Episode 8 of This Week in Comedy is a loose, lively mix of industry news, cultural commentary, beer tasting and big picture questions about censorship, art and who gets to decide whether is just that - art!

The episode opens with Lily and Morry celebrating making it past seven episodes, swapping stories about a heavy midweek beer session and then cracking into a new brew - the Fig Leaf Saison by Sailors Grave Brewing. Then it's onto the news.

The first major story centres on Dave Hughes, who faced an unusual heckle at a Noosa show when an audience member attempted to shut down jokes about Hughes’ own son. The situation escalated when it emerged the heckler was a carer and both got removed. The hosts unpack how this crosses from traditional heckling into real time moral censorship, praising Hughes for offering the affected fan free tickets and noting it was the first attempted onstage censorship of his 30 year career.

From there, the discussion widens to whether comedy is becoming more policed, especially in the context of large corporate platforms. The Netflix Is a Joke Festival is positioned as a major global event, rivalling Edinburgh and Melbourne, but raising questions about corporate control, promotion, distribution and how much creative freedom comedians will retain under a single powerful brand.

In lighter celebrity news, the hosts touch on the amicable split between Ali Wong and Bill Hader, using it as a springboard to reflect on how difficult relationships can be within the comedy industry. Touring, scheduling and public pressure all take their toll, particularly when both partners are high profile performers.

The regular segment, this week in history, looks at The Kid, the 1921 silent film by Charlie Chaplin, and how it helped prove comedy could sustain emotional, feature length storytelling rather than just short gag reels. They also discuss the invention of the television, and its possible connection to tampons...or not. We're not sure.

But the emotional core of the episode comes with an in depth interview with Craig Quartermaine, who was denied a Queensland arts grant on the grounds that stand-up comedy is “not an art form”. The interview explores the bureaucratic absurdity of the decision, its impact on regional and Indigenous artists, and what it reveals about funding bodies, gatekeeping and cultural stereotypes.

The episode wraps with festival plugs, reflections on dark comedy and censorship, and a reminder that comedy’s job has always been to challenge ideas, provoke discussion and find the funny.

Craig Quartermaine original Reel regarding Queensland grant rejection: Click here

Sailors Grave Brewing Fig Leaf Saison: Click here

The Kid, starring Charlie Chapman: Click here

Learn more about This Week in Comedy by visiting www.thisweekincomedy.com.au

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Episode seven of This Week in Comedy hits the “magic number” (apparently the average podcast only makes it to 7 episodes) and Morry and Lily celebrate by diving into big comedy news, bigger opinions, and an even bigger beer - an 8 per cent Garage Project “Pernicious Weed” that tastes like intense bitter melon and threatens to end the podcast early.

The episode opens with a field trip to Raw Comedy at the Esplanade Hotel’s Gershwin Room in St Kilda, one of Australia’s biggest amateur stand up competitions. The hosts catch up with two Hard Knock Knocks Comedy School alumna, Jorgia Rice and Kiara Ariza, before and after their heats. Jorgia, less than a year into comedy and already around 40 gigs deep, talks about the thrill of performing for her biggest crowd yet, and shares how she's leaned into her now signature “rice” material. Kiara shares her own pre-show nerves, festival plans, and a background in performance work that is clearly paying off. Both comedians end the day on a high: they are announced as heat winners and progress to the next round.

From there, the conversation turns serious: censorship and free speech in the arts, sparked by the recent Adelaide Writers Festival controversies and the broader tension around political viewpoints, particularly those influenced from abroad. The hosts argue that debate and creative expression cannot be selectively allowed. It is either all on the table or none of it is.

Another scandal follows: Brisbane comedian Craig Quartermaine receives an arts grant rejection stating stand up comedy is not supported as an eligible performing art form, a line the hosts call equal parts absurd and illuminating, and a rallying point for better recognition of comedy as a legitimate art.

The episode wraps with a quick “funny in the moment” Aldi encounter and a nod to comedy pioneer Phyllis Diller and her data driven comedy approach. Finally, Morry shares an interview with Bob Stevenson and the upcoming Hard Knocks Comedy Course in Sydney, from 1 to 5 February in Newtown.

Raw Comedy entry: Click here

Craig Quartermaine original Reel regarding Queensland grant rejection: Click here

Sydney Hard Knock Knocks Comedy Course Sign-up: Click here

Learn more about This Week in Comedy by visiting www.thisweekincomedy.com.au

Hosted on Acast. See acast.com/privacy for more information.

The first episode of This Week in Comedy for the year kicks off with relaxed, self-aware chaos as Lily and Morry ease into 2026. The conversation opens with Christmas reflections, including a clarification that while Christmas at Lily’s house isn’t fully “cancelled”, it has been significantly scaled back. So don’t worry, the kids ain’t getting coal. This leads into a surprisingly long and joyful discussion about objectively ugly footwear, with moccasins and Crocs emerging as the clear winners (for losers).

From there, the episode shifts into comedy news and history. The hosts note the Golden Globes introducing a podcast category for the first time, sparking dreams (and realism) about future international recognition. Then they go dark. Dead at 88, did you know that Charlie Chaplin was a Communist?! I mean, who isn’t these days. All the kids are doing it. This theme darkens further with discussion of the 2015 Charlie Hebdo attack. Satire, free expression, and the real-world consequences comedy can provoke, before the mood is intentionally lightened again.

A major focus of the episode is “Comedy Country”. This is a large, PhD research project examining comedy’s cultural impact, inclusivity, and economic sustainability. Involving major universities and substantial funding, the project explores how comedy has broadened representation and reduced cultural barriers, while also asking how the industry can remain financially viable. This naturally connects to the business of comedy, streaming platforms’ obligations to fund Australian-made content, and the possibility of digital taxes on global tech companies profiting from comedy without directly supporting creators.

Beer is back, baby! Morry had popped into Swords Select at the South Melbourne Market, and picked up a Kiwi lager, called ‘Mutual Drift‘ – a hoppy beer, which was well received.

And then the episode looks at a near-death experience in Collingwood. That might be an exaggeration. In short, it’s a dry generational joke about football colours that lands with tension and awkwardness that one would expect when Morry tries to be ‘funny in the moment’. Ah, you just had to be there.

Finally, attention turns to Raw Comedy, with an in-depth interview with comedian Drago Ivan. He talks with Lily regarding winning his heat and surviving a serious car accident that pushed him into comedy. Ivan also discusses running rooms, networking, and offering practical advice for newcomers. The episode wraps with optimism as Australia’s comedy calendar ramps up, major festivals loom, and the year ahead promises momentum for the local scene.

Register for Raw Comedy: Click here

The Business of Comedy Conference: Click here

Melb Comedy Scene on Instagram: Click here

Slow Lane Brewing, New Zealand: Click here

Learn more about This Week in Comedy by visiting www.thisweekincomedy.com.au

Hosted on Acast. See acast.com/privacy for more information.