Supergirl: A Star Is Born, But the Movie Doesn’t Fully Fly
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This week on After the Frame, we dive into Supergirl, the latest chapter in the new DCU and a movie that leaves us feeling mixed, but still hopeful for the character’s future.
Milly Alcock is the clear win here, bringing a messy, damaged, party-girl-with-a-heart-of-gold energy that makes Kara feel distinct from Superman while still fitting into the larger DC world. Her scenes with David Corenswet only reinforce how much potential this version of Supergirl has, and David Krumholtz delivers one of the movie’s strongest emotional moments.
But the movie around Alcock doesn’t always rise to her level. We break down the bland screenplay, the forgettable villain, the underwhelming use of Lobo, and why the sidekick dynamic distracts from the character we actually came to see. We also talk about the space setting, the third-act song choice, and why this feels like a noticeable drop-off from Superman without being a full-on disaster.
The good news? The foundation works. Alcock feels like Supergirl. Now the DCU just needs to give her a sharper story, stronger supporting pieces, and the confidence to let Kara fully take flight.