The Art of a Story Premise That Actually Drives Scenes
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The Art of a Story Premise That Actually Drives Scenes
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概要
The difference between an “interesting” idea and a story that actually moves? Your premise.
In this episode, I'll break down why so many drafts end up with “optional chapters” - scenes that could be shuffled, skipped, or swapped without changing anything. Then you’ll learn a simple, repeatable framework for building a premise that creates real story pressure: Protagonist + Pressure + Price.
You’ll get:
The 3 ingredients that make a premise generate scenes automatically
A quick Premise Stress Test (3 questions) to spot a situation disguised as a story
Two live premise upgrades (weak → strong), plus 5 inevitable scenes for each
The exact fill-in-the-blank sentence stem I use with clients to write a one-sentence premise with teeth
A 10-minute assignment to lock your premise so your scenes stop feeling optional
If your idea feels compelling but your chapters feel… negotiable, this one will fix that.
If this clicked, hit Follow - and next week I’ll build the ‘binding question’ that turns your premise into an outline. Until the next time, happy storytelling.