エピソード

  • #1725: XREAL AURA Spatial Computing Glasses Leverages Android XR & Snapdragon Reality Elite
    2026/07/02
    I interviewed Ralph Jodice about XREAL AURA spatial computing glasses on Wednesday, June 17, 2026 at Augmented World Expo in Long Beach, California. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality
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    28 分
  • #1726: Qualcomm’s New Snapdragon Reality Elite Announcement
    2026/07/02
    I interviewed Ziad Asghar about their Snapdragon Reality Elite announcement on Thursday, June 18, 2026 at Augmented World Expo in Long Beach, California. For more specifications and details, then be sure to check out the report from Road to VR's Ben Lang here. Here's the video of Asghar's announcement from AWE. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality
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    28 分
  • #1733: Oregon Reality Lab Founder Donna Davis on Preparing College Students for the Future of Immersive Communication
    2026/07/02
    I interviewed Oregon Reality Lab founder Donna Davis, which is The University of Oregon's Immersive Media Research & Education Lab. We chatted on Wednesday, June 17, 2026 at Augmented World Expo in Long Beach, California. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality
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    39 分
  • #1734: Metropolitan Museum of Art Experiments with XR & AI for Storytelling & Remote Access
    2026/07/02
    I interviewed Brett Renfer about Metropolitan Museum of Art Experiments with XR & AI on Wednesday, June 17, 2026 at Augmented World Expo in Long Beach, California. You can check out the The Temple of Dendur and Oceanic Art in Virtual Reality within the Atopia VR application. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality
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    53 分
  • #1749: Socratic Debate on the Future of “AI” & XR (Round 2) from AWE 2026
    2026/07/13
    I participated in another Socratic Debate about the Future of "AI" and XR at Augmented World Expo 2026 with Leslie Shannon, Alvin Graylin, and Louis Rosenberg (you can listen to last year's debate in episode #1611). Shannon and Graylin argued for "AI," whilst Rosenberg and I argued against "AI." In my write-up, I wanted to leave some breadcrumbs to more in-depth, skeptical arguments against "AI" that we didn't have space or time to dig into during the debate, but "some breadcrumbs" ended up being over 30k words, and more like an outline for an entire book. Writing a book isn’t on my to-do list at the moment, but disseminating the work researchers, journalists, linguists, and critics of "AI" have done is urgent and necessary, so I’m sharing the results of this deep dive here, in bullet list format. My fellow panelists, Alvin Graylin and Louis Rosenberg, indulged me in extending our debate offline after AWE, pushing me to test my ideas further and demonstrating how and why this is an extremely active field of study with polarizing points of view that often come down to philosophical differences. Clearly, it’s just getting started. My objections to "AI" is loosely organized by various themes, but some framing may be helpful in approaching it. My objections to "AI" center around the limitations of LLMs, the consolidation of wealth and power from Hyperscaler companies, and threats from automated decision making systems and surveillance capitalism melded with democratically-backsliding authoritarian governments. I'm including a broad range of critiques spanning the domains of philosophy, technology, sociology, politics, economics, culture, and ethics. I'm coming from the orientation of Process Philosophy & Peircean Semiotics that emphasizes the relational and contextual dimensions that the "AI" field tends to de-emphasize or completely collapse. I see process-relational philosophy as a necessary paradigm shift away from the underpinning philosophies of the "AI" community, which tend to be Functionalism, Naturalism, Computational Theory of Mind, Physicalism, & the TESCREAL bundle. Below you'll find my own process philosophical emergency response to "AI embedded within my curation of excerpts and commentary of primary sources that I'm leaning upon. The AI Con: How to Fight Big Tech’s Hype and Create the Future We Want (2025) by Emily M. Bender and Alex Hanna (also see episode #1563). Bender & Hanna say, "To put it bluntly, 'AI' is a marketing term. It doesn’t refer to a coherent set of technologies. Instead, the phrase "artificial intelligence" is deployed when the people building or selling a particular set of technologies will profit from getting others to believe that their technology is similar to humans, able to do things that, in fact, intrinsically require human judgment, perception, or creativity." Emily M. Bender wrote the "Artificial Intelligence" [preprint] (2026, June 25) entry for the Oxford Research Encyclopedia of Science, Technology, and Society. Bender's concluding paragraph gives a great overview of the seven different ways that the idea of "artificial intelligence" operates in the world. She says, "The notion of artificial intelligence is frequently sold as present or near-future and inevitable technology. In fact there is no coherent set of technologies that can serve as the denotation of the phrase, nor do any of the technologies so marketed rise to the fantastical but ill-defined claims of 'AI' is or soon will be. Nonetheless, the idea of artificial intelligence has been extremely impactful in the world. In order to better understand and deal with those impacts, it is helpful to look at artificial intelligence through the varied lenses of how the idea operates in the world: as the name of a research field, as one approach to cognitive science, as a parlor trick, as a an ideology, as a way to hide and devalue human labor, as a way to shift and/or obfuscate accountability, and as a means to centralize power." Inventing Intelligence: On the History of Complex Information Processing and Artificial Intelligence in the United States in the Mid-Twentieth Century [dissertation] (2020, December 14) by Jonnie Penn. Penn says, "The phrase ‘artificial intelligence’ was coined by John McCarthy, an American mathematician, in 1955. It has travelled with a noticeably amorphous definition since." "AI" has always had a spotty history of technologists using a "brain is a computer" metaphor while also using "poor citation practices." From page 14, Penn says, "The vocabulary Simon, Rosenblatt, McCarthy and Minsky chose to describe new techniques in major newspapers and scholarly journals informed Americans' still plastic understandings of what was possible, and indeed desirable, in the emerging information age… During the mid to late 1950s, these men turned to clannishness, self-aggrandizement, speculative rhetoric, fluid definitions of key terms and poor citation practices to shore up ...
