『The Woman Suit: Ed Gein's Obsession, the Graves, and the Crimes』のカバーアート

The Woman Suit: Ed Gein's Obsession, the Graves, and the Crimes

The Woman Suit: Ed Gein's Obsession, the Graves, and the Crimes

無料で聴く

ポッドキャストの詳細を見る
(00:00:00) The Woman Suit: Ed Gein's Obsession, the Graves, and the Crimes
(00:00:42) Augusta's World
(00:02:01) The Deaths Before the Crimes
(00:03:19) The Grave Robbing Years
(00:04:31) What He Built in That Farmhouse
(00:05:41) Mary Hogan, Nineteen Fifty-Four
(00:06:30) November Sixteenth, Nineteen Fifty-Seven
(00:07:27) The Arrest and What Followed
(00:08:46) Alfred Hitchcock Reads the Paper
(00:10:04) The Template Multiplies
(00:11:21) The Bigger Issue
(00:12:46) What We Know Now

Inside a decaying farmhouse outside Plainfield, Wisconsin, Ed Gein had built something that investigators were not prepared to find. Chairs upholstered with human skin. Bowls fashioned from skulls. Masks made from preserved human faces. And a woman suit — assembled piece by piece from exhumed bodies — meant to let him become the mother he could not live without.

This episode is the heart of the story. We follow the sequence that made Ed Gein what he was: Augusta's iron control over the family farm, the suspicious death of his brother Henry in 1944, Augusta's own death in December 1945, and the long, strange years that followed. The grief that didn't look like grief. The cemetery visits that no one noticed. The nine or ten graves quietly opened in the night.

We trace the first documented killing — the 1954 disappearance of tavern owner Mary Hogan from Pine Grove — and examine how Gein moved through a community that saw him as odd but harmless. A man who waved to his neighbors. A man who did odd jobs. A man no one looked at twice.

Along the way, we explore the psychological architecture Augusta built: a cage in which women were simultaneously sacred and terrifying, and Ed's identity was organized entirely around hers. When she died, the cage lost its keeper — and Ed began filling the silence in the only way he knew.

This is the episode that explains why Ed Gein didn't just become a criminal case. He became the template for Norman Bates, Leatherface, and Buffalo Bill — the founding father of American horror.

This episode includes AI-generated content.
adbl_web_anon_alc_button_suppression_t1
まだレビューはありません