『TAXI TV』のカバーアート

TAXI TV

TAXI TV

著者： TAXI Independent A&R
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概要

 🚕 World's Leading Independent A&R Co. 🏁 Music Opportunities with: Record Labels / Music Publishing / Film & TV 🎵TAXI.com Phone: (818) 222-2464 Email: taxitv@taxi.comAll rights reserved 音楽
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  • How Editors Decide Which Music to Use![020926]

    How Editors Decide Which Music to Use![020926]
    2026/02/10
    Adonis Aletras is a long-time TAXI member and successful composer who lives on the island of Cyprus, several thousand miles away from the United States. But being thousands of miles away from the epicenter of the U.S. sync market hasn’t been an issue for him! As a matter of fact, he’s repeatedly told me, “If I can succeed at this from a tiny island nation in the Mediterranean, I think anybody from anywhere can do it as well.” I recently asked Adonis what he’d like to discuss on this episode of TAXI TV, and his answer was immediate: “Let’s talk about what composers and artists can do to make editors want to use their music more often!” I’ve been talking about the “usability” factor when creating music for sync licensing for years, so I was excited that he suggested that topic! Please join Aletras and me for this frank and informative conversation that could help you succeed as well!
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    1 時間 40 分
  • What AI Really Means for Music Creators![020226]

    What AI Really Means for Music Creators![020226]
    2026/02/03
    Michael Eames might be the smartest person I know in the music industry. We’ve been friends for 15 or 20 years, and I’m always amazed by his insights, depth of understanding, and wisdom. I feel enriched each time we speak about all things music industry-related, and this interview lives up to that promise. Read his bio, and I think you’ll see why you shouldn’t miss what he’s got to say about AI and the music industry… Michael Eames is a trained composer, songwriter, and pianist with experience in film scoring who studied music at Cornell University and UCLA Extension; Michael also secured a minor in Business Management from Cornell. As President of PEN, Michael oversees all aspects of the operation, as well as focuses on pitching the catalogue to all media and business development. Michael was chosen to serve (along with four other independent music publishers and five songwriters) on the Unclaimed Royalties Oversight Committee (UROC) of The Mechanical Licensing Collective (MLC) that will commence blanket mechanical licensing of the digital services in the U.S. as of January 1, 2021. Prior to starting his publishing company, Michael oversaw the international activities and film & television department of Don Williams Music Group, where he was responsible for song catalogues such as Jimi Hendrix, Chicago, and Roy Orbison, among numerous others. He also worked previously for Brian Wilson of The Beach Boys and the management and music supervision firms The Derek Power Co and Seth Kaplan Entertainment.
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    1 時間 36 分
  • TAXI’s Head Screener Answers Members' Questions![012626]

    TAXI’s Head Screener Answers Members' Questions![012626]
    2026/01/27
    I had a whole bunch of questions I didn't get to ask our Head Screener the last couple of times he joined me on TAXI TV. He's a consummate pro, and you guys seem to love his answers, so I pulled out the unasked questions from his last two appearances and got some great answers! I'm not going to hype this up, but I really think you'll learn how to use your TAXI membership more effectively if you watch this episode. I'm also sure you'll learn how the sync industry really works, rather than relying on sketchy info and opinions from people who know some stuff, but not all of it. Do yourself (and your career) a favor and invest less time than it takes to stream another mediocre movie. Craig and I will give you more accurate inside information about sync than you'd get by taking a full-semester of a college music class. How do I know this? Because they don't teach this stuff in college! Get real-world tips that can make all the difference by watching today's episode.
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    1 時間 39 分
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