『The Cosmic Codex』のカバーアート

The Cosmic Codex

The Cosmic Codex

著者： Brian Scott Pauls
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概要
 Living in a science fiction universe...

www.thecosmiccodex.comBrian Scott Pauls SF アート 文学史・文学批評
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  • INTERVIEW: Science fiction writer Alex T. Singer

    INTERVIEW: Science fiction writer Alex T. Singer
    2026/11/06
    An interview with Alex T. Singer, winner of the Theodore Sturgeon Memorial Award for the best science fiction short story published in 2025, for her novelette "We the Fleet."Do you or someone you know need professional tech guidance for your author, coaching, or independent publishing business? If so, check out our sponsor Cloudessy, providing fractional Chief Technology Officer services. Simplify your tech stack, prevent launch failures, and build systems that actually support growth.https://marketing.cloudessy.com/30-minute-tech-stack-update/Brian Pauls: Alex, welcome to The Cosmic Codex. I appreciate you taking the time to come and talk with us.Alex T. Singer: I appreciate being here. Thank you very much.Brian Pauls: Well, I would like to start with a question about your background with speculative fiction. How did you get started with an interest in speculative fiction, in particular science fiction?Alex T. Singer: Well, like a lot of people, I’ve been interested in speculative fiction my whole life. It was ingrained in me very early on by the books my parents read to me. My father actually read 2001: A Space Odyssey to me at a very formative age.1 Then he showed me the movie, and apparently Kubrick meant nothing to me, because I was just annoyed it wasn’t the book.Brian Pauls: I get that. I have the same attitude toward movies a lot of times. But exposing you to quality science fiction…Alex T. Singer: Oh, yes. My father was one of those people whose taste in novels went very, very highbrow. He was very interested in the high-concept stuff. He taught me to read using Moby-Dick, so there you go.2Brian Pauls: Oh, wow. The full text, not a slimmed-down kids’ version?Alex T. Singer: No, full text. He was explaining the themes to me as he was also explaining how to spell “whale.”Brian Pauls: Were you able to explain what ambergris was at a young age?Alex T. Singer: Yes. I think I confused a few of my first-grade teachers when I brought that one in as a book report.Brian Pauls: Well, I love Moby-Dick, so kudos to your dad. I’m guessing this turned you into a lifelong reader early on.Alex T. Singer: Yes, it did. I was also going to say that I’m very lucky my grandfather was also a writer. He was trained as an intelligence officer during World War II. The war ended before he was able to deploy, but he had all that intelligence training, so he wrote a lot of conspiracy thrillers.3Brian Pauls: Oh, wow. What an example.Alex T. Singer: Oh, sure. The biggest one he ever did was The Parallax View. It was well known enough that it even got a movie adaptation once upon a time. Warren Beatty was in it, so it was a very cool thing.4Brian Pauls: That gives me something to go track down. It’s hard to get my wife to watch science fiction movies, but I bet I could get her to watch that.Alex T. Singer: Oh yeah, especially because it ended up in the bones of so many conspiracy thrillers.Brian Pauls: My next question—I think you lit on it. It’s one thing to be interested in science fiction, but you became a writer. How did that happen?Alex T. Singer: Well, my grandfather, mostly. He was very encouraging. He would have me sit with him and show him the stories I’d write, and he’d give very gentle but firm feedback. He was very good at telling me, very gently, “You’re using a few too many adverbs, Alex.” He always made the time for me, and he was a very good mentor like that to a lot of young writers.Brian Pauls: Well, that is fantastic. And obviously, you have just won the Sturgeon Award.5 Tell us a little bit about the story that got you the award.Alex T. Singer: Certainly. “We, the Fleet” was my Sturgeon-winning story.6 It was a short story—”short” is relative; it was really more of a novelette—about a first contact from the point of view of the alien. She is basically a hive mind. I based them very heavily on ants and bees, using their social structure with a techno-organic aspect to make them completely unlike humans.Brian Pauls: Explain that for us. That’s a word I don’t know.Alex T. Singer: Oh, techno-organic?Brian Pauls: Techno-organic. Okay, sorry, I misunderstood. Got it.Alex T. Singer: Techno-organic is that fusion of the technological and the biological to make a new kind of creature that has some anatomical references while also being very machine-like in its aspects and mindset. So when she encounters a human for the first time, she has no context for what we are. It was a short story about connections—about de-othering the other, essentially. Because of that, I wanted to start with the point of view of a creature that would normally have been considered the villain in a lot of classic science fiction.Brian Pauls: I met you at the Sturgeon Symposium recently, where you read the story to us.7 One of the things I said to you afterward is that I found something touching about your story: you have a discussion in there about what family means. I’m paraphrasing, and...
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    32 分
  • SF COMMUNITY: Club Codex Selections (2026-2027)

