In the 1970s, in the wake of an emerging second-wave feminism, women's magazines were expanding rapidly with a unique style. Their focus, however, tended to exclude minorities. Jewish women were seen as privileged "others", not facing the same constraints as their gentile peers. That's why the Winnipeg-born Susan Weidman Schneider founded Lilith, a Jewish feminist magazine, out of New York City in 1976.

Lilith was radical in many ways, tackling taboo subjects like abortion and gay rights from a female Jewish perspective. Now celebrating its 50th anniversary, Lilith has persevered as a community of literary, engaged and often mature Jewish women, hosting salons and creating a space for Jewish women to express themselves freely. To reflect on its impact, Weidman Schneider joins Phoebe Maltz Bovy on this week's episode of The Jewish Angle.

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: " Gypsy Waltz " by Frank Freeman, licensed from the Independent Music Licensing Collective

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When best-selling author Meg Keene tried to pitch her latest novel, she was told—outright, by multiple people in the industry—that her book wouldn't sell. Not because it was too controversial, or violent, or suggestive, but because Keene herself is openly Zionist, and her book included authentic, lived-in Jewish and Israeli references and personalities.

Keene isn't the only one facing this. In the last two years, mainstream book publishers have barely released any Jewish fiction—and the only Jewish fiction that does make it through tends to be anti-Zionist or hyper-progressive. It's left Jewish authors in a difficult spot, having to choose sides or be ostricized from their audiences and peers.

On this week's episode of The Jewish Angle, host Phoebe Maltz Bovy speaks with Keene about the pressures facing Jewish authors today, from editorial demands to erase cultural specificity to an industry climate shaped by fear of backlash and organized boycotts. Keene worries about the future of Jewish literature and doesn't see the trends reversing any time soon, which would result in a literary ecosystem where Jewish stories are not just harder to tell, but in many cases, disappearing altogether.

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: " Gypsy Waltz " by Frank Freeman, licensed from the Independent Music Licensing Collective

Support our show

• Subscribe to The CJN newsletter
• Donate to The CJN (+ get a charitable tax receipt)
• Subscribe to The Jewish Angle

Graham Platner is a progressive populist running to unseat longtime Republican Susan Collins in Maine. The military veteran's campaign has been fiery, to say the least, riddled with attacks about his past online comments and—notably for Jews—a tattoo that bore a resemblance to a Nazi symbol, which he's since covered up.

But his Nazi-adjacent imagery didn't damage his reputation in the way people expect. Instead, Platner's continued railing against billionaires and "the people in power", with antisemitic undertones, has bolstered his support. So American Jewish voters lose in both ways: either because Platner does indeed harbour antisemitic beliefs, or because he rallies his base against them with dog whistles and quiet accusations.

David Schraub, an associate professor of law at Lewis & Clark Law School, joins The Jewish Angle with Phoebe Maltz Bovy to break down the ramifications of this controversy—and how Jewish Americans also find themselves caught in the awkward middle of President Donald Trump's war on Iran (which some accuse them of starting, by way of Israeli affiliations) while simultaneously not voting for him in the first place.

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: " Gypsy Waltz " by Frank Freeman, licensed from the Independent Music Licensing Collective

Support our show

• Subscribe to The CJN newsletter
• Donate to The CJN (+ get a charitable tax receipt)
• Subscribe to The Jewish Angle