エピソード

  • Quackcast 760 - what's up with horror?

    Quackcast 760 - what's up with horror?
    2025/10/07

    It's October and so it's time to talk about horror again! Not may fave genre but there are decent things that make it up and Banes, Tantz and I chat about some of them. Recently I enjoyed the anime DanDaDan and the American adult animated show Haunted Hotel, both on Netflix. They're both horror themed silly comedies that have a bit of parody of the genre and I really appreciate that. The horror comic I most recently enjoyed was DemiMon Hollow Town Syndrome, which I also recently featured.

    We brought up a lot of different horror themed work on DD and you can check that out in our links bellow. What are your fave horror themed things that you've seen recently? Fave horror comics on DD?

    This week another special from Gunwallace - Pestilent - thoughtful, haunting, reminds me a little of a classic horror film soundtrack. Pretty scary! - Originally from Quackcast 285, 22nd of August 2016.


    Topics and shownotes

    Links

    Tantz's horror discussion thread - https://www.theduckwebcomics.com/forum/topic/180101/

    Mentioned horror comics
    DemiMon Hollow Town Syndrome by DemiMon - https://www.theduckwebcomics.com/DemiMon_Hollow_Town_Syndrome/
    Trevor by JCorrachComics - https://www.theduckwebcomics.com/TREVOR/
    THE GLOAMING by hansrickheit - https://www.theduckwebcomics.com/THE_GLOAMING/
    Mortify by PitFace - https://www.theduckwebcomics.com/Mortify/
    Elmwych by Ironscarf - https://www.theduckwebcomics.com/Elmwych/
    Charby the Vampirate by Amelius - https://www.theduckwebcomics.com/Charby_the_Vampirate/
    Carl and The Lost Shadow by Jazzy - https://www.theduckwebcomics.com/Carl_and_The_Lost_Shadow/
    Key of Dreams - https://www.theduckwebcomics.com/Key_of_Dreams/

    Cover image from Tantz's Verdant - https://www.theduckwebcomics.com/Verdant/

    Featured comic:
    Tales of Rosemary Middle School - https://www.theduckwebcomics.com/news/2025/sep/30/featured-comic-tales-of-rosemary-middle-school/

    Featured music:
    Pestilent - http://www.theduckwebcomics.com/Pestilent/ - by Internecinevisuals, rated M.

    Special thanks to:
    Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/
    Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
    Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
    Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
    Banes - https://www.theduckwebcomics.com/user/Banes/


    VIDEO exclusive!
    Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
    - https://www.patreon.com/DrunkDuck
    Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!

    Join us on Discord - https://discordapp.com/invite/7NpJ8GS
    続きを読む 一部表示
    53 分
  • Quackcast 759 - Copcast

