In this episode Jerry and Stablydiscussed Susan Sontag’s On Photography, with both finding the book overly long, baroque, and pedantic, though both agreed that Sontag's observations were interesting when extracted from the dense, "show-offy" prose. Jerry and Stably critiqued Sontag’s positions on photography as a predatory act, its role in tourism and status, and its potential for desensitization, with Jerry challenging Sontag's political framing and insistence on classifying art. The discussion included Stably suggesting Sontag's critique was politically motivated, while Jerry prioritized free speech regarding photography in public.

In this episode, Jerry and Stably discussed Arthur Schopenhauer's On the Suffering of the World. Jerry praised the book as a great introduction to Schopenhauer's philosophy and its insights, particularly the concept of life as a balance between suffering and boredom, while Stan found the text repetitive and at times impenetrable, disagreeing with the author’s premise. They also explored Schopenhauer’s core ideas, including the "Will" as an eternal, irrational force and the philosopher’s suggested solution of denying the Will through asceticism or art, and they further debated the ethics of procreation and the necessity of preserving consciousness. Stan then selected "On Photography" by Susan Sontag as the next reading material for discussion.

In this episode, Jerry and Stably discussed Stefan Borg's book, The Return of the Common Good: The Post-Liberal Project Left and Right, with Stably finding it enjoyable but wanting more and Jerry viewing it as a concise outline confirming prior beliefs, while both criticized its dense, academic style. A major talking point was the assertion that post-liberals offer a "fantastic critique" of liberalism's self-undermining nature but are "incredibly light on prescription," with participants exploring alternative post-liberal approaches like Michael Lind’s and the intellectual genealogy rooted in "radical orthodoxy." The conversation covered various facets of the post-liberal critique, including its US and UK contexts, its distinction from National Conservatism (NatCon), its theoretical core identifying liberalism as an ideology rooted in fear and violence, and its analysis of liberalism's internal contradictions, which erode social trust and necessitate state enforcement of radical individual freedom, alongside a critique of post-liberal feminism.