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Team Deakins

Team Deakins

著者: James Ellis Deakins Roger Deakins
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概要

The Team Deakins podcast is an ongoing conversation between acclaimed cinematographer Roger Deakins and James Deakins, his collaborator, about cinematography, the film business and whatever other questions are submitted. We start with a specific question and end....who knows where! We are joined by guests periodically. Followup questions can be posted in the forums at www.rogerdeakins.com.Dellis Productions, Inc 2020 アート
エピソード
  • MALGOSIA TURZANSKA - Costume Designer
    2026/03/18

    SEASON 2 - EPISODE 185 - Malgosia Turzanska - Costume Designer

    In this episode of the Team Deakins Podcast, we speak with costume designer Malgosia Turzanska (HAMNET, PEARL, AIN'T THEM BODIES SAINTS). Malgosia's life in film began after seeking refuge from a chemistry exam in a movie theater, and, with an assist from her friend, she soon found herself helping director Agnieszka Holland (Season 1, Episode 144) on JANOSIK. Throughout the episode, Malgosia uses specific experiences from the films she's worked on to discuss her design process. During our discussion of HAMNET, Malgoisa reflects on collaborating with her fellow countryman and cinematographer Lukasz Zal (Season 2, Episode 102), and she reveals the character details she focused on during the development of the costumes for Agnes and William Shakespeare, played by Jessie Buckley and Paul Mescal (Season 2, Episode 44). She later discusses how she works with actors in the fitting room, and she shares how they all might put their heads together to find the character. Plus, Malgosia reveals how cold emailing director David Lowery (Season 2, Episode 60) led to her working on AIN'T THEM BODIES SAINTS early in her career.

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    Recommended Viewing: HAMNET

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    This episode is sponsored by Aputure & Picture Shop

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    1 時間 6 分
  • FIONA CROMBIE - Production Designer
    2026/03/11

    SEASON 2 - EPISODE 184 - Fiona Crombie - Production Designer

    In this episode of the Team Deakins Podcast, we speak with production designer Fiona Crombie (HAMNET, THE FAVOURITE, SNOWTOWN). Despite being raised on her father's film sets in Australia, Fiona didn't enter the family business until she dropped out of law school. Throughout our conversation, we discuss Fiona's general design process, her strategies for making the most of the given resources on a film, her typical day-to-day schedule during production, and how she communicates with her fellow filmmakers. Having worked on many period films, Fiona shares with us how she balances the realities of the budget with the intended vision of a film, and she reveals how she and the crew on MACBETH justified the choices they had to make under strict limitations. Fiona later reflects on working under close watch at Hatfield House on THE FAVOURITE, and she discusses collaborating with cinematographer Robbie Ryan (Season 1, Episode 148) and living a production designer's dream: seeing the whole set in a single shot. We also discuss Fiona's work in HAMNET, and she reveals the key piece of direction she received from director Chloé Zhao that unlocked the design of the film's version of The Globe Theatre. Plus, we learn what it's like to make a movie while pregnant.

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    This episode is sponsored by Picture Shop & Aputure

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    1 時間 8 分
  • HLYNUR PÁLMASON - Writer / Director
    2026/03/04

    SEASON 2 - EPISODE 183 - Hlynur Pálmason - Writer / Director

    In this episode of the Team Deakins Podcast, we speak with writer and director Hlynur Pálmason (THE LOVE THAT REMAINS, GODLAND, A WHITE, WHITE DAY). Throughout the episode, we get into the weeds of Hlynur's unique filmmaking process, and we learn what his strategy has been to allow himself to fund and shoot the movies he wants to make. Hlynur describes his extensive writing process, and we learn about the importance of finding his locations while in the early development stages of his scripts. Later, we discuss Hlynur's tactics for making the most out of his relatively small budgets, and he reveals how he finds the rhythm of any given film with the actors. While discussing GODLAND, we reflect on the historical relationship between Denmark and Iceland in which the film is set, and we learn what Hlynur's motivation was for making the film to begin with. After studying still photography in Copenhagen and surviving a handful of odd jobs, Hlynur enrolled in the National Film School of Denmark, and we learn why he decided to take the film school route and what he ultimately gained from the experience.

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    Recommended Viewing: GODLAND

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    This episode is sponsored by Aputure & Picture Shop

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    1 時間 2 分
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