    Quackcast 759 - Copcast
    2025/09/30
    Police themed stuff is a popular genre! It's full of tropes and stylised aspects and generally very different from the reality, both from the actual police perspective and the perspective of those that deal with them, and I think I prefer it that way because the reality is usually pretty sad and ugly for all involved. So today we're talking about police theme things, set in the present, past, and future! One of the tropes we covered is the savant cop. It's a character that's based on Sherlock homes, they're not always officially police, in fact like him they're often private detectives or “consultants” is the popular thing these days. Sherlock Holmes was basically just a super genius but these days it's fashionable to make the expertise pathological, even stuff that's based directly ON Sherlock. They often NEED to be neurodivergent, from Monk, to High Potential, to Patience, The Finder, Bones etc, Though not always, like The Mentalist and White Collar. Then there's Law and order (and it's spin-offs). This highly venerable show made its mark by doing what most cop shows never do: showing what happens AFTER an investigation. You actually always got too see the trial. Other shows sometimes did that but for Law and Order it was solidly part of the format and that was pretty cool. It's not realistic because everything happens way too fast and orderly but it was good to see anyway. My fave manga/Anime cop themed stuff is Dominion Tank Police and Ghost in the Shell. They cover things from the police perspective and they're amazing. They envisage how police would work in a future world, one with tanks that can tackle even the most severe aspects of crime in an exaggerated and comical way, and one that has expertise hacking and taking a more black-ops, specialised military approach to their work. Patlabor is like Tank Police in that they use heavy vehicles but in their case it's mecha instead of tanks and the approach isn't comical. There are good sci-fi approaches in Star Trek Deep Space Nine, Babylon 5, and even Galaxy Rangers. Stuff set in the past is fun too, we have the Sherif of Nottingham in Robinhood as a very bad fellow, there's The Name of The Rose and Cadfael with actual monks acting as investigative policemen during the time of the crusades, then Tombstone and a host of other cowboy shows and movies that cover all aspects of the law in the late 19th century American West. Rush was one of my faves, it was about a policeman in Australia during the gold Rush in the mid 19th century, that was a very unique view and a great theme song! Almost as good as the theme song for the original 1970s version of Van Der Valk, a British show about a Dutch police investigator in the Netherlands. I would say my faves are Miami Vice due to the style, The Mentalist due to the cleverness of the main character without resorting to supernatural or neurodivergent abilities as well as having a woman in charge of the team and the way they generally had a non-adversarial relationship with their captain, Dominion Tank Police, Ghost in the Shell Stand Alone Complex, and The Bill- but only the early seasons of it before it turned into a ridiculous soap opera- It began as a very procedural cop show showing every aspect of policing from the most minor crimes to more serious stuff in a very realistic way without flashy fights and car chases or constant gristly murders, nothing else did that. So what are your faves? Do you like copshows? Would you prefer them to be more realistic? Do you like the fantasy/historical/Sci-Fi stuff or do you prefer them to be set in the present day? Another best-off from Gunwallace and this week it's - Grey Sky Blue Moon - I’m tempted to write a bad early 80s rap for this, but I won’t torture people that way. This tune is remarkably 1980s in style: rap, dance style music, exactly like you’d get from a big budget movie from 1984 or ‘85. Think Beverly Hills Cop or Police Academy. It’s perfect! It’s a great match for the crazy light night hi-jinks that the girls of Grey Sky Blue Moon get up too! Originally Quackcast 462 4th January 2020 - the start of Covid! Topics and shownotes Links Featured comic: LAVENDER - https://www.theduckwebcomics.com/news/2025/sep/23/featured-comic-lavender/ Featured music: Grey Sky Blue Moon - https://www.theduckwebcomics.com/Grey_Sky_Blue_Moon/ - by xailenrath, rated M. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
    続きを読む 一部表示
    1 時間 1 分
  • Quackcast 758 - Confidence is Key

    Quackcast 758 - Confidence is Key
    2025/09/23

    Confidence is key! Confidence can make very attractive protagonists and villains and it can make almost any character sexy because confidence is compelling. Main characters and villains never have to be confident, but if you want your audience to be drawn to them it's a great technique. To make a sexy, compelling character confidence works was better than skin tight clothes, lingerie, big muscles or bouncing boobies.

    What is confidence? It's self possession, being comfortable in yourself, being sure of yourself and your decisions, positivity, an air of competence, command, and even control. All these things can work together to become confidence. But there are ways of faking it too: Being arch, arrogant, superior, being an arsehole, entitled, bossing people about, relying on a higher rank or superior job title etc. these things are easy to mistake for confidence and many people tend to imitate or strive for these traits thinking it will make them attractive and popular, but it never quite works.

    A character doesn't have to start out with confidence or be confident all the time. Many achieve it on their journey over the course of a story. For some it's only in specific contexts, like when they're experts at something. Some start out confident and lose it in the story in order for them to be rebuilt. The mousey girl with glasses and the ponytail doesn't suddenly become sexy because she takes off the glasses and lets down her hair, rather it's because she becomes more confident and those things are symbols of that.

    Who're some of your fave confident characters in fiction? For me: The Dread Pirate Roberts is a great example, Lord Blackadder in Blackadder 2, lord Flashheart and Captain Flashheart from Blackadder 2 and 4 respectively is a massively confident and attractive character, Elvira Mistress of the Dark is a woman with so much confidence she's a sex-symbol for the ages, Gomez Adams as played by John Astin is supremely confident, Alan Rickman's Sherif of Nottingham stole the whole movie because of the character's confidence.

