『The Wild Photographer』のカバーアート

The Wild Photographer

The Wild Photographer

著者： Court Whelan
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The Wild Photographer is a podcast for wildlife, nature, landscape, and travel photographers who want to make better photos and get more out of photography.


Hosted by professional photographer, biologist, expedition leader, and photo guide Court Whelan, PhD, the show combines practical photography advice with lessons learned from photographing wildlife and wild places around the world.


Episodes cover wildlife photography techniques, camera settings, lenses and gear, composition, landscape and travel photography, editing, creativity, and fieldcraft, along with conversations with professional photographers and visual storytellers.


Whether you're a beginner or an experienced photographer, expect approachable advice you can actually use in the field, plus plenty of adventure, curiosity, and enthusiasm for the craft.

© 2026 The Wild Photographer アート 生物科学 科学
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  • Love 'em or Hate 'em? Five Pieces of Controversial Photography Gear Explained

    Love 'em or Hate 'em? Five Pieces of Controversial Photography Gear Explained
    2026/10/13
    Can using a tripod actually make you a worse photographer? Are $15,000 super-telephoto lenses really worth it? And could a crop-sensor camera actually be better than full-frame for wildlife photography?Photographers have surprisingly strong opinions about gear. But after years of guiding photography expeditions around the world, I've come to realize that some of the most passionately debated pieces of equipment don't have a clear right or wrong answer.In this episode of The Wild Photographer, I'm diving into five surprisingly "controversial" pieces of camera gear, exploring why some photographers swear by them while others avoid them entirely. From giant wildlife lenses and teleconverters to tripods, crop sensors, and polarizing filters, I'll break down the advantages, disadvantages, and my own field-tested opinions.The goal isn't to convince you to buy more gear—or throw anything out. It's to help you think more critically about the equipment you already have and make better decisions for the photography you actually do.What You'll Learn in This EpisodeTripods: Essential or creativity killers? Why tripods are indispensable for long exposures, astrophotography, and certain landscapes, but can also slow you down and discourage experimentation with composition.Giant super-telephoto primes vs. zoom lenses: The extraordinary image quality and low-light advantages of 400mm f/2.8 and 600mm f/4 lenses versus the versatility, portability, and freedom of telephoto zooms.Crop sensors vs. full-frame for wildlife: Understanding crop factors, pixel density, the myth of "extra reach," and when a smaller sensor might actually put more useful pixels on your subject.Teleconverters: Brilliant innovation or optical compromise? Why I'm much more enthusiastic about 1.4x teleconverters than 2x versions, and when cropping your image might be the better solution.Circular polarizers: Amazing tools that are often overused: How polarizers can eliminate reflections and improve landscapes in ways editing software can't easily replicate—and why permanently leaving one on your lens might be a mistake.Bonus: The great UV-filter debate. Why I use high-quality protective filters on most of my lenses, despite understanding why other photographers won't touch them.Links & Resources MentionedRelated Podcast Episodes and PhotographersTalking with Will Patino: The 4 Pillars of Landscape Photography, Simple Editing Techniques, and Why He Ditched the Tripod — My conversation with landscape photographer Will Patino, including his remarkable handheld landscape photography techniques.Will Patino Photography — Will's landscape photography, workshops, and educational resources.UV Filters Explained: Worth It, Overrated, or Essential Lens Protection? — My full deep dive into the pros, cons, and considerations of using protective filters.All About Camera Sensors: Understand Them and Improve Your Photography — A deeper explanation of sensor size, pixels, ISO, and image quality.Landscape Photography 101 & 102: Tips to Instantly Elevate Your Landscape Photos — More about tripod use, composition, and camera settings for landscapes.Lenses and Teleconverters DiscussedThese are examples of the types of equipment discussed in the episode, rather than a definitive shopping list.Canon RF 400mm f/2.8 L IS USMCanon RF 600mm f/4 L IS USMCanon RF 100–500mm f/4.5–7.1 L IS USMTamron SP 150–600mm f/5–6.3 G2Canon RF 1.4x TeleconverterCanon RF 2x TeleconverterPolarizing and Protective FiltersA few of the filter manufacturers and options I discuss:PolarPro QuartzLine Filters — Circular polarizers and UV filters.Hoya HD3 UV Filters — Premium multi-coated protective filters.B+W UV and Clear Protection Filters — Including the MASTER series.Singh-Ray Filters — Premium specialty filters.Keep Learning PhotographyFor more photography tutorials, editing demonstrations, gear discussions, and lessons from the field, check out my YouTube channel, Court Whelan.And I'd love to hear your thoughts on this episode! What's a piece of photography gear you absolutely love that everyone else seems to hate? Or something you think is completely overrated?Head over to my YouTube channel and leave a comment. Your answer might just inspire a Part Two!Remember: The best piece of camera gear isn't necessarily the most expensive, the sharpest, or the one other photographers tell you to buy. It's the one that helps you make the photograph you actually want to make.Court's WebsitesCheck out my photo portfolio here: shop.courtwhelan.comSign up for my photo and conservation blog at www.courtwhelan.comFollow me on YouTube (@courtwhelan) for more photography tipsView my camera kit and recommended camera gearSponsors and Promo Codes:MPB.com - Buy, Sell, or Trade Camera GearArtStorefronts.com - Mention this podcast for free photo website designBayPhoto.com - 25% off your first order (code: TWP25) ArtHelper.com - a photo community to learn, share and be inspiredArthelper.Ai -...
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    39 分
  • Wildlife Photography Gear for Beginners: Cameras, Lenses and Industry Trends with Allison McLaughlin

