In this episode, we discuss the aesthetic philosophy of the so-called “Dean of the Harlem Renaissance”, Alain Locke. Locke thought art had a central role to play in the social emancipation of Black Americans. It is through art that the social consciousness of society can mature into becoming genuinely pluralist. However, not just any art will do. We focus on why he insists there must be a strict separation between art and propaganda, how he thought poetry and drama could develop the cultural group life of black people, and why he centered the folk, or everyday people, as genuine sources of beauty and truth. Along the way we ask whether Locke’s search for a black modern aesthetic is still possible in a world where the aesthetic values around race reduce everything to moralism or didacticism. But it’s not all doom and gloom: Drake gets a positive shout out! So anything is possible.

leftofphilosophy.com

References:

Alain Locke, The New Negro Aesthetic: Selected Writings, edited by Jeffrey C. Stewart (New York: Penguin, 2022).

Hanif Abdurraqib, The Crown Ain’t Worth Much (Button Poetry, 2016).

Tracy K. Smith, Wade in the Water (Graywolf Press, 2018).

Justin Phillip Reed, The Malevolent Volume (Coffee House Press, 2020).

Donika Kelly, The Renunciations (Graywolf Press, 2021).

Music:

“Vintage Memories” by Schematist | schematist.bandcamp.com

“My Space” by Overu | https://get.slip.stream/KqmvAN

Just a quick pair of announcements for you!

We'll be doing a live episode recording at the Radical Philosophy Association's conference at Pomona College at 8pm next Thursday, October 15.

https://www.radicalphilosophyassociation.org/rpa-biennial-conference.html

And Gil will be teaching a class on Hobbes's Leviathan in Chicago next month through the Brooklyn Institute for Social Research.

https://thebrooklyninstitute.com/items/courses/hobbess-leviathan/

We hope that you will be able to join us for one or both! Thanks very much.

Music: "Mothership" by Blue Steel

In this episode we discuss the concept of hyperpolitics, as originally conceptualized by Anton Jäger. We contemplate the acute lack of substantive political transformation that has resulted from recent upheavals and movements, and wonder about what it would take to revive the kind of mass politics of the early to mid-twentieth century. Throughout, we wrestle with the prevailing sense of powerlessness and doom, the practical necessity of hope, and the potential paths toward meaningful social and political transformation.

leftofphilosophy.com | @leftofphil

References:

Anton Jäger, Hyperpolitics: Extreme Politicization without Political Consequences (New York: Verso, 2026)

Lillian Cicerchia, “The Futility of Hyperpolitics”, https://catalyst-journal.com/2025/04/the-futility-of-hyperpolitics

Virgilio Urbina Lazardi, “Thomas Piketti’s Utopian Socialism”, https://jacobin.com/2026/09/thomas-pikettys-utopian-socialism

Music:

“Vintage Memories” by Schematist | schematist.bandcamp.com

“My Space” by Overu | https://get.slip.stream/KqmvAN

In this episode we discuss the work of French philosopher Alain Badiou. Ever since the 1970s, Badiou’s philosophy has been characterized by an untimely systematicity and an ambitious effort to bring together politics, art, science, and love in a unique synthesis under the aegis of a novel fundamental ontology. In Metapolitics, Badiou explains what he understands by politics as a historical site where truths can be produced, and what it means for a militant subject to remain faithful to such a truth, affirming a radical egalitarianism over against the exclusions and hierarchies of the state. Along the way he says some very funny things about what he sees as the deficiencies of more traditional ‘political philosophy’. Above all, Badiou reminds us that even when it seems like there is no alternative, no state is capable of truly foreclosing the possibility that a radically restructuring Event might take place – and he’s got the math to prove it. We think he’s neat!

This is just a short teaser of the full episode. To hear the rest, please subscribe to us on Patreon:

patreon.com/leftofphilosophy

References:

Alain Badiou, Metapolitics, trans. Jason Barker (New York: Verso, 2001).

