Matt Johnson's newest film TONY takes a small picture of an outsized life, taking us along with a young Anthony Bourdain one formative summer in Cape Cod. Composer Jay McCarrol and music supervisor Mandy Mamlet combined for the brilliant soundtrack that goes big, small, and everything between the ears...just to Bourdain's taste.

FINNEAS has been scoring for film and television for a few years now, and he's the first to say he's still figuring it out. In this conversation, Charles sits down with the composer and producer to talk through what the process actually looks like: building the wall-to-wall opening cue for Beef Season 2, navigating temp music when the benchmark is Bach, going back through a composer's catalogue the moment you fall in love with their work, and why deadlines might be the best thing that ever happened to his creative process.

We're back to talking soundtracks! Our lovely guest this time is Music Supervisor, Tiffany Anders, who began her music career as a recording artist in early 2000s New York and translated an obsessive love of music and records into music supervision for film, television, and commercials. Anders is versatile at her post, sourcing songs that span generations and genres, something she got to do a lot of on her most recent project, the Netflix hit show Something Very Bad is Going to Happen.