    Wildlife Photography Gear for Beginners: Cameras, Lenses and Industry Trends with Allison McLaughlin
    2026/09/29
    What camera gear do you actually need for getting into wildlife photography? And perhaps just as importantly, what don’t you need?In this episode, Court sits down with Allison McLaughlin for a deep dive into building a wildlife photography kit, particularly for beginner and intermediate photographers. They cover everything from why autofocus tracking and telephoto reach matter so much for wildlife, to the advantages of crop sensors, zoom lenses, used gear, and even sticking with a DSLR for a little longer.They also get very specific, working through approachable camera bodies and wildlife lenses from Canon, Nikon, Sony, Fujifilm, and OM System/Micro Four Thirds. Along the way, Court and Allison talk about how much telephoto reach you really need, why a 600mm lens isn't automatically better than a 400mm lens, and why the wide end of a telephoto zoom can be every bit as important as the long end.Perhaps the biggest lesson from this conversation is that your next camera does not have to be your final camera. Wildlife photography gear can get expensive very quickly, but there is a huge amount of excellent equipment available one or two generations back, particularly on the used market.Connect with Allison: https://www.reddit.com/user/mpbcom/Cameras MentionedCanonCanon EOS R50View the Canon EOS R50Canon EOS R10View the Canon EOS R10Canon EOS 7D Mark IIView the Canon EOS 7D Mark IICanon EOS 5D Mark IVView the Canon EOS 5D Mark IVNikonNikon Z50 IIView the Nikon Z50 IINikon D500View the Nikon D500Nikon Z8View the Nikon Z8SonySony A6100View the Sony A6100Sony A6400View the Sony A6400Sony A6600View the Sony A6600Sony A1View the Sony A1Sony A1 IIView the Sony A1 IIFujifilmFujifilm X-T30 IIView the Fujifilm X-T30 IIFujifilm X-S10View the Fujifilm X-S10OM SystemOM System OM-5View the OM System OM-5Lenses MentionedCanonCanon RF 100-400mm f/5.6-8 IS USMA lightweight, relatively affordable RF wildlife zoom that Allison specifically highlights as a strong starting point.View the Canon RF 100-400mmCanon EF 100-400mm f/4.5-5.6L IS USMThe transcript does not specify which generation of the EF 100-400mm, so both versions are included here.View the original Canon EF 100-400mmView the Canon EF 100-400mm IINikonTamron 70-300mm f/4.5-6.3 Di III RXD for Nikon ZOne of Allison's budget-conscious recommendations for someone building a Nikon Z wildlife kit.View the Tamron 70-300mm Nikon ZNikon AF-S Nikkor 200-500mm f/5.6E ED VRAn older F-mount wildlife favorite that can also be adapted to Nikon Z bodies.View the Nikon 200-500mmSonySony E 70-350mm f/4.5-6.3 G OSSAllison's standout recommendation for Sony APS-C wildlife shooters.View the Sony 70-350mm G OSSSony FE 200-600mm f/5.6-6.3 G OSSDiscussed as an excellent example of the versatile long-telephoto range that works especially well for wildlife and birds.View the Sony 200-600mmSony FE 400-800mm f/6.3-8 G OSSAn example of just how much reach modern wildlife lenses can provide, while also illustrating why the minimum focal length of a zoom matters.View the Sony 400-800mmSony FE 100-400mm f/4.5-5.6 GM OSSThe Sony 100-400mm is also discussed when comparing versatile wildlife zoom ranges.View the Sony 100-400mm GM OSSFujifilmFujifilm XF 70-300mm f/4-5.6 R LM OIS WRAllison's pick for a compact Fuji wildlife setup, with stabilization and weather resistance.View the Fujifilm XF 70-300mmMicro Four Thirds / OM SystemOlympus M.Zuiko 150-400mm f/4.5 TC1.25X IS PROThe lens Court used in Namibia, giving a tremendous effective focal range on the Micro Four Thirds system.View the Olympus 150-400mmOlympus M.Zuiko Digital 75-300mmAllison recommends the 75-300mm range as an especially compact way to get roughly a 150-600mm full-frame equivalent field of view. The episode does not specify which generation.View the original Olympus 75-300mmView the Olympus 75-300mm IIPanasonic Lumix G Vario 100-300mmAnother Micro Four Thirds option discussed for getting substantial wildlife reach without carrying a huge lens. The specific generation is not identified in the conversation.View the original Panasonic 100-300mmView the Panasonic 100-300mm IILens Adapters MentionedCanon Mount Adapter EF-EOS RAllows Canon EF DSLR lenses to be used on Canon RF mirrorless bodies.View the Canon EF-EOS R AdapterNikon FTZ Mount AdapterAllows compatible Nikon F-mount DSLR lenses to be used on Nikon Z mirrorless cameras.View the Nikon FTZ AdapterCourt's WebsitesCheck out my photo portfolio here: shop.courtwhelan.comSign up for my photo and conservation blog at www.courtwhelan.comFollow me on YouTube (@courtwhelan) for more photography tipsView my camera kit and recommended camera gearSponsors and Promo Codes:MPB.com - Buy, Sell, or Trade Camera GearArtStorefronts.com - Mention this podcast for free photo website designBayPhoto.com - 25% off your first order (code: TWP25) ArtHelper.com - a photo community to learn, share and be inspiredArthelper.Ai - Smart tools to promo and showcase your art.LensRentals.com - WildPhoto15 ...
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    1 時間 21 分
  • Making Photography Fun (Again?)

