The one animal we can’t seem to live without, even when we really, really want to.

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• Prologue: At the announcement of New York City’s inaugural rat czar, we meet Darneice Foster, who despises the rats outside her apartment. And host Ira Glass introduces two special co-hosts for today’s show. (11 minutes)
• Act One: Producer Elna Baker meets Todd Sklar, a man who can’t quit rats. (22 minutes)
• Act Two: Fifty years ago, New York City started to put garbage out in plastic bags. This has become the number one food source for rats. Producer Ike Sriskandarajah investigates the decision that led to the city’s rat baby boom. (10 minutes)
• Act Three: How did Alberta, Canada pull off a feat that has eluded the rest of human civilization? Ira visits the largest rat-less land in the world. (15 minutes)
• Act Four: We drop a hot mic into a hot mess of a rats’ nest. You’ll never believe what happens next. (3 minutes)

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Stories about the intersection of Christmas and retail, originally broadcast in 1996 when our show was only a year old. Including David Sedaris's "Santaland Diaries" about the seasons he spent working as an elf at Macy's.

How one block in Portland, Oregon became a movie-set war zone that lots of people think is a real war zone.

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• Prologue: What the movie Hearts of Darkness and right-wing influencers have in common. (8 minutes)
• Act One: Producers Zoe Chace and Susanne Gaber follow a bunch of right-wing influencers as they search for Antifa in Portland. (31 minutes)
• Act Two: We meet the so-called leader of Antifa in Portland. (16 minutes)

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The vexing difficulty of finding the perfect gift.

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• Prologue: Host Ira Glass goes to a busy Target store one week before Christmas. Most shoppers he talks to don't think any of their gifts will be returned. (3 minutes)
• Act One: Ian Brown tries, after decades of failure, to give his mother the perfect Christmas gift. He and his brother attempt something they haven't done since they were kids: Rehearse and sing her a program of Christmas carols. (19 minutes)
• Act Two: We play a 1959 original recording of Truman Capote reading his holiday story A Christmas Memory. (18 minutes)
• Act Three: Caitlin Shetterly reports on a true-life holiday fable from rural Maine, complete with a misunderstood recluse with a heart of gold, a deserving family in need, and a very special Christmas tree farm with secrets of its own. (16 minutes)

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When history comes knocking, you have to figure out what to do.

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• Prologue: Brittany’s job is to answer anonymous calls and texts from people in the military. This year, she’s gotten more than usual–most of them are wondering about what to do with orders they’ve been given. Or orders they’re afraid they’ll get someday in the future. (9 minutes)
• Act One: Jad Abumrad tells the story of the "ideological genealogy” of Fela Kuti’s anti-colonial politics–his mother. In late 1940s Nigeria, Funmilayo Ransome-Kuti found herself at the center of a big, historical moment: an uprising led by thousands of women selling goods in Nigeria’s markets. Jad goes searching for who she really was, and how she became the person who galvanized a movement when history demanded it of her. (45 minutes)

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What’s in the box? What’s in the $%&ing box?!?

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• Prologue: A class of second graders is handed a sealed box with a mystery object inside. They are supposed to guess what it is, but the lesson goes off the rails. (8 minutes)
• Act One: A man is hired along with a crew to dig a mysterious hole on the slopes of Mt. Shasta. The hole goes sixty feet down. But what are they looking for? (24 minutes)
• Act 2: A sparkly mystery. One woman hopes the military-industrial complex is involved. (4 minutes)
• Act Two: What happens when the full force of the federal government arrives on your block? (14 minutes)
• Act Three: A comedian finds himself trapped in an uncomfortable mystery in the backseat of a cab. (4 minutes)

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What’s great about living in a family is that everyone sees everything differently. Also, that’s what’s awful about living in a family. We go behind closed doors with two families.

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• Prologue: When Heather Gay started taking steps away from Mormonism, she thought it was her secret. That her daughters had no idea. Until she talked to them about their mismatched memories. (17 minutes)
• Act One: In every house, behind every closed door, a private drama is unfolding. In the Rivera house, the drama comes in the form of a question: should they stay or should they go? This question winds its way around the house until someone finally answers it. (44 minutes)

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