On 31 August across three different years, three remarkable stories unfolded. In 2020, scientists published evidence that the New Guinea Singing Dog, long believed extinct in the wild, had been quietly surviving in remote highland valleys all along. This small, fox-faced canid produces uniquely complex vocalisations that could help researchers understand human speech disorders. In 2007, Japanese software company Crypton Future Media released Hatsune Miku, a voice synthesiser that became a global virtual pop star through collaborative fan creativity, performing holographic concerts to sold-out crowds. And in 2006, Norwegian police recovered Edvard Munch’s The Scream and Madonna, stolen two years earlier in a brazen daylight museum raid. Each story reveals something unexpected about persistence, identity, and the gap between what we assume and what actually exists. Host Clara Vale explores how a species can hide in plain sight, how audiences built a person around software, and why stealing the world’s most recognisable painting is considerably easier than working out what to do with it afterwards.

• Introduction A small golden dog in the highlands of New Guinea, a virtual pop star born from software, and one of the world’s most famous paintings returning home. Three stories from 31 August that challenge assumptions about extinction, identity, and art.
• The New Guinea Singing Dog Returns Scientists publish evidence in August 2020 that the New Guinea Singing Dog, believed extinct in the wild since the 1970s, has been surviving in remote highland regions. The species produces uniquely complex vocalisations that harmonise and may help researchers understand human speech. Genetic analysis confirms highland wild dogs are the same lineage as captive populations.
• Hatsune Miku and the Voice That Wasn’t On 31 August 2007, Crypton Future Media releases Hatsune Miku, a Vocaloid voice synthesiser marketed as a virtual pop star. Creative communities worldwide write thousands of songs for her, and she performs holographic concerts to sold-out audiences, becoming a genuine cultural phenomenon built entirely through collaborative fan creation.
• The Scream Comes Home Norwegian police recover Edvard Munch’s The Scream and Madonna on 31 August 2006, two years after armed thieves stole them in a brazen daylight raid at the Munch Museum. The paintings suffered water damage during their absence but were eventually restored and returned to display.
• Outro Three stories from one date reveal how the world is more generous than data sometimes suggests. A dog that never left, a pop star who never existed, and a painting that came home.

• https://www.pnas.org/doi/10.1073/pnas.2007242117
• https://www.newscientist.com/article/2253510-new-guinea-singing-dog-thought-to-be-extinct-found-in-the-wild/
• https://www.crypton.co.jp/miku_eng
• https://www.bbc.co.uk/news/technology-40755144
• https://www.theguardian.com/world/2006/aug/31/arts.norway
• https://www.bbc.co.uk/news/entertainment-arts-36731762