This week, Esme and Kareem are joined by writer, policy expert, and campaigner Gracie Mae Bradley for a rich conversation about reading as refuge, writing toward liberation, and the everyday work of solidarity. Gracie traces her bookish beginnings (shoutout to school libraries and handwritten letters from authors), why short stories feel like home, and how fiction lets her hold complexity without neat answers. We dig into Against Borders (co-authored with Luke de Noronha), non-reformist reforms, and practical ways listeners can show up for each other now.

We also swap current reads and the dog-eared titles that change us. Plus: redemptive endings vs. relentless bleakness, tiny revenges in fiction, coalition as survival, and why rest (and a good bathhouse) can be part of the writing process.

👀 Follow Gracie: @inrelativeopacity on Instagram and her Substack, In Relative Opacity.

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In this episode of What Are You Reading Now? we sit down with writer and creative consultant Uju Asika, author of Bringing Up Race and Raising Boys Who Do Better. Uju shares her journey with books and reading, from childhood favourites to the stories that continue to inspire her today.

We talk about her writing process, the power of representation in literature, and how books shape the way we think about parenting, identity, and community. Uju also opens up about balancing creativity with motherhood, her experiences growing up between cultures, and the importance of telling stories that reflect the richness of modern life.

And of course, she answers our final quickfire questions — including what she’s reading now, the book she recommends most often, and the one she wishes she could read again for the first time.

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In this episode of What Are You Reading Now? we welcome writer and storyteller Aniefiok Ekpoudom, whose debut book Where We Come From: Rap, Home and Hope in Modern Britain explores the cultural and social history of British rap. Aniefiok joins Kareem and Esme to talk about his lifelong love of reading - beginning with fantasy adventures, comic books, and Benjamin Zephaniah at school - through to his discovery of lyrical rap as a form of poetry, and the writers who shaped his style.

He traces his journey from reluctant law student to music blogger, to interviewing George the Poet from his university bedroom, to eventually writing features for The Guardian, Vice, and beyond. Aniefiok opens up about the five-year process of researching and writing Where We Come From, the discipline and rituals he developed, and how the book changed him personally as much as professionally.

Along the way, he reflects on the importance of rhythm in his prose, why rap deserves to be treated with the same literary seriousness as Zadie Smith or Joan Didion, and how he sought to capture stories “from the inside out” rather than through a detached lens.

And of course, we end with the big questions: what books inspire him now, which writers he returns to, and how rappers like Kano sit alongside his literary heroes as some of his greatest influences.

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