In this edition of Yesterday, Today, Tomorrow, Milwaukee’s own 414 Big Frank (@414bigfrank) sits down for a conversation that balances viral superstardom with the grounded humor of the North Side. The interview moves chronologically through Frank's journey, beginning with his upcoming performance alongside Bossman DLow on February 28th, where he admits he still gets "the butterflies" before hitting the stage. He reflects on his early roots on 49th and Locust, describing how childhood sessions cleaning the house to the Gap Band and Isley Brothers instilled a "feel-good" rhythm in his DNA—though he jokingly notes the soul legends didn't use as much profanity as he does today. Frank also credits the young success of Bow Wow as his primary inspiration to start rapping at age nine, leading to a career where he now "crowdsources" his creative process by DMing fans directly to ask what they want to hear next.

The conversation takes a hilarious turn as Frank details the "real-life" facts of his success, from his self-admitted "bad habit" for casino gambling to his refusal to pay $98 for a couple of oxtail orders at local spots. He shares the wild story behind his massive hit "There It Is," revealing that he actually lied to producer Sonny Lou for days about finishing the track before finally recording it entirely at home. Frank gets candid about his "Yesterday" challenges, including a year-long Instagram ban that occurred right after Lil Uzi Vert DMed him for his number, and his drive to provide a "realistic" path for his two children. Closing out with a look at "Tomorrow," Frank teases an upcoming experimental album and emphasizes that his ultimate goal isn't just viral fame, but making sure the world knows the genuine, positive person behind the music.

In this episode of Yesterday, Today, Tomorrow, State Senator LaTonya Johnson joins Anthony Foster for a powerful conversation that tracks her journey from a three-room shack in rural Tennessee to the upper chamber of the Wisconsin State Capitol. Senator Johnson shares many jewels and gems of a life lived with authenticity, from her grandmother’s humor about taking half their small town with them when they moved to Milwaukee, to her college days at Tennessee State University where she navigated the culture shock of her first HBCU experience. She offers a raw look at her decade as a 24-hour childcare provider, explaining how her personal mission to support working families eventually led her to trade her daycare center for a seat in Madison.

The discussion also dives into the "ass-backwards" way she entered politics—winning her first election with no money and no professional flyers, but a whole lot of heart and door-knocking. Senator Johnson opens up about the "imposter syndrome" she felt early on and why she believes her lived experiences with poverty and community struggle are her greatest assets as a legislator. Whether she's reminiscing about the first record player in her family home or describing the shock of winning her seat without an official victory party, Senator Johnson proves that she is a leader who truly understands the rhythm and the reality of Milwaukee’s Sixth District.

An immersive, fun, revealing and honest conversation with a true crown jewel of our community, only on HYFIN!

In this episode of Yesterday, Today, Tomorrow, Milwaukee’s own Johnny Franchino takes us on a journey through his deep-rooted musical DNA, starting with a childhood household that served as a "melting pot" of legendary sounds. He credits his diverse palette to his parents—his mother, who possessed a "beautiful voice," and his father, a former house DJ who infused house music into Johnny's blood long before he was born. This early exposure to greats like Anita Baker, The DeBarge family, Tevin Campbell, Keith Sweat, and James Brown laid the foundation for his later obsession with lyrical heavyweights. Franchino admits he was so consumed by music that his high school composition books were filled with bars instead of math equations, eventually leading him from battle rapping and poetry into a professional career defined by an relentless DIY work ethic.

Franchino’s evolution as an artist is marked by a series of ambitious projects and high-level collaborations that bridge the gap between street lyricism and experimental "spacey" vibes. He famously recorded his 40-track double album, Moon Rocks—split into "Mars" for the fellas and "Venus" for the ladies—in a single weekend, fueled by the influence of Nas, Big Pun, Tupac, and Outkast. Throughout the interview, he shouts out a constellation of collaborators who helped shape his sound, including his "ace" Infamy, producers KC Beats, Laser Smith, and SD Producers, as well as his rock band, The New Grey. Now focusing on his Aesthetix series with Mystic Music, Franchino is eyeing the global stage and major festivals, proving that his "seasoned with Lawry’s" approach and energy are ready for a worldwide audience.