Today's letter is "C”
Eps103 “The Letter C” TRT 25:19
0:00 - Sponsor and welcome
1:36 - John Chalmers, Charles White, Frank Gnandt
7:19 - Warmup / Performance / Clinic
09:06 - A Global Problem. Insights from Kim Vrieling, J.F. Fauteux, Sharon Fitzsimmins, Vicky Cummings
21:21 - Listener Mail from a volunteer friend
23:43 - Show close
The Life & Times of Stage C. The home of the Choral and Contemporary Music division. Interviews with Choral and Contemporary Music Chair, John Chalmers, past Chair Frank Gnandt and founding vocal jazz director Charles White.
Our Warmup / Performance / Clinic segment features a stage-appropriate Performance story from Mary Ann Fratia, former music teacher from Cawthra Park in Mississauga. Then Dan Austin from GCVI in Guelph, Ontario visits again with a wonderful and foundational Clinic Room story.
C is for…well…yeah, you guessed it.
How does an event like MusicFest Canada suddenly (VERY suddenly) move to an online environment in the face of a global pandemic? Our Production Director, Kim Vrieling, and our Technical Director, J.F. Fauteux, tell us how they made it happen. It ends up that they might have been preparing for it for a few years.
Our Listener Mail segment features a fun story from an old volunteer friend of the festival. Again, it happens to be stage-appropriate for this episode. Now…where’s the closest pub?
Links:
Show transcript can be downloaded from:
Podcast email address: podcast@musicfest.ca
Podcast homepage: https://atozofmusicfestcanada.podbean.com
MusicFest Canada on Twitter and Instagram: @musicfestcanada
Do you need information about MusicFest Canada or it's regional festivals? Email us at info@musicfest.ca.
Are you interested in volunteering on the Production Team for the national festival of MusicFest Canada? Email volunteers@musicfest.ca.
Producers of the A to Z of MusicFest Canada Podcast are Stephen Barden and Kim Vrieling.
Executive Producers are Jim Howard and Neil Yorke-Slader.
Music by Neil Yorke-Slader. Music performed by the Nepean All-City Jazz Band.
Sound editing and mixing by Stephen Barden and Mitchell Smith.