THE KID ON THE CORNER and THE LITTLE WISHBONE THE ADVENTURES OF PHILIP MARLOWE
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The Adventures of Philip Marlowe was a radio series featuring Raymond Chandler's private eye, Philip Marlowe. Robert C. Reinehr and Jon D. Swartz, in their book, The A to Z of Old Time Radio, noted that the program differed from most others in its genre: "It was a more hard-boiled program than many of the other private detective shows of the time, containing few quips or quaint characters."
⭐ Podcast Show Notes 1001 Radio Crime Solvers The Adventures of Philip Marlowe"The Kid on the Corner" & "The Little Wishbone"
⭐ THE KID ON THE CORNER ⭐ SummaryPhilip Marlowe becomes entangled in a tense street‑level mystery when a frightened young boy shows up on a street corner with information about a crime he shouldn't know anything about. What begins as a simple attempt to help a scared kid quickly escalates into a dangerous investigation involving a missing man, a ruthless criminal, and a neighborhood living in fear. As Marlowe digs deeper, he discovers that the boy's story is the key to exposing a violent scheme — and saving a life.
⭐ Key Plot Points-
Marlowe encounters a terrified boy who claims he witnessed something deadly.
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The boy's fragmented story leads Marlowe to a missing man and a criminal hiding in plain sight.
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Neighborhood residents reveal a pattern of intimidation and silence.
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Marlowe pieces together the boy's clues, uncovering a plot driven by greed and revenge.
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A tense confrontation forces the villain into the open and brings justice to the corner.
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Innocence caught in the crossfire of crime
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How fear can silence a community
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Marlowe's instinct to protect the vulnerable while hunting the truth
A seemingly harmless trinket — a small wishbone charm — becomes the centerpiece of a deadly mystery when Marlowe is hired to investigate a murder tied to a family heirloom. The case leads him through a maze of lies, hidden relationships, and a fortune someone is willing to kill for. As Marlowe follows the trail, the "little wishbone" reveals itself to be both a clue and a motive, pointing directly to the person who engineered the crime.
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