    SF COMMUNITY: Club Codex Selections (2026-2027)
    2026/10/30
    Do you or someone you know need professional tech guidance for your author, coaching, or independent publishing business? If so, check out our sponsor Cloudessy, providing fractional Chief Technology Officer services. Simplify your tech stack, prevent launch failures, and build systems that actually support growth.https://marketing.cloudessy.com/30-minute-tech-stack-update/Club Codex, the official book club for The Cosmic Codex, offers a convenient way to discuss award-winning science fiction novels and collections. Each month, I’ll read a new selection and post my thoughts in the discussion thread. You’re welcome to participate, or just follow along—whatever works best for you!See below for our upcoming selections.November 2026In the Belly of the Whale by Michael FlynnWinner of the 2025 Prometheus Award for Best Novel of libertarian science fiction1Aboard a vast generation ship, the founders’ rigid rules for keeping humanity alive harden over the centuries into separate societies divided by class, belief, and identity. As those divisions deepen, talk of rebellion spreads through the crew, and the voyage becomes a test of how far people will go to win their freedom.2December 2026Time of the Cat by Tansy Rayner RobertsWinner of the 2023 Aurealis Award for Best Science Fiction Novel written by an Australian citizen or permanent resident3At Chronos College, humans and cats travel through time for a living, and the job is pure joy apart from the occasional lost traveler, or lost cat. A chance to rescue a missing legend sends the team to the 1960s, if they can persuade Professor Boswell, a famously cranky marmalade tabby, to come along.4January 2027Some Desperate Glory by Emily TeshWinner of the 2024 Hugo Award for Best Novel5Kyr has spent her life on Gaea Station among humanity’s last survivors, training to avenge Earth’s destruction. When her superiors send her brother to certain death and assign her to the nursery to bear sons, she breaks away with his rebellious friend and an imprisoned alien, and discovers a universe stranger and richer than anything she was taught.6February 2027Cassandra in Reverse by Holly SmaleWinner of the 2024 Audie Award for Science Fiction audiobook7Cassie remembers everything and understands almost nothing about other people. After one disastrous day costs her a relationship, a job, and her local café’s banana muffins, she discovers she can travel back in time and undo her mistakes. Unlimited do-overs, however, may not be enough to set things right.8March 2027The Artificial Man and Other Stories by Clare Winger HarrisClare Winger Harris, winner of the 2024 Cordwainer Smith Rediscovery Award for underread science fiction and fantasy authors9Ten pulp stories from a pioneering woman of early twentieth-century science fiction, selected and introduced by scholar Brad Ricca. Giant insects, Martians thirsty for Earth’s water, and a journey back to ancient Rome fill a collection that shows how much the young genre owed to a writer it largely forgot.10April 2027Cahokia Jazz by Francis SpuffordWinner of the 2023 Sidewise Award for Best Long-Form Alternate History11In an alternate 1922 where the great Indigenous city of Cahokia never fell, the Mississippi metropolis has become an industrial hub of many races and faiths, held together by a fragile peace. When two detectives find a body on a skyscraper roof one snowy night, a week of upheaval follows that may destroy that world or remake it.12May 2027A New Eden by Menilik Henry DyerWinner of the 2024 Sir Julius Vogel Award for Best Novel of New Zealand science fiction and fantasy13On a future Earth ruled by the Fermion Party, which preaches immortality through uploading into a simulated metaverse, four astronauts training on Mars become targets for assassination. Launched early in four ships guided by four AIs, they set out as uploaded minds to find habitable worlds, reunite across the stars, and survive first contact while the Fermions hunt them down.14June 2027Uncertain Sons and Other Stories by Thomas HaWinner of the 2026 Locus Award for Best Collection and the 2026 World Fantasy Award for Best Collection15Thomas Ha’s debut collection turns on familial love and trauma, set against societal and technological anxieties, questions of identity and class, and near futures slightly askew from our own. The title novelette won the 2026 Nebula Award.16July 2027Ancillary Justice by Ann LeckieWinner of the 2024 Hugo Award for Best Series, and of the 2014 Hugo, Nebula, and Arthur C. Clarke Awards17Breq was once the warship Justice of Toren, an AI commanding thousands of soldier bodies for the conquering empire of the Radch. After an act of treachery ripped that life away, she survives in a single human body, on a remote, icy world and closing in on the revenge she has pursued ever since.18August 2027Ancillary Sword by Ann LeckieWinner of the 2024 Hugo Award for Best Series19Now serving the Radch’s ruler and seeking atonement for...
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    21 分
  • CRITIQUE: “Children of Memory” by Adrian Tchaikovsky

