To celebrate Oscar Sunday, we return to our talk with writer-director Joachim Trier!

We begin with guiding words from writer Philip Roth (7:20), how Trier arrived at his intimate new film Sentimental Value (8:40), and why he was drawn to father-daughter dynamics (his own, and others) in making this new project (10:00). Then, we talk about Joachim’s early observations growing up in Norway (25:00), why he prefers to be present with performers on set, rather than watching from a far-off monitor (32:00), and how he parlayed skating into his early work as a filmmaker (35:00).

On the back-half, Trier reflects on meeting longtime collaborator, screenwriter and director Eskil Vogt (37:00), the essayistic qualities of his sophomore film, Oslo, August 31st (40:00), and how that style fully solidified in Louder Than Bombs and The Worst Person in the World (42:00). To close, we revisit a recurring monologue in Sentimental Value (48:00), his last day on set with actor Renate Reinsve (50:00), and how director Martin Scorsese has inspired Trier to continue ‘stirring the sauce’ (56:00).

Original air date: November 30, 2025

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Rose Byrne has taken many forms on-screen. In Mary Bronstein’s film If I Had Legs I’d Kick You, she delivers a career-defining performance as a Long Island therapist and mother slowly unraveling under the weight of her child’s mysterious illness.

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In the lead-up to Oscar Sunday, we return to our talk with Byrne, discussing the maternal madness at the heart of this film (6:30), the long, collaborative road to shaping the character (10:00), and what it was like to have Conan O’Brien as a scene partner (13:30). Then, Byrne reflects on her debut performance in Dallas Doll (19:45), the plays and poems that inspired her as a teenager (22:30), and a formative role in the cult classic Two Hands, opposite the late Heath Ledger (26:00).

In the back half, we unpack the sexism she faced in Hollywood in the aughts (32:40), her unexpected comedic breakthrough in Bridesmaids and Neighbors (37:15), and the fruitful collaborations with Seth Rogen that followed (39:50). To close, Byrne pays tribute to two of her enduring artistic influences—filmmaker David Lynch (45:00) and playwright Arthur Miller (47:00).

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When it comes to the theatrical experience, director Ryan Coogler is in rarified air these days. From Creed to Black Panther to Wakanda Forever, his movies arrive as seismic commercial and cultural events. His latest, Sinners, was no exception when it came out in IMAX last spring. And with 16 Oscar nominations, Coogler’s blues-steeped vampire epic has now become the most-nominated film in Academy history.

Together, we trace how the seeds of Sinners were planted during the making of Wakanda Forever (5:36), the family history interwoven throughout the movie (9:00), and a formative memory seeing John Singleton’s Boyz n the Hood with his father (15:20). Then, we talk about his pivot from football to filmmaking (17:30), the early belief and partnership of his wife, Zinzi (22:00), and why his debut Fruitvale Station stands the test of time (26:07).

On the back-half, Coogler reflects on a piece of advice that shaped how he leads a set (31:18), the “Faustian bargain” he confronted as an artist (34:00), and the uncle whose encouragement carried him through moments of doubt (35:50). To close, a tribute to the late Chadwick Boseman (37:30), Coogler’s thoughts on AI and the future of Hollywood (42:00), and a love letter to moviegoing (48:36).

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