    Making Photography Fun (Again?)
    2026/09/14
    Photography is supposed to be fun. But somewhere along the way, as we get better at it, acquire more gear, learn more techniques, and start expecting more from every photograph, some of that original excitement can fade.In this episode, Court explores how to bring some of that playfulness, curiosity, experimentation, and excitement back into photography. This isn't really an episode about taking technically better photographs. In fact, that's sort of the point. It's about enjoying the process, trying things without worrying whether they'll work, and occasionally giving yourself permission to make some genuinely bad photos along the way.From simplifying your camera kit and creating photo assignments to breaking your own habits, printing photographs, shooting with friends, and sometimes leaving the camera at home altogether, Court shares practical ways to reset your photographic brain and rediscover some of the excitement that probably got you hooked on photography in the first place.In This EpisodeSimplify your gear. Try heading out with one camera and one lens. Removing choices forces you to work a little harder creatively and spend less time managing equipment.Give yourself a very specific photo assignment. Photograph only shadows, reflections, textures, one color, things in motion, or subjects less than a foot off the ground.Limit yourself to one focal length. Even with a zoom lens, pick something like 35mm and don't touch the zoom ring.Pretend you're shooting film. Give yourself exactly 24 photographs, or tell a complete photo story using only five images.Make photographs you never intend to share. Take Instagram, portfolios, competitions, and other people's opinions completely out of the equation.Break your normal photographic habits. Photograph wildlife wide, landscapes with a telephoto, moving subjects at slow shutter speeds, or scenes at apertures you'd normally avoid.Learn one small new technique. Try focus stacking, panoramas, intentional camera movement, exposure bracketing, astrophotography, macro, or black-and-white photography.Try a completely different genre. Wildlife photographers can photograph architecture. Landscape photographers can try street photography. Travel photographers can spend an hour chasing insects and wildflowers.Stop waiting for perfect conditions. Instead of asking whether the light or weather is "good," ask what kind of photography those conditions make possible.Spend more time with fewer subjects. Pick one tree, flower, bird, landscape, or street corner and photograph it for 15 or 20 minutes. The interesting photographs often start after you've exhausted the obvious ones.Observe wildlife instead of simply collecting photographs of it. Once you've "got the shot," keep watching. Behavior, light, composition, and interactions can change quickly.Print your photographs. Even a simple 4x6, 5x7, or small collection of prints can completely change your relationship with an image.Photograph with other people. Seeing what catches another photographer's eye can reveal compositions and ideas you would have walked right past.Occasionally leave the camera at home. Experience a hike, sunset, wildlife sighting, or beautiful place without constantly evaluating it as a photograph.Remember why you started. Photography becomes a lot more interesting when you start asking "What if?" again.Mentioned in the EpisodeCourt Whelan on YouTubeSearch "Court Whelan Photography" on YouTube for photography tutorials, editing videos, techniques, and photo-travel content.https://www.youtube.com/@courtwhelanFoxPrintSmall Polaroid-style photo prints and other easy ways to turn digital photographs into something physical.https://www.foxprint.com/collections/square-printsCourt's WebsitesCheck out my photo portfolio here: shop.courtwhelan.comSign up for my photo and conservation blog at www.courtwhelan.comFollow me on YouTube (@courtwhelan) for more photography tipsView my camera kit and recommended camera gearSponsors and Promo Codes:MPB.com - Buy, Sell, or Trade Camera GearArtStorefronts.com - Mention this podcast for free photo website designBayPhoto.com - 25% off your first order (code: TWP25) ArtHelper.com - a photo community to learn, share and be inspiredArthelper.Ai - Smart tools to promo and showcase your art.LensRentals.com - WildPhoto15 for 15% off
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    28 分
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