Underworld: Deep Thoughts About Feminism, Leather-clad Women, and the Edges of Helpfulness in Analogies of Race
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Whether you like it or not, you're in the middle of a war that has been raging for the better part of a thousand years.
Tracie returned to the 2003 film Underworld to find a delightful – but maybe not very good – vampire and werewolves version of the Matrix. Starring Kate Beckinsale as Selene in skin-tight leather, Underworld is a visually beautiful, blue-tinged movie that marries some of the ideals of feminism with the same sexist tropes that feminism has been shining a light on since the invention of movies. Because so much of our storytelling requires badass women to fall in love with "chosen ones" rather than simply be the protagonists on their own.
The sisters also unpack an explicit fantasy allegory about interracial relationships that is well-meaning but perhaps not as effective as the movie-makers intended: race is made up, but the difference between werewolves and vampires is visible under a microscope. Sex and sexiness are also key topics of conversation, because vampires. And Kate Beckinsale. (Even though the feminism of a sexy Kate Beckinsale in skintight leather is definitely suspect.)
Though we cannot predict the future, the consequences of this episode will reverberate through 54 minutes of listening pleasure. So put on some headphones and stay out of the shadows.
Tags
deep thoughts about stupid sh*t, feminism, women, fantasy, film, movies, storytelling, allegory, underworld, kate beckinsale, michael sheen, vampires, werewolves, race, analyzing film tropes, cult classic, cultural commentary, pop culture, film analysis, psychology
This episode was edited by Resonate Recordings.
Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/
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We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls.
We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find.
We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com. For our work together, visit guygirlsmedia.com
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