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    1 時間 6 分
  • #1747: XR Software Engineer Trond Nilsen on Reluctantly Using AI Hyperscalers & the Aspiration for Open Source Alternatives
    2026/07/03
    I interviewed Trond Nilsen about reluctantly using AI Hyperscalers & the aspiration for open source alternatives on Thursday, June 18, 2026 at Augmented World Expo in Long Beach, California. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality
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    25 分
  • #1748: Caitlin Krause on the Experience of XR, Process Philosophy Musings, & the Ethics of AI
    2026/07/03
    I interviewed Caitlin Krause about the experience of XR, Process Philosophy musings, & the ethics of AI on Wednesday, June 17, 2026 at Augmented World Expo in Long Beach, California. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality
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    1 時間 16 分
  • #1779: “Heartbeat” Immersive, 1-on-1 Biometric Synchronization and Involuntary Collective Agency
    2026/08/10
    I interviewed Fanny Fortage & Harry Clunet-Farlow about Heartbeat – Son Cœur a Trouvé Sa Cadence Dans Le Silence Des Rencontres on Tuesday, September 2, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Heartbeat – Son Cœur a Trouvé Sa Cadence Dans Le Silence Des Rencontres -- "His heart found its rhythm in the silence of encounters.": "HeartBeat is an immersive self-performance that explores emotional relationships through the rhythm of the pulse. This installation offers a non- verbal encounter between two strangers, sharing their pulse. This discussion of pulse carries their emotions into a journey — and perhaps, their heartbeats will be in phase." Here are the contextual domains that are explored: Commune with another person [7] via your [1] biometric heartbeats [1] that are represented symbolically [9] and artistically [5]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Air Element / Mental and Social Presence: Cultivates unique Social Dynamics and Eye gazing. You're left to sort of negotiate an encounter with another person. But surprisingly the mode of interaction is completely within this unconscious or sub-symbolic realm where your mental agency is very constrained. It's a lot about the fates of your bodies, and almost by luck whether or not your bodies with synchronize. I suppose there could be elements of skill involved, but overall this is a completely novel type of experience for folks, but also generates a unique encounter with the fellow audience member. No explicit invitation to unpack or debrief the experience, but certainly some audience members connected more afterwards2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Biometric data that is spatialized over time. This is primarily a physical-based installtion where you point of focus is essentially sitting in a chair and looking at the other attendee. The screen is physically behind you, and so it's almost out of your peripheral vision that you see this undulating blob. The goal is to get your blob to merge with you're audience partner's blob by synchronizing your heart beats.3rd Center of Gravity of Fire Element / Active Presence: Your non-verbal interactions with another person. But also there is a sort of unconscious collective agency where you have to have your bodies synchronize to achieve the goal of uniting the undulating blobs4th Center of Gravity of Water Element / Emotional Presence: The piece is not really story-driven. Overall, a pretty intimate way to connect to another person. In terms of time, it's a fairly quick experience, and lots of time for onboarding the gear. But the structure of the piece is farily linar without too many repeating cycles. The cycles begining or ending depends upon how well or not well synchronized you are with the other person's heartbeat Archetypal Themes and Character Explored: Deeply connecting with another person through a shared embodied and synchronized heartbeat. More about the interactions with another person than it is with the technology per se, but the technology is facilitating this deeper and fairly intimate connection Artist Statement: "My heart has a lot of stories to tell... It is quite literally because of — or thanks t — my heart that I became an artist. At the age of twelve, during a film shoot, a microphone picked up the sound of my heartbeat more than my voice. My heart, uncontrollable, overtook the soundtrack. That moment marked a turning point: I would no longer be in front of the camera, but behind it — listening, observing, capturing. A few years later, it was my brother’s heart that I watched beating, as he lay in a coma. The electrocardiogram became a link: his rhythm responded to my gestures, to my words. That silent pulse became a language. It moved me deeply. Since then, I have never stopped being fascinated by this involuntary musicality — the heart, this inner signal, fragile and universal. Recently, although I had put these two stories to one side in my memories, I re-experienced this pulse of life — this emotional connection with oneself or others. I napped on my boyfriend’s chest, and his heartbeat rocked me; even though it kept me awake, it soothed me and plunged me into a meditative state... I imagined non-verbal encounters where two people would listen only to each other’s heartbeats. The only information they would share would be their heart rate: was it synchronised? Or does this immersive interaction make one of their hearts race? By the way, do you think my heart was beating in rhythm with my boyfriend’s when I was dreaming up this idea? In any case, I remember that my heart followed my brother’s; if his sped up, so did mine." https://www.youtube.com/watch?v=NceaoEO4has This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality
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    38 分