『What's Good Miami』のカバーアート

What's Good Miami

What's Good Miami

著者: Alan Philips
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Taste is a curious thing. Everyone thinks they have it, but most don’t.

It isn’t about what’s trendy or popular; it’s about recognizing the essence of something special, something timeless. It's the difference between a fleeting fad and an enduring classic, between surface-level appeal and deep, lasting impact.

At What’s Good Miami, we don’t just chase what’s new; we seek out what’s real, what’s meaningful, and what’s worth your time.

From the hidden gems in hospitality, where the warmth of a welcome matters as much as the creativity on the menu, to the cutting-edge cultural moments that define our city, we bring you our Miami. We explore the undercurrents of art and business, the spaces where innovation meets tradition, and where the next big thing is born out of a deep respect for what came before.

In a city where everything seems to have a price tag, we’re here to remind you that the best things in life—the things that truly matter—are beyond valuation.

See you at the beach.

Alan Philips, What’s Good Miami

Created by The Marketing Department

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  • The Legendary Miami Restaurants List, We Built This City
    2026/08/07

    Everyone wants to talk about what’s hot. Nobody wants to talk about what’s permanent.

    A legendary Miami restaurant isn’t just a good meal. It’s a place that got here before the city knew what it was becoming, and then helped decide what it would become. Some of these are still standing. Some are gone, replaced by a bank branch or a condo lobby, remembered only by the people who ate there before it mattered to anyone else. Either way, they mean more than dinner. They’re the reason Miami has a food identity at all instead of just a coastline.

    Erin, Ollie, and I sat down for Episode 2 (we missed you Matt) of What’s Good? The Leftovers and put together the definitive list. Not the best. Not the newest. The legendary. We split it two ways: the locals who were born here and built the city from the inside, and the imports who arrived from New York and LA and never left because they didn’t need to.

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    1 時間 7 分
  • The Weekender: Michael Comras Transforming Lincoln Road with NoLi & Building Miami
    2026/08/04

    There are people who read a city, and then there are people who write it — who walk down a boarded-up block of Collins Avenue in 1992, past aluminum chairs chained to porches, and see not what's there, but what's coming. Michael Comras is the second kind. Today, I sit down with the man who has spent three decades rewriting Miami Beach's map one street at a time — from the cold call that brought The Gap to a forgotten corner, to NoLi, his boldest bet yet on the future of Lincoln Road. This isn't just an interview. It's the origin story of how Miami's retail landscape became what it is, told by the man who built it, and a look at exactly where he thinks it's going next. If you have any stake in this city's real estate, consider this required reading.

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    1 時間
  • The Heat is On: WGM X The Leftovers Heat Index
    2026/07/29

    The Heat is On: WGM X The Leftovers Heat Index I’ve spent the last decade arguing that Miami deserves real media. Not pay-for-play coverage dressed up as editorial. Not another breathless opening item because someone bought a table at a charity dinner. Real opinions from people who’ve actually eaten the food, sat in the room, and don’t owe the publicist anything. This week, that argument got company. On Wednesday at What’s Good Studio at The Moore, I sat down with three of the most credentialed food journalists this city has ever produced, Erin Michelle Newberg, Olee Fowler, and Matt Melzer, to record the first episode of “What’s Good? The Leftovers”, a monthly podcast collaboration between What’s Good Miami and The Leftovers Miami. Sixty collective years of food writing. One room. Zero sponsored content. The centerpiece of everything we’re building together is The Heat Index, and I’ll say it plainly: this is going to be the most important restaurant list in Miami. Not because we say so. Because of who’s making it and why.

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    1 時間 16 分
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