda on LinkedIn

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    1 時間 5 分
  • Solidarity Tracks
    2026/01/09

    The first in a new Miaaw series, in which we introduce and showcase other podcasts. In this episode the Irene Taylor Trust present Solidarity Tracks, a podcast about working with music in prisons.

    PARALLEL STREAMS | EPISODE 01

    JANUARY 9 | 2026

    PARTICIPANTS

    Sophie Hope | Sara Lee

    COMMENTARY

    The Irene Taylor Trust began in 1995 in memory of Irene Taylor who had a personal interest in both penal reform and music. While serving on the selection panel for the Butler Trust prison awards scheme, Irene had come across Sara Lee, who was at that time music co-ordinator at HMP Wormwood Scrubs. Following Irene’s, the Taylor family decided to set up a charity that would continue to do the work that she had been so in favour of, and invited Sara to set up the Irene Taylor Trust Music in Prisons programme.

    Sara has led the trust’s music work ever since.

    Sophie Hope recently met Sara Lee, and discovered that the Trust has produced a series of podcasts that describe work that fits directly into our areas of interest. Rather than interviewing Sara, Sophie decided to ask if we could republish one of their podcasts.

    This has become the first in a new Miaaw series in which we invite you to listen to other podcasts we think you might enjoy; podcasts that complement, and in some cases extend, the range of actions and works we cover.

    REFERENCES

    The Irene Taylor Trust

    Irene Taylor Trust Youtube channel

    The Chicago Symphony Orchestra & Irene Taylor Trust

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    1 時間 1 分
  • Position, influence & income
    2026/01/02

    Sophie Hope and Owen Kelly talk to Su Jones about the reactions she has received to her paper Artists' lives: ecologies for resilience, and what she hopes happens next.

    Meanwhile in an Abandoned Warehouse | Episode 82

    January 2nd | 2026

    PARTICIPANTS

    Sophie Hope | Su Jones | Owen Kelly

    COMMENTARY

    Last summer Su Jones finished writing Artists' lives: ecologies for resilience, a report formed around case studies of 14 visual artists from three English regions. She had been working on it for the last two years.

    In this episode Sophie Hope and Owen Kelly talk to Su Jones about the reactions she has received, and her feelings about them. She discusses the position of an independent researcher and the influence she has, or doesn’t have. She talks about the precarious position that visual artists occupy in a country in which increasing numbers of people occupy precarious positions.

    Should artists receive a basic incomes, as they have in Irish experiments, or does that simply amount to special pleading? Would a better proposal involve everyone receiving a universal basic income which artists can use to enable them to practice as artists, golfers can use to practice golf, and chess players can use to practice chess?

    REFERENCES

    Su Jones: Artists’ Lives: ecologies for resistance, an overview

    Su Jones’ writings at Arts Professional

    Su Jones’ article at Arts Professional (paywall)

    Su Jones’ article at Arts Monthly (paywall)

    Ireland: basic income for artists

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    24 分
  • Redemption
    2025/12/19

    Arlene Goldbard and François Matarasso talk about redemption: : the understanding that we can learn from experience and choose to realign some aspect of our lives to our deepest values.

    How much do people believe positive change is possible? How much are people’s ideas of possibility constrained by a certainty that our pasts over-determine our future?

    DECEMBER 9 | SERIES 2025

    STREAM A CULTURE OF POSSIBILITY | EPISODE 59

    PARTICIPANTS

    Arlene Goldbard | François Matarasso

    COMMENTARY

    On episode 59 of A Culture of Possibility, co-hosts Arlene Goldbard and François Matarasso talk about redemption: the understanding that we can learn from experience and choose to realign some aspect of our lives to our deepest values. We were moved to explore this by the prevalence of “cancel culture” in the US and to an extent, the UK.

    Once a phenomenon of the left, now strongly influential on the right, people are singled out and vilified for things they said or did decades earlier, or they become targets of persistent, angry campaigns aimed at shaming or ostracizing them for using objectionable language or disagreeing with those in power.

    Core to community-based arts is the idea that when people speak for themselves, representing their truths, they may influence others to listen deeply and reach a more loving or just understanding.

    These days, how much do people believe positive change is possible? How much are people’s ideas of possibility constrained by certainty that our pasts over-determine our futures?

    We support freedom of expression and believe in redemption. Can people like us influence cultures that don’t?

    REFERENCES

    Shadow World: anatomy of a cancellation

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    55 分
  • The Intercessor
    2025/12/05

    When Arlene Goldbard is not being a cultural activist or a consultant, she paints. When she is not painting she writes. She writes essays and novels. Her latest novel The Intercessor has just come out.

    Owen Kelly talks to Arlene about how this specific burst of writing began, how the novel grew from the initial writing, and what she hopes the published book might achieve. DECEMBER 5 | SERIES 2025

    STREAM Meanwhile in an Abandoned Warehouse | EPISODE 81

    PARTICIPANTS

    Arlene Goldbard | Owen Kelly

    COMMENTARY

    This month Owen Kelly discusses Arlene Goldbard’s new book, a novel titled The Intercessor, and asks why she chose to write this unusual kind of novel at this particular time.

    The novel offers a linked series of short stories, each foregrounding one character from a group whose stories eventually interlock. All of the characters have political, social or spiritual issues which come to seem less like categories than like different coloured lenses through which we can approach the world.

    The novel explores the Jewish Renewal movement, among other themes, without wanting its audience limited to Jews or even less to Jews with an interest in the Jewish Renewal movement.

    Arlene explains how this specific writing began, how the novel grew from the initial writing, and what she hopes the published book might achieve.

    REFERENCES

    Arlene on Wikipedia

    Arlene’s website

    Arlene Goldbard: Clarity (2004)

    Arlene Goldbard: The Wave (2013)

    Arlene Goldbard: The Intercessor (2025)

    Jewish Renewal, described on Wikipedia

    Adin Steinsaltz: The Thirteen Petalled Rose

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    49 分