THE SPLENDID BOHEMIANS PRESENT A CLASSIC CAPTAIN BILLY'S MAGIC 8 BALL REWIND: NEIL DIAMOND SOARS WITH HIS SPIRIT ANIMAL, JONATHAN LIVINGSTON SEAGULL.
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SPIRIT ANIMAL
JONATHAN LIVINGSTON SEAGULL by Neil Diamond (Columbia, 1973)
There were alot of self-help manuals popularized in the 70’s; I remember gifting my mother the book “Your Eronneous Zones” (but that’s another story)…. My acting teacher in college based her syllabus on Eric Berne’s “I’m Ok, You’re Ok”. But one of the biggest New Age parables making the rounds was Ex-Aviator Richard Bach’s Jonathan Livingston Seagull, the story of an anthropomorphized Christ-like Seagull, who has to fly off from the pack to find his true self.
It was a zeitgeist sensation, and spawned a movie with this soundtrack by the immortal Neil Diamond. Maestro Diamond is currently in the middle of a career renaissance - his biographical musical A BEAUTIFUL NOISE is playing on The Great White Way, and although he struggles with Parkinson’s he continues to work on new music. No one was bigger in the 70s, and although the 1960s Neil Diamond that I loved, the Brill Building song plugger who wrote and recorded Cherry Cherry, You Got to Me, and Solitary Man had seemingly transformed himself into a borscht belt crooner, there was no denying his powers of voice and composition, no matter how cheesy the venue (The Jazz Singer?)
I chuckled ironically when I pulled this tape from the pile, anticipating mounds of Velveeta. But now, listening for the first time, I am moved to tears. (This is probably because all my youthful cynicism has given up the ghost). It’s a beautiful musical meditation produced by Tom Catalano, and arranged by Lee Holdridge, and Neil’s voice soars, aloft on chords of longing.
Indeed, the album out-grossed the movie by 10 million dollars, and garnered the 1974 Grammy for Best Original Score, demonstrating that although the radio-controlled gliders representing the flying birds in the film might have been fake, Neil’s inspiration was not.