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TAXI TV

TAXI TV

著者： TAXI Independent A&R
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🚕 World's Leading Independent A&R Co. 🏁 Music Opportunities with: Record Labels / Music Publishing / Film & TV 🎵TAXI.com Phone: (818) 222-2464 Email: taxitv@taxi.comAll rights reserved 音楽
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  • How to Make Instrumental Cues More Licensable for TV & Film_.[060826]mp4

    How to Make Instrumental Cues More Licensable for TV & Film_.[060826]mp4
    2026/06/09
    What makes one instrumental cue instantly more licensable than another? In this episode of TAXI TV, successful TAXI member, composer, and author Dean Krippaehne shares practical, real-world tips that can dramatically improve your chances of landing sync placements in TV, film, commercials, and production music libraries. Drawing from his book Cue Tips, Dean breaks down the small but critical details that music supervisors, editors, producers, and libraries listen for every day, and why those details often determine whether a cue gets licensed or passed over. This episode covers: How to make instrumental cues more sync-friendly Common mistakes that hurt licensing potential What production music libraries actually want Arrangement and structure tips for TV & film music Practical cue-writing advice you can apply immediately How experienced sync composers think differently Whether you're brand new to sync licensing or already building a catalog, this conversation is packed with actionable insight for composers, producers, and instrumental writers looking to create more usable, marketable music. If you write production music, trailer music, underscore, cinematic cues, or instrumental tracks for sync, this episode is a must-watch. Reference Book 📚: Cue Tips: 50 songwriting, composing, and music production hacks to speed up your sync journey by Dean Krippaehne: https://amzn.to/4nD3uYP
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    1 時間 47 分
  • Commercials vs Film & TV_ The REAL Secret to Higher-Paying Sync Placements![060126]

    Commercials vs Film & TV_ The REAL Secret to Higher-Paying Sync Placements![060126]
    2026/06/02
    Why do some music placements in commercials pay significantly more than TV and film, and how do you actually get them? On this episode of TAXI TV, we sit down with successful sync writer and producer John Pearson to break down exactly what changes when you shift from writing for film & TV to writing for advertising. John’s music has landed worldwide advertising placements with major brands like Chase Card, Hyundai, Samsung, Nissan, FedEx, Target, and Cricket Wireless, but his path wasn’t instant. We’ll explore: - Why commercials often outperform TV/film placements in payouts - What libraries and music supervisors are actually looking for in ad music - How John transitioned from Nashville touring musician to full-time sync writer - The real “secret sauce” behind landing premium advertising placements - How persistence and strategy change everything in the sync world From placements in shows like Outer Banks, S.W.A.T., The Rookie, and more, then breaking into major global ad campaigns, John’s journey is packed with actionable insight for any composer, producer, or songwriter looking to break into sync licensing. If you're serious about getting higher-level placements and understanding how the industry really works, this episode is essential viewing.
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    1 時間 36 分
  • Inside a TV Editor’s Mind_ How Music Gets Chosen for TV![051826]

    Inside a TV Editor’s Mind_ How Music Gets Chosen for TV![051826]
    2026/05/19
    Want to know how TV editors actually choose music for shows? In this TAXI TV episode, veteran TV editor and executive producer Biagio Messina breaks down the real-world TV editing process — from building scenes and shaping emotion to selecting, cutting, and using music in television. Learn: ✔ How TV editors find and use sync music ✔ What makes production music “usable” for editors ✔ Why some tracks instantly work in TV shows ✔ How edit points, pacing, and transitions affect placements ✔ The role of temp music in TV editing ✔ What composers don’t understand about editor workflow ✔ How to create music that gets chosen more often If you create music for sync licensing, TV placements, film, trailers, commercials, or music libraries, understanding how editors think can completely change the way you produce and structure your tracks. Perfect for composers, producers, artists, and musicians working in production music, sync licensing, film scoring, and TV music.
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    1 時間 40 分
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