    This week Gunwallace was is back an in perfect form, he gave us a second take on a theme to Curse of the Office Werewoman - Creepy, driving, compelling, official… HR is sending you directives you simply CANNOT ignore! Get to it, obey like a good office drone and shake dat ass on the dance-floor!
    The first version was live in Quackcast 683 - 16th of April 2024.


    Topics and shownotes

    Links

    Featured comic:
    Critical M4ss - https://www.theduckwebcomics.com/news/2025/sep/16/featured-comic-critical-m4ss/

    Featured music:
    Curse of the Office Werewoman - https://www.theduckwebcomics.com/Curse_of_the_Office_Werewoman/. - by CorneliusCool, rated T.

    Special thanks to:
    Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/
    Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
    Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
    Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
    Banes - https://www.theduckwebcomics.com/user/Banes/


    VIDEO exclusive!
    Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
    - https://www.patreon.com/DrunkDuck
    Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!

    Join us on Discord - https://discordapp.com/invite/7NpJ8GS
    続きを読む 一部表示
    1 時間
  • Quackcast 757 - Memento Mori

    Quackcast 757 - Memento Mori
    2025/09/16
    Mortality is a heavy, heavy subject. It was brought up in the forums a while ago so we're chatting about it now. We talk about death in popculture, how we treat death in our comics and our growing awareness of mortality as adults. You become increasingly aware of mortality as you age, mainly because you witness more and more of it in action; pets, celebrities that you loved, public figures that you're aware of, grandparents, family friends, parents, friends, and eventually even you have health scares. It's a cumulative thing, but eventually you move from being young and immortal to having the spectre of death ever-present. The ultimate goal of ALL life is immortality, it's what it always strives for in various ways; the two main ones being longevity and reproduction. Life is amazing in that it's a self sustaining bunch of chemical reactions and processes that have an inbuilt goal to keep on going forever however that can be accomplished. There are almost immortal things in our world like the earth and our sun that are billions of years old but even they die eventually and they have no way, will, or mechanism to prevent that, unlike life. But even though we as humans have relatively long lives compared to most other living things and we reproduce quite well, we as individuals certainly are NOT immortal and we have to deal with that in many ways. Our cultures traditionally separate death from normal life, we venerate it through religious practice, explain it and mythologise it. In the modern day we're separated from the realities of death more than ever before because childhood mortality is super low, we all live longer than ever before and when we reach the end of life we're hidden away in retirement homes and hospitals. Most people live in cities and don't experience the same close relationship with death that those on farms and fishing communities constantly dealt with. But it never goes away. As time moves on it always draws nearer, like a slowly creeping shadow. Which is a great analogy because light seems so bright and active, warm and enveloping, it seems ever-present and forever lasting- our sun is four and a half billion years old. But the end will come for that too eventually and things will return to darkness. Darkness and non-life are the natural state of things, life is only a brief glow, an aberration, momentary. The idea that life and death, dark and light are equal, different sides of the same coin and in balance is total and complete nonsense: Darkness and death are the normal, ordinary, basic, state of things- it's ubiquitous and universal, whereas life like light is unusual, precious, singular and special. Never forget that. This week Gunwallace was still recovering from his hospital stay so another best off: Life and Death - Light hearted lyrics and classical vaudevillian comical ukulele mixed with synth in the best tradition of flight of the Conchords… but this is Gunwallace !Originally 20th Feb 2017 in Quackcast 311 Topics and shownotes Links Mortality thread - https://www.theduckwebcomics.com/forum/topic/180089/ Featured comic: DemiMon Hollow Town Syndrome - https://www.theduckwebcomics.com/news/2025/sep/08/featured-comic-demimon-hollow-town-syndrome/ Featured music: Life and Death - http://www.theduckwebcomics.com/Life_and_Death/, by Joff, rated E. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
    続きを読む 一部表示
    58 分
  • Quackcast 756 - Not dumb, layered

