This week, we explore three productions that each, in their own way, interrogate identity -through family, through art, and through community. From intimate domestic tensions to bold visual storytelling and vibrant, lived-in spaces, these shows remind us how deeply personal and political our stories can be.

The Holy Rosenbergs

Written by Ryan Craig and directed by Lindsay Posner, this gripping family drama dives into faith, legacy, and generational divide. With a powerhouse cast including Tracy-Ann Oberman, the play examines belief, belonging, and the emotional cost of holding a family - and its traditions - together in a rapidly shifting world.

A Mirrored Monet

Created by Carmel Owen and directed by Christian Durham, this visually striking piece draws inspiration from the world of impressionist art to explore perception and self-image. Blending multimedia with performance, it reflects on how identity is shaped - and sometimes fractured - through memory, observation, and the gaze of others. Cast includes Jeff Shankley and Dean John-Wilson.

Jaja’s African Hair Braiding

Written by Jocelyn Bioh and directed by Monique Touko, this vibrant and deeply human story is set in a bustling Harlem hair salon. Featuring a dynamic ensemble cast, the play celebrates community, culture, and resilience - capturing the humour, struggle, and beauty found in everyday connection.

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