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The Blank Chat

The Blank Chat

著者: The Blank Mag
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On each new episode, host Charles Steinberg will get into it with a different character central in the production of music for the moving image. No doubt, many of these names will belong to composers, but the seat is open to all manner of artists. The skilled technicians and musicians who bring the compositions to life, music supervisors who source the recorded songs that shape the telling of a story, really any and all admirers and connoisseurs of this form of music who want to share their unique perspectives.

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  • Dan Deacon on his Score for TASK
    2025/10/25

    Right after the conclusion of TASK, one of the best shows of the year and the second chapter in the Brad Ingelsby "Delco" expanded universe (we hope) Charles spoke with composer Dan Deacon, whose phenomenal score lifted the show to unexpected heights. SPOILERS

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    1 時間 2 分
  • Theodore Shapiro on Unlocking the Music for Severance
    2025/10/13

    Over his thirty years of scoring for film and television, Theodore Shapiro has been one of the most consistently reliable composers in delivering emotional and tonal evenness and depth to his various projects. Yet his recognition, and appreciation of his talent have never been greater thanks to his Emmy winning score for the hit show Severance. Executive Producer and Director Ben Stiller is right in saying Shapiro’s music defines the world of Severance, guiding its audience through the existential mystery of identity, love, and loss, pushing us to re-examine what we believe about all of these themes. Shapiro talks to Charles about how he landed on and gave life to one of the more identifiable TV series scores in recent times.


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    49 分
  • Cornel Wilczek is Adding Tonality to the Voice of Horror
    2025/10/03

    Right in time for the Halloween run-up, we're talking horror scores with emergent composer for the genre, Cornel Wilczek. His scores for Talk to Me, Bring Her Back, and most recently, Together, have added a fresh voice to the lineage in three distinct expressions. Wilczek gets into why horror films are saving cinema, locating his personal line of extremity, and also shares a very cool story about Keiji Haino.

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    1 時間
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