    Quackcast 756 - Not dumb, layered
    2025/09/09
    Today we're chatting about things that are ostensibly superficially straightforward, but are actually quite clever and layered in many ways. The two prime examples are Paul Verhoven's Robocop and Starship Troopers. They can both be taken as simply dumb, hyper-violent action films, but both are also good, solid, basic satirical critiques of society. Robocop is a critique of over-corporatism and commercialism, where the myth that “private enterprise does it better” is taken to an extreme. A company takes over the police and the governance of the city of Detroit. Policeman, officer Murphy is killed on the job, only to be revived as a cyborg and we find that the corporation owns him even after he's dead. He becomes their mindless robot slave. The whole film can be taken either as a violent action movie about a super robot cop blasting his way to justice, or as the story of a literal corporate slave on a journey to regain his own humanity and freedom and in doing so he has to murder the CEO of the corporation to free himself. Which is a very symbolic act for an American film where CEOs are seen as demigods. Starship Troopers can be taken as a simple story of brave solders flying into space and fighting back on a crusade against disgusting bug aliens that threaten earth. But we learn that the aliens were only after earth because humans threatened them first, and rather than being the underdogs, the humans are actually massively superior and the aliens are afraid… rather than fighting for our existence we're actually committing genocide (or xenocide), which was also the point of Ender's Game by Orson Scott Card. With that little bit of extra info all the testosterone, gun firing, soldier camaraderie, patriotism and support for the troops takes on a sinister edge. If we look at it with the right angle we see that they were Nazis all along. I really appreciate stories with those sort of simple layers that can be taken in two completely different ways. It can be very easy to fail at though when the audience doesn't see your other layer at all or your “clever” message isn't very clever or well delivered. Stories certainly do not need to have layers and alternate reading to be good. I appreciate simple straightforward stories that are as they appear to be. But these ones with single extra layer which means things have a very different and obvious reading are fun. Fight-club is famously that sort of story, when we find that Tyler Durden was imaginary all along and it changes your reading of the story, you can still just take it as it seemed in the beginning though. I think the Life of Brian qualifies as well: at the beginning we think it's a satirical version of the life of the messiah, directly making fun of Christ and the bible stories, but at the end we learn that Brian really was just a simple normal guy all along like he and his mum claimed and it changes to a story NOT making fun of Christ but rather the mindless populace who never really cared about Brian at all, they just overlayed a symbol on him and worshipped that instead which took away all his control and killed him in the end. Still, look on the bright side…. Do you like these sorts of stories? This week Gunwallace was in hospital so wa unable to give us a tune so the betst off this week is Gumshoe - Groove on into this black and white world of cool. Lazy coiling blue smoke floats out and leads the way down to this underground world of jazz and sophisticated glitz. Let the bass walk you through, take a twirl with the glittering piano keys, high-five those highhats, and take your place at the bar in the coffee lounge. Make yours black, no sugar. You’re staying up all night for this one! From Quackcast 491, 10th August 2020. Topics and shownotes Links Featured comic: Cafe Menagerie Blues - https://www.theduckwebcomics.com/news/2025/sep/02/featured-comic-cafe-menagerie-blues/ Featured music: Gumshoe - https://www.theduckwebcomics.com/Gumshoe/ - by Pencilz, rated T Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
    続きを読む 一部表示
    55 分
  • Quackcast 755 - My ending is not your ending

