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The Forger's Footprints: How a Museum Hung a Secret for Eleven Years

The Forger's Footprints: How a Museum Hung a Secret for Eleven Years

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The Forger's Footprints: How a Museum Hung a Secret for Eleven Years

A snowplow blade uncovered an empty museum equipment case at 4:00 AM and two boot-sole impressions in the frost - yet inside the museum, a painting valued at $640,000 had hung for eleven years and turned out not to be genuine. How did a forged Horace Venn pass staff scrutiny for over a decade, and what did microscopic pigment traces in that abandoned case reveal?

In this episode, we walk through the discovery at the Calverton Regional Museum and the first investigative steps that followed, from the morning call to the forensic lab results and the raking-light examination that exposed clues in the paint film. What did the conservation evidence and archival logs together reveal about when and how the substitution happened?

Person: Beverly Holmes
Person: Janet Clark
Person: Christine Dalton
Event: Case discovered behind museum on a Tuesday in October 2019
Topic: "Late Harvest, Crestfield County" forgery

- The painting "Late Harvest, Crestfield County" is oil on canvas, 40 by 50 inches, attributed to Horace Venn and valued at $640,000.
- The aluminum equipment case was signed out from the conservation lab 14 months earlier, in summer 2018, and carried the museum inventory tag.
- Laboratory analysis found microparticles of cadmium yellow, lead white, raw umber, and traces of a solvent consistent with Gamblin Gamsol in the case foam.
- Christine Dalton, the senior conservator who signed out the case, was 51 and had been in the role for nine years with prior advanced training in the Netherlands.
- Under raking light, the painting showed an extensive craquelure network that was uniformly distributed, inconsistent with natural aging patterns.

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