In 1955, three men in the bohemian enclave of Greenwich Village got together to form what they thought would be a local community newspaper. But the Village Voice would soon morph into the voice of the city’s political outsiders and cultural dissidents as it became the progenitor of a new genre of journalistic outlet – the alternative newsweekly – and a new style of engaged, inside out journalism that rejected the antiseptic detachment of traditional post-war newspapers. The model pioneered by the Voice spread rapidly across the country, and alt weeklies became a ubiquitous fixture in the media landscapes of large American cities in the second half of the 20th century.

Tricia Romano, our guest on this BCB episode, spent eight years as a writer and columnist for the Village Voice in the late ‘90s and early ‘00s. She is the author of The Freaks Came Out to Write, a sweeping, magisterial oral history of the original, and most storied, of the alts. Over its 88 chapters and 572 pages, Romano’s definitive account weaves together more than 200 interviews to tell the inside story of the paper that radically remade a large corner of the American journalism world in its own image.

With David away, Sandeep and Tricia discuss the epic factional ideological battles and the soap operatic personality clashes between legendary writers – Hentoff, Christgau, Gornick, Musto, Crouch, Brownmiller, Whitehead and so many others – that shaped the Voice’s quarrelsome and often overwrought internal office politics. But we also explore how the Voice became not just the chronicler, but the nurturer and the advocate, of a series of once fringe subcultures and artistic movements that fundamentally changed not just New York City but blue city cosmopolitanism more broadly. Experimental theater, radical feminism, hippie bohemianism, avant garde film, gay liberation, hip hop, all were catapulted from the social fringes to the city’s cultural mainstream by the early and loving attention of the Voice, Romano says.

We dive into the series of colorful owners -- including Rupert Murdoch, the founder of Fox News -- and editors who shaped the paper in its heyday and discuss how the Voice lost its distinctiveness in the ‘90s as once stodgy mainstream papers like the New York Times aped its concerns and poached its writers, and once the rise of the internet stole away its classified ads cash cow. And finally we lament how it finally began to unravel into its current hollowed out husk when the owners of the New Times chain of weeklies bought the Voice in 2005 and rapidly stripped it of its countercultural cool. We close by talking about how the latter day fracturing and fragmentation of our online subcultures cries out for a cohering voice of the sort that alt newspapers like the Voice once provided.

Our editor is Quinn Waller.

Outside sources:

Tricia Romano, The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper that Changed American Culture (2024).

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