In How Do Psychics Stay in Business, Trey Knowles humorously questions how psychics manage to keep their doors open while so many other businesses fail — especially when rent prices keep rising. Trey jokingly adds that if psychics truly knew their destiny with God, they probably wouldn't be psychics at all. In this laugh-out-loud stand-up set, Trey pokes fun at people who visit psychics in search of love and success, and even calls out how major industries supposedly hire psychics and sorcerers to influence and deceive audiences — including TV networks like CW and entertainment giants like Walt Disney. Trey wraps it all up with the punchline that while everyday workers are losing jobs, “the devil makes sure psychics stay in business.”

Trey Knowles' “Scarface People” is a fast-paced stand-up comedy bit where Trey takes on the strange obsession gangsters and cartel fans have with the movie Scarface. He jokes about how they idolize crime bosses, glorify the dead, and slap “RIP” tattoos on their bodies while crying, teeth gnashing, and pretending they're on a first-name basis with the Grim Reaper. With sharp punchlines and bold commentary, Trey goes headfirst into the fantasy world of Scarface worship, ripping apart the over-the-top tough-guy image and exposing how ridiculous the lifestyle obsession really looks from the outside.

Trey Knowles dives headfirst into the strange and hilarious world of skeleton-head super fans. From people who proudly collect skull decorations to those who tattoo skeletons on every available inch of their body, Trey asks the question nobody else is brave enough to ask: Why do these skeleton-head lovers love death so much? With sharp jokes and playful roasting, Trey explores pagan-style aesthetics, spooky fashion trends, and the over-the-top obsession with bones, candles, and “dark energy vibes.” Is it spiritual? Is it fashion? Or is it just people really committed to pagan practices year-round? Packed with absurd observations, wild comparisons, and laugh-out-loud commentary, “Skeleton Heads Lovers” is a fun, no-holds-barred comedy that pokes fun at spooky culture without taking itself too seriously.

Trey Knowles' “Google Parenting” is a bold, thought-provoking comedy special that dives headfirst into the modern struggle of raising children in a digital world. Through sharp wit and relatable humor, Trey challenges the growing influence of Google, social media, and screen culture on parental authority and family values. He exposes how technology often creates false realities while quietly reshaping how children think, behave, and relate to the world around them. With laughter as his weapon, Trey asks the uncomfortable questions many parents avoid: What unspoken agreement have we made with our children when smartphones and search engines become their primary teachers? What digital idols are shaping their identity, attention, and beliefs? Google Parenting blends comedy with cultural insight, offering a hilarious yet eye-opening look at parenting in the age of algorithms, notifications, and endless scrolling.

Trey Knowles' “Contentment” is a funny stand-up piece that flips the so-called American Dream on its head. We're told to live to work and work to prepare for death — but that's not the life God designed for you. That's the life the enemy sells. While the world pushes life insurance, God already prepared the way for eternal life. He's done the heavy lifting. The pressure is off. Your job isn't to grind yourself into the ground — it's to live, trust, and learn how to be content.

Trey Knowles' “Chasing the Wind” is a hilarious stand-up routine where Trey breaks down life's greatest scam: vanity on top of vanity. Everybody's out here sprinting after success, money, and approval—basically chasing the wind… and spoiler alert: the wind never clocks in.

In the set, Trey tells a wild allegory about his son-in-law's dad, who worked himself into the ground and never actually got around to living. Now the son-in-law says he misses his dad and wishes he could come back to life. Trey fires back, “Your dad does NOT want to be resurrected just to punch another timecard. Heaven ain't got a 9-to-5!”

The routine turns into a comedy sermon about hustling yourself into the grave, grinding just to die tired, and realizing too late that you spent your whole life chasing the wind instead of enjoying the breeze.

It's a funny, sharp, and painfully relatable take on working hard, missing life, and learning the ultimate lesson: don't die exhausted from nonsense.

Trey Knowles' Love and Hate is a sharp, thought-provoking comedy special that dives into the messy realities of human emotion. With humor and plainspoken wisdom, Trey reminds us that love corrects—even when it's uncomfortable—while fools despise instruction and refuse to grow. Through laughter and truth, Trey challenges audiences to confront resistance to correction, arguing that rebuke, when rooted in love, helps others learn and mature. He draws a clear contrast between love and hate: love seeks restoration, while hate lives in condemnation, offering neither repentance nor mercy. At the heart of the special is a simple but powerful question: Are you zealous for love or for hate? Because in the end, the choice is yours—you either love what is good or hate what is evil. Packed with laughs, insight, and common sense, Trey Knowles delivers a message that sticks long after the punchlines land.

Trey Knowles' “Tarzan Transitive” is an allegorical comedy that uses satire to question how society approaches belief, identity, and acceptance. Through exaggerated humor, Knowles invites the audience to consider how certain claims are embraced without critical examination.

In one comedic example, he jokingly describes himself as an ape, prompting laughter because of the obvious absurdity of the claim. This moment is used as a metaphor to explore how ideas can feel emotionally convincing while still appearing illogical when taken literally.

The comedy is designed to provoke thought and discussion rather than offer literal judgments, relying on parody to challenge the audience's assumptions. Trey explains, “You see, all of this sounds like a schizophrenia mental illness when taken literally,” urging the audience to reflect critically.