On this very special edition of Welcome to My Hood Film, we are joined by a true cinematic legend—Barry Alexander Brown.From the streets of Bed-Stuy in Do the Right Thing to the epic scale of Malcolm X, Barry has been the hands behind the scenes for some of the most important films in history. We dive deep into his 40-year collaboration with Spike Lee, the secrets behind the iconic "Double Dolly" shot, and what it was really like in the editing room for films like Crooklyn, He Got Game, and BlacKkKlansman.But Barry isn't just a filmmaker—he’s a storyteller in every sense. We discuss his new journey as an author with his debut fantasy novel, "Wind." In this episode, we discuss:• How Barry met Spike Lee in 1981 and their early "humble beginnings."• The making of Malcolm X and the power of Denzel’s performance.• Why Barry considers Do the Right Thing his favorite project.• His advice for aspiring filmmakers: "Carve your own path."• A look into his new fantasy trilogy and writing while on set in Uganda.Chapters: [00:01:03]– Formal introduction of Barry Alexander Brown. [00:04:16]– Barry discusses his "film school" experience and making his first documentary. [00:05:27]– Details on *Slim’s Table*, the unproduced screenplay written with Spike Lee for CBS. [00:10:42]– A breakdown of the many Spike Lee films Barry edited, from *School Daze* to *Inside Man*. [00:13:17]– Barry reveals *Do the Right Thing* is his favorite film from their collaboration. [00:17:20] – Discussion on the power of the autobiography of Malcolm X and the film's production. [00:22:37]– Stories of "humble beginnings" and working in Spike Lee’s converted garage. [00:31:30]– Introduction to Barry’s high fantasy novel, *Wind*. [00:41:02]– Writing the book while on location in Uganda for *Queen of Katwe*. [00:50:10]– Career advice: "There is no single path... you got to make your own path." [00:56:15]– The best advice Barry ever received: "Work." [01:01:41]– A comparison of the narrative beats between *Cooley High* and *Boyz n the Hood*. [01:11:40]– Technical details on the anamorphic "squeezed" look used in parts of *Crooklyn*. [01:19:16]– Explaining the mechanics of Spike Lee's signature "Double Dolly" shot. [01:38:01]– Barry describes his instinctive editing style and his "imposter syndrome" during early studio films.Support Barry’s Work:• Book: "Wind" available now on Amazon!https://windtrilogy.com/• Kickstarter: Support the trilogy through May 14th.https://www.kickstarter.com/projects/windtrilogy/wind-the-toroc-trilogy-an-epic-high-fantasyFollow Welcome to My Hood Film:https://linktr.ee/welcometomyhoodfilm#BarryAlexanderBrown #SpikeLee #Filmmaking #Editing #WelcomeToMyHood #MalcolmX #DoTheRightThing #AonTheLeaf

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