Music:

“Vintage Memories” by Schematist | schematist.bandcamp.com

“My Space” by Overu | https://get.slip.stream/KqmvAN

In this episode, we continue our series on modernity with a discussion of modernity, colonialism, and the future of both. We take up the claim that modernity is a justifying myth for European colonialism and wonder why we are all so enraptured by it. Are the Europeans as modern as we think they are? We also defend modernity’s promise of emancipation and then wonder what the point of all the modernity talk is anyway. There’s a lot of ambivalence here, but perhaps that’s the point!

leftofphilosophy.com | @leftofphil | @leftofphilosophy.bsky.social

References:

Aníbal Quijano, “Paradoxes of Modernity in Latin America,” in Foundational Essays on the Coloniality of Power (Duke University Press, 2024).

Enrique Dussel, “Europe, Modernity, and Eurocentrism,” Nepantla: Views from South 1.3 (Duke University Press, 2000).

Music:

“Vintage Memories” by Schematist | schematist.bandcamp.com

“My Space” by Overu | https://get.slip.stream/KqmvAN

In this episode, we begin our new series on modernity with a discussion of Marshall Berman’s 1982 book All That Is Solid Melts Into Air: The Experience of Modernity. Some of the questions we will tackle in this series will address the substance of modernity, whether modernity is singular or multiple, the relationship of art to modernization, and whether modernity is better understood as a rupture from the past or a development out of it. Berman, for his part, argues that modernity has always been about development through contradictions. We moderns bear witness to the constant dissolution of the traditions, political forms, and social mores of the past in the name of the production of the new. However, Berman thinks the 20th century has lost touch with the essentially contradictory nature of modernity by becoming either dogmatic enthusiasts of creative destruction or resolute pessimists who see nothing but degradation in modern life. He returns us to the 19th century where artists and thinkers such as Goethe, Marx, and Baudelaire had a more vivid and sensitive appreciation of the contradictory demands of modern development. We discuss Berman’s ultimately hopeful account of modern experience, its relation to urban life, and why any future politics must reckon with people’s desire for stability. Get ready to ride the wave of modernity (it’s not like you have a choice)!

This is just a short teaser of the full episode. To hear the rest, please subscribe to us on Patreon:

patreon.com/leftofphilosophy

References:

Marshall Berman, All That Is Solid Melts Into Air: The Experience of Modernity (New York: Verso, 2010).

Perry Anderson, “Modernity and Revolution”, New Left Review I/144 (1984): 96-113.

Music:

“Vintage Memories” by Schematist | schematist.bandcamp.com

“My Space” by Overu | https://get.slip.stream/KqmvAN

In this episode, we use Marx’s infamous “Fragment on Machines” from the Grundrisse as a starting-point for a wide ranging discussion about the emancipatory and regressive potentials of AI technologies. Marx thought that automated systems of machinery are incredible embodiments of highly developed human knowledge, which render labor increasingly unnecessary in processes of production, opening the door for unprecedented liberation. Of course, tied to the imperatives of capital accumulation, even the most amazing machines do little more than increase the rate of exploitation and expose untold millions to desperate poverty. There’s no reason in principle why machines, including AI systems, couldn’t instead free up our time for the active development of our capacities and the pursuit of our personal and collective goals. Abolish the drudgery of gruntwork! But which way we go with these technologies is a political, not a technical matter; a little historical materialism goes a long way.

leftofphilosophy.com | @leftofphil | @leftofphilosophy.bsky.social

References:

Karl Marx, “Fragment on Machines”, in Grundrisse, trans. Martin Nicolaus (New York: Penguin Books, 1993), pgs. 690-712.

Music:

“Vintage Memories” by Schematist | schematist.bandcamp.com

“My Space” by Overu | https://get.slip.stream/KqmvAN

In this episode we talk about the political philosophy of early modern jurist Johannes Althusius. For us, he represents a road not taken in political theory, since Hobbes definitively constructed political philosophy around the idea of the self-interested atomized subject and he couldn’t disagree more. Althusius is an axis between medieval and modern thinking about political life, and his federalist vision forces us all to ask odd questions about what we want. History teaches!

leftofphilosophy.com | @leftofphil | @leftofphilosophy.bsky.social

References:

Johannes Althusius, Politica, translated by Frederick S. Carney (Boston: Beacon Press, 1964).

Music:

“Vintage Memories” by Schematist | schematist.bandcamp.com

“My Space” by Overu | https://get.slip.stream/KqmvAN