『When Your Character Refuses to Say It| POV and Character Development in Historical Fiction with Jim Shepard』のカバーアート

When Your Character Refuses to Say It| POV and Character Development in Historical Fiction with Jim Shepard

When Your Character Refuses to Say It| POV and Character Development in Historical Fiction with Jim Shepard

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Hi Everyone,

In this episode, I sit down with Jim Shepard to deconstruct his short story “The Queen of Bad Influences.” If you haven’t read the story yet, I recommend reading it first—this is a full short story analysis and writing craft breakdown, and we go deep.

This conversation is all about how a story works beneath the surface. We break down point of view (POV), story structure, character tension, and emotional conflict, and how these elements come together in strong historical fiction writing.

At the center of the story is the relationship between Constance and Minna—two young women navigating intimacy, repression, and expectation in early 20th century England. Set against the backdrop of the RMS Lusitania sinking, this story shows how catastrophe in fiction creates pressure that reveals character.

If you’re interested in:

how to write stronger short stories

how POV shapes character

how structure impacts emotional payoff

or how historical fiction can explore complex relationships

this episode will give you a clear breakdown you can apply to your own writing.

Bio:

JIM SHEPARD is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You’d Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper’s Magazine, McSweeney’s, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches at Williams College.

Want Your Story Deconstructed on the Podcast?

I’m offering a Craft Report Card right here on the show. If you want my professional feedback on your short story, here’s how it works:

Join the paid subscriber community at letsdeconstructastory.substack.com

Leave a review for the podcast on Apple Podcasts (and send me a screenshot!)

Email your draft (up to 15 pages) to kfordin450@gmail.com

Let me know if you’d like your feedback to be anonymous or if you want your name shared.

I’ll be selecting one story each month to deconstruct live on the podcast.

I cannot wait to read your work.

Upcoming Episode:

June 1st: Molly Dektar:

Please read “The Bed and Breakfast” before listening to the episode.

Molly Dektar is the author of two novels, The Absolutes and The Ash Family. Her short stories have been published in the Best American Short Stories 2024, the Yale Review, N+1, the Harvard Review, Ploughshares, and the Sewanee Review, among others. The recipient of a Dakin Fellowship from the Sewanee Writers’ Conference and a residency at Hawthornden, Brooklyn, she is from North Carolina and lives in Queens, NY.



This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit letsdeconstructastory.substack.com/subscribe
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