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Chapters 17–20 bring everything to a rolling boil, as power changes hands, jobs vanish, pressure mounts, and the town’s many moving parts drift toward the same crowded moment. Avram Davidson balances tragedy, farce, and dark humor with astonishing ease—moving from private grief to public spectacle without ever tipping his hand. Old loyalties surface, institutions close ranks, and a few quietly overlooked people turn out to matter more than anyone expected. When celebration, denial, and mechanical inevitability collide, Yokums proves it can turn even a parade into a moral stress test. The result is funny, unsettling, and deeply human, with Davidson letting cause and effect do the talking.

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In this episode, Virgil and Bob discuss “The King’s Shadow Has No Limits,” unpacking Davidson’s portrayal of empire in decline and the quiet, unsettling ways power manifests among the poor, the faithful, and the forgotten. They explore the story’s historical texture, its use of religious ritual and civic tradition, and the unsettling ambiguity at its core. The conversation touches on themes of identity, sacrifice, political decay, and the blurred boundary between ruler and subject—along with why this story feels both ancient and eerily modern.

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Chapters 12–16 widen the lens, moving from the streets and sewers of Yokums into offices, courtrooms, newsrooms, and living rooms where everyone has an opinion and nobody has a clear answer. The mystery grows more elaborate, but Avram Davidson keeps it human—showing how power talks past itself, institutions protect themselves, and ordinary people quietly carry the weight of all that confusion. There’s a wonderful sense here of systems grinding on while individuals improvise, dodge, rationalize, and dream their way through the Depression. Humor and menace sit side by side, and the satire sharpens without ever losing its sympathy. By the end, the story feels larger, stranger, and much harder to contain than anyone first imagined.

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