Host Lenny Vaughn explores how the tritone—the "devil's interval"—transformed music through Black Sabbath's doom riffs, Bernstein's "Maria," Hendrix's "Purple Haze," and jazz substitutions. From medieval taboo to genre-defining tool, discover how one unstable interval powers metal, longing, and film scores.
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This content was created in partnership and with the help of Artificial Intelligence AI
This episode includes AI-generated content.
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