    Quackcast 755 - My ending is not your ending
    2025/09/02
    What happens if an author makes a massively popular story but takes ages and ages to finish that last part of it, and people are waiting breathlessly for years and years for them to end it? Would you support the idea of others taking it off their hands and finishing it FOR them? After all if the IP is popular enough and they've already sold it for tv shows and movies, the public feels they have a sort of ownership over it (Game of Thrones/A song of Fire and Ice)… This was the idea behind Tantz's newspost last week and we wanted to talk it out more. We on the Quackcast all say “NO”, mainly because that's not the right thing to do but also because as a reader it always feels “off” when its not the voice of the actual author. The example I go back to isn't George RR Martin, but Robert E Howard- A big strapping lad from a small town in Texas and a very talented writer for the pulps in the 1930s. He created many amazing characters but most famous among them was Conan the Cimmerian, thief, warrior, and king. The final Conan story by Howard was “Red Nails” and many people regard it was one of his best. Those people are wrong and they are idiots. Red Nails is a reworking of The Slithering Shadow (which I wrongly called “the hidden City” on the Quackcast), the main thing you can tell about Red Nails is that it wasn't written by Howard, it's just not at all in his style, apart from the things it takes from the story it's based on. The Slithering Shadow is a perfect example of a Conan story: it's short, very tightly written, and it expresses all the themes a good Conan story always does- the power of the individual and their will to overcome any challenge, even unknowable supernatural horror, and the contrast between the wild barbarian man who knows himself and the decadent, soft city dwellers who cling to a decaying society built on inequity and evil. The Red Nails on the other hand copies those aspects without understanding them, Conan is a mere side character doing his own thing while pirate Queen Valeria is the main character from who's perspective we see. It's novel and great to have a female character perspective from Howard but he just didn't ever do that. The details and action in this long and sprawling uneven story are paper thin and rushed over without thought which again is something Howard never did. It also includes a great big graphic portion about a woman being captured, whipped and spanked in a very lurid exploitative way, which Howard just didn't do, especially not in his Conan stories. It's an obvious fake that freaks hold up as the best Howard Conan story but I say it's crap and something taken out of the hands of the author and finished by someone else. When Robert E Howard died by suicide in the 1930s the legacy of his writing continued on. Author Lin Carter rather scurrilously repurposed a lot of Howard's other fiction and rewrote them as Conan pastiches, at first claiming they were original Conan stories by Howard, and Red Nails is possibly a good example of that sort of thing. Later on other authors like L. Sprague de Camp and Robert Jordan took on the mantel and continued with the character and he later made his way into comics and movies, the same as James bond, Batman, Superman and a hundred thousand other pop culture and comic characters that are part of the broader cultural landscape now, for better or worse. As a fan, you DO start to feel you have a sort of ownership over characters and sometimes even feel you have a better understanding of them than the original author… So would you ever consider taking over the work of someone else, not in a fan fiction way, but becoming the author of official works? Or could you see that happening with your own work? In many respects I would hate it, but in others I'd be intrigued and interested. This week Gunwallace gives us a lovely musical theme to Wings Of Daera - Welcome to the Star-chamber, prepare to be judged by the super sci-fi, scary arbiters with their laser eye attachments. But you escape into the underground passages and then out into the vast windswept, toxic wasteland beyond, driving fast in your turbo boosted future car to stay ahead of the cannibal mutants that hunt out there after nightfall… Topics and shownotes Links Inspired by the newspost by Tantz - https://www.theduckwebcomics.com/news/2025/aug/22/the-ending-is-always-yours/ Featured comic: Blighted The Odyssey - https://www.theduckwebcomics.com/news/2025/aug/25/featured-comic-blighted-the-odyssey/ Featured music: Wings Of Daera - https://www.theduckwebcomics.com/Wings_Of_Daera/ - by Ardihel, rated M. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon ...
    続きを読む 一部表示
    59 分
  • Quackcast 754 - The role of dialogue!

