It's time to sum up another album and take a look at Revolver as whole, rather than a series of parts.

Does the album deserve the oft-sited "best of all time" monicker? How does it compare to the likes of Pet Sounds? And is it even faintly representative of what was going on in the charts at the time?

(Apologies for the quality of Andrew's audio - thanks to technical issues, he's a lot less clear than usual - JG)

Rankings: Track-by-track Ranking

eMail: beatlesstuffology@gmail.com

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JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: JG McQuarrie and not AI. You can kind of tell.

Time to round off Revolver with the mighty Tomorrow Never Knows, as JG and Andrew take a dive into psychedelia. Or do they?

Does the song deserve its towering reputation and Capital-I Importance? Do we think Lennon really understood what it was he was writing about? And just how critical is George Martin this time out?

Rankings: Track-by-track Ranking

eMail: beatlesstuffology@gmail.com

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: Some technology, JG McQuarrie, but definitely no AI

Revolver is nearly done but before we get to the totemic final track, there's Got To Get You Into My Life to tackle.

Does the song work as a Motown/Stax homage? Does it matter that it's actually about drugs? And how are the guitars sounding at this point in the album?

Rankings: Track-by-track Ranking

eMail: beatlesstuffology@gmail.com

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: Super Human Being, JG McQuarrie (and not AI)