When someone goes missing, silence takes over — and silence invitescontrol.

In Episode 2 of Season 4, Olga Foreign explores what happens when aperson’s story is managed in their absence. Through the haunting transformationof Margaret — a woman slowly rewritten once she disappears — this episodereveals how memory is curated, complexity is softened, and truth becomesnegotiable.

From families to institutions, this episode asks a deeper question:

Who controls meaning once the original voice can no longer interrupt thenarrative?

This isn’t about lies.
It’s about ownership.

And what happens when silence gives permission.

#HistoryAndPower

#WhoSpeaksForTheMissing

#AbsentButRemembered

#CulturalMemory

#PosthumousNarratives

#LegacyStories

#AbsentVoices

#HistoryRewritten

Season 4 Episode 1

What happens after someone dies isn’t just grief.It’s negotiation.

In this opening episode of Season 4, Olga Foreign traces the quiet moment when the past stops being inherited and starts being sold — not for money, but for comfort, cohesion, and control.

Through an intimate bedside story and a widening lens, this episode asks a larger question:

Is the past a commodity that can be sold to the highest bidder?

From personal memory to collective history, Episode 1 explores how stories are edited once the original voice is gone — and how truth can survive, circulate, and still lose its power to interrupt.

This is not an episode about lies.
It’s about what happens when truth is known — and politely ignored.

Season 4 begins here.

WHO YELLING NOW? — Season 3 Episode 13 Finale
“I’m OK — I Know It’s a Lie”

We say it every day.
At work. To friends. To family. To ourselves.

“I’m OK.”

But what if it isn’t the truth—just the easiest answer?

In the final episode of The Lies We Tell Ourselves,we explore why so many of us keep functioning, producing, and showing up whilequietly carrying exhaustion, loneliness, and unspoken weight.

No crisis.
No breakdown.
Just the cost of always being “fine.”

This episode isn’t about fixing anything.
It’s about noticing what we’ve learned to ignore.

If you’ve ever said “I’m OK” and hoped no one would askmore—
this one’s for you.