    Quackcast 754 - The role of dialogue!
    2025/08/26
    Dialogue is used for more than just simple speech, it moves the story forward, it indicates what characters want, what they feel, what they want others to feel and more. But it's used a bit differently across different media. Comics have their own particular ways of doing things and it's quite interesting! We thank Banes for coming up with this topic! In pure prose the world is all relayed in text so dialogue is king there, characters can talk and talk forever and everything can be relayed through their speech if the author wants. Radio plays are much like prose, but actors help out with their performances, SFX has a role, and time is a factor. Plays are a different thing, settings, scenes and props are limited so a LOT of work has to be taken up by the dialogue, but it's all governed by linear, limited time, so once something is said it's gone, you can't linger on it or go back over it, so it has to do its job in the moment (this isn't a disadvantage though), but the actors can do all the work of showing expressions, tone, emotions, humour, physicality and many other things. Movies, TV, and games are different again, they're also limited by time (though you can go back if you like), the actors can do a lot of the work and massive amounts of work can be done with the visuals. Lastly we have comics where like prose they are not limited by linear time, and like film visuals can do a huge amount of the work. Dialogue in comics can work very well when there's a symbiosis between the visuals and what is written in the speech bubbles. Like film you can offload a lot of work of the dialogue to the visuals. When I do a page I write out what the text should be but I don't finalise it till I have the page art done, though I know what the characters need to say and how the story should go. When the page is done then I whittle down the text to make it work with the visuals, so a character might just say a single word, but because of the art it can be like a full paragraph of meaning. When I work with a pre-written script like in Bottomless waitress or The Key of Dreams I can't change the dialogue so I make sure the way I draw the scene and the characters delivering it enhances what's said and even helps it say much much more. I also letter things in such a way that it tweaks the delivery of the dialogue, so the characters are “acting” it out in a specific way, like giving each sentence its own bubble and placing them in specific ways, closer together or massively spread out, making them different sizes, colours, or shapes etc. How do you approach dialogue in comics? And how do you prefer to see it as a reader? Next week we're tacking “endings”, mainly when fans or IP owners demand an author get around to ending their work and suggest other to take over that role. This week Gunwallace has given us a musical theme inspired by Stiletto - The coolest of the coo. Step into the warm, cozy, underground lounge and sip an espresso martini. The bass thrumbs a tune out of dark wood, the piano does the tango, the guitar floats on a sunny, serene pool, and the percussion sneaks into a corner to be alone and snuggle. Topics and shownotes Links Featured comic: Orcs Company - https://www.theduckwebcomics.com/news/2025/aug/19/featured-comic-orcs-company/ Featured music: Stiletto - https://www.theduckwebcomics.com/Stiletto/ - by VinoMas, rated T. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
    続きを読む 一部表示
    1 時間
  • Quackcast 753 - driven by internal struggles

    Quackcast 753 - driven by internal struggles
    2025/08/19

    Banes was the brains behind the Quackcast this week! His idea is that a character's internal struggle and how that conflicts with the realities they face can be a great driver for a story. -cribbed from listening to Vince Gilligan of Breaking Bad fame. Banes is a much better story writer than me so I can't explain it as well, but a good example is Walter White from Breaking Bad who starts off as a mild mannered dad and struggling chemistry teacher who moonlights at a car-wash to make ends meet- his internal struggle is that he actually sees himself as an unrecognised genius and someone who was unfairly wronged in life and so never reached his full potential. With his cancer diagnoses, the debits and worries that introduces into his life and the opportunity to fix everything by breaking the law, that interacts with his internal conflict to turn him into a drug kingpin/mafia boss/evil villain.

    It's a very interesting way to do character development! It can really inform how you change and craft your characters in interesting ways. Unfortunately I had taken a strong painkiller for toothache before the cast so I was not mentally able to understand the topic correctly haha! Part of the Quackcast I talk about how internal struggles are not needed for all characters and that James Bond is a good example of that- he's better when he as no conflict between his internal struggle and an external conflict and he's just supremely confident. Examples of Bond where he does have internal struggles are weaker versions of the character.

    Have you given your characters internal struggles to help them develop and change the story when that internal struggle conflicts with the challenges they face? Or can you look at your stories and see that in your characters?

    This week Gunwallace gives us a lovely musical theme to The Art of Running Away - A thoughtful early morning cup of coffee in a cold, empty room, alone. Contemplations on life, mortality, and the dancing motes of dust in a stray beam of sun, illuminating a disk of warm light on the floor, occupied by a single, happy cat.


    Topics and shownotes

    Links

    Featured comic:
    The Light Thief - https://www.theduckwebcomics.com/news/2025/aug/11/featured-comic-the-light-thief/

    Featured music:
    The Art of Running Away - https://www.theduckwebcomics.com/The_Art_of_Running_Away - by Portocor, rated M.

    Special thanks to:
    Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/
    Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
    Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
    Banes - https://www.theduckwebcomics.com/user/Banes/


    VIDEO exclusive!
    Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
    - https://www.patreon.com/DrunkDuck
    Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!

    Join us on Discord - https://discordapp.com/invite/7NpJ8GS
    続きを読む 一部表示
    1 時間 2 分