    CRITIQUE: “Children of Memory” by Adrian Tchaikovsky
    2026/10/25
    Do you or someone you know need professional tech guidance for your author, coaching, or independent publishing business? If so, check out our sponsor Cloudessy, providing fractional Chief Technology Officer services. Simplify your tech stack, prevent launch failures, and build systems that actually support growth.https://marketing.cloudessy.com/30-minute-tech-stack-update/Children of Memory is the weakest entry in Adrian Tchaikovsky’s original Children of Time trilogy.1 Tor published this third volume in the U.K. in 2022 and Orbit did so in the United States the next year.2 The trilogy won the Hugo Award for Best Series in 2023—a win Tchaikovsky has declined to claim because of irregularities in the administration of Hugo nominations that year.3The ColonyThe book’s premise resembles certain elements found in Children of Time.4 The ark ship Enkidu, under Captain Heorest Holt, carries its sleeping cargo to a terraformed world.5 In the first book, the terraforming project went wrong, producing a civilization of spiders. Here it goes wrong, producing a world that can support human life, but just barely. The planet Imir is marginal from the start, with soil chemistry not quite lethal to Earth life, but “wrong enough to have all sorts of long-term impacts.”6 The ocean provides no recourse: “There was also a too-big moon, which had its own moon, making the tides a wild riot. This meant settling anywhere near the sea would be a fatal mistake; so much for maritime aquaculture.”7Generations later, Holt’s descendants live in the farming town of Landfall, where equipment is failing and harvests are getting worse.8 A militia keeps order on behalf of “the older Landfall families,” resulting in a community ruled by status and force: “The punching around here only goes one way, and that’s down.”9The fragile ecology the terraformers created is the root of the colony’s decline: “A collapse of the resource web leads to a collapse of infrastructure which leads to the collapse of everything else.”10 Here, “everything else” includes civil society. Landfall’s ruling class needs enemies to maintain order, and when it can’t find real enemies, it invents them. Tchaikovsky captures this stark reality with phrases such as “You defined us by not being them”11 and “…find someone more them than you are, and put the boot in.”12So far, so good. But Landfall is a dull world filled with dull characters, and while Tchaikovsky is skillful enough to convey that dullness convincingly, he’s unsuccessful in writing an interesting story about an uninteresting place.Holt is a decent man worn to a nub, the parts of him “that wanted to scream and beat at the walls … locked away for now.”13 Liff, the main character for much of the story,14 is a clever girl15 who doesn’t receive enough opportunities to make her cleverness count. The townsfolk are a mob in waiting, and little else. The novel forces readers to spend far too much time in their company, waiting for an unsatisfying payoff.It’s not helpful that Tchaikovsky resorts to a plot device that may still make headlines, but which creators have overused in the past quarter-century. Long-time science fiction readers are likely to see it coming, and a twist that the reader anticipates is no longer a twist.The CorvidsJust as the strongest elements of Tchaikovsky’s excellent Children of Ruin were the octopuses and the Nodan organism,16 here they’re the Corvids and the Interlocutor.The Corvids are Gethli and Gothi, a pair of crow-like birds traveling with the strangers,17 and they are the most humorous and most unsettling characters in the book. Each Corvid on its own is a clever animal. Together they’re…more. Their species works in bonded pairs, one partner storing and recalling information while the other analyzes and invents.18 Tchaikovsky depicts this partnership as a single mind emerging from the interaction of two entities. The birds trade “a quickfire rattle of ratchety consonants that serve as thoughts from one side of their shared brain to the other”19—as Tchaikovsky puts it, “In the space between each pair, a mind.”20As with the spiders and octopuses, he knows what he’s talking about. Real corvids have become a major subject of research on animal intelligence, and researchers have documented tool manufacture, caching strategies that take account of which other birds were watching, and apparent planning for the future—abilities that developed independently of the great apes’ and amount to a case of convergent evolution.21 Like many real corvids, those in Children of Memory pair for life. Tchaikovsky turns the pair bond into the species’ seat of cognition.22What makes the Corvids memorable, though, is how they characterize their own cognition. They insist, cheerfully and at length, that they are not conscious. “We’re a mistake, basically,” one of them explains; “…what we really are is a ...
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    18 分
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