Richard Kind has seemingly worked with everyone, and he has the stories to prove it. The beloved character actor joins Steve Kmetko for a hilarious, candid conversation about his unlikely path from Second City to Mad About You, Spin City, Scrubs, Pixar and beyond. Richard remembers working alongside Michael J. Fox and Charlie Sheen, explains what Christopher Walken taught him simply by watching him act, talks about his experiences with Disney and Pixar, and reveals why he still considers himself an actor rather than a comedian.

And then there is George Clooney.

Kind shares a hilarious prank involving Clooney's Oscar, a TSA agent and a very heavy suitcase, before telling a far more revealing story about the man Clooney was before ER made him a superstar. During the Los Angeles riots, Kind planned to leave town with friends. Clooney had another idea.

It's funny, thoughtful, wonderfully unpredictable and very Richard Kind.

00:00 Richard Kind Is Still Here
01:17 The Character Actor Dining Society
03:40 George Clooney's Oscar Prank
06:13 Richard Kind's Second City Years
08:08 "The Harvard of Comedy"
09:19 Chasing the Dream of Acting
11:07 Did His Family Think He'd Make It?
13:20 Why Li'l Abner Should Come Back
14:12 Songs That Have Aged VERY Badly
16:17 Richard's First Television Job
18:38 Learning Television With Mary Tyler Moore
21:40 How Richard Met George Clooney
22:39 "I'm the Luckiest Guy in the World"
24:04 Richard Says He's NOT a Comedic Actor
27:02 Why He Prefers Single-Camera Acting
28:45 Remembering Linda Lavin and Tony Roberts
31:30 Spin City, Michael J. Fox and Charlie Sheen
32:59 What Actors Actually Do
37:20 The Torturous "Drive Home"
39:18 Mid-Century Modern and James Burrows
42:49 Why Fans Still Love Him on Scrubs
43:04 Richard Kind Calls Bill Lawrence a Genius
46:27 Recording Family Guy and American Dad
50:11 The Truth About Working for Disney
52:09 Richard Kind vs. Marvel Movies
57:40 What Richard Really Thinks of Amal Clooney
1:00:30 George Clooney Before He Was Famous
1:00:47 The Incredible LA Riots Story
1:03:46 Richard Says Goodbye

Show Credits

Host/Producer: Steve Kmetko

All things technical: Justin Zangerle

Executive Producer: Jim Lichtenstein

Music by: Brian Sanyshyn

https://stillherehollywood.com

http://patreon.com/stillherehollywood

Suggest Guests at: stillherehollywood@gmail.com

Advertise on Still Here Hollywood: jim@stillherenetwork.com

Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gail O’Grady became one of television’s most recognizable faces as Donna Abandando on the groundbreaking ABC drama NYPD Blue. In this encore episode of Still Here Hollywood, Gail joins Steve Kmetko for a candid conversation about the role that changed her career, why she decided to leave the hit series, and why she now wishes she had stayed longer.

Gail also remembers legendary producer Steven Bochco, reveals the unusual way she created Donna for her NYPD Blue audition, talks about working with Sharon Lawrence, and shares stories from Desperate Housewives, Law & Order: SVU, Boston Legal and more.

She opens up about becoming a mother in her 40s, moving back to Chicago to care for her father, the confidence she wishes she had when she was younger, and the advice she has passed along to her son.

Plus, Gail recalls getting actually slapped while filming Desperate Housewives, being starstruck by Henry Winkler during her first days in Hollywood, meeting one of her acting heroes, Anne Bancroft, and working on J.J. Abrams’ Duster.

00:00 Gail O’Grady on Still Here Hollywood
01:03 Success and Emmy Recognition on NYPD Blue
02:06 Why Gail O’Grady Left NYPD Blue
02:49 The Decision She Now Regrets
03:05 Remembering Steven Bochco
04:10 How Gail Landed NYPD Blue
06:18 Sharon Lawrence and the NYPD Blue Cast
07:03 Leaving Los Angeles
08:34 Advice for Young Actors
11:30 Becoming a Mother in Her 40s
12:56 Behind the Scenes of Desperate Housewives
14:39 Working on Law & Order: SVU
15:32 The Career Gail Might Have Chosen
16:14 Moving Home to Care for Her Father
17:20 Career Highs and Lows
18:56 How NYPD Blue Changed Everything
19:56 Meeting Anne Bancroft
21:13 Gail's Favorite Childhood Memories
22:17 Bad Habits and Belinda Carlisle
23:10 Advice for Her Son
24:18 Getting Robbed in Rome
25:22 Fame and Fan Encounters
27:31 Her Hilarious Henry Winkler Encounter
29:09 Near-Death Experiences
30:15 Her Favorite NYPD Blue Storyline
31:20 The Confidence She Wishes She Had
33:42 Her Father Became Her Scene Partner
34:48 Gail Talks About Duster

Show Credits

Host/Producer: Steve Kmetko

All things technical: Justin Zangerle

Executive Producer: Jim Lichtenstein

Music by: Brian Sanyshyn

https://stillherehollywood.com

http://patreon.com/stillherehollywood

Suggest Guests at: stillherehollywood@gmail.com

Advertise on Still Here Hollywood: jim@stillherenetwork.com

Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From Raiders of the Lost Ark to Spider-Man 2, Boogie Nights, Frida and Broadway, Alfred Molina has built one of Hollywood's most extraordinary and versatile careers.

In this revealing conversation with Steve Kmetko, Molina looks back at making his movie debut for Steven Spielberg, and admits he was so inexperienced he didn't even understand the marks on the floor. He shares the story behind becoming Doctor Octopus, explains how Doc Ock's famous mechanical arms really worked, and reveals the nickname he and the puppeteers gave themselves.

Molina also takes us behind the scenes of Boogie Nights, including the line he improvised that Paul Thomas Anderson kept in the film, and talks about Salma Hayek's extraordinary fight to get Frida made with the cast she wanted.

Then the conversation gets personal. Molina discusses the times he considered giving up acting, being told he wasn't leading-man material, therapy, his unusual theory about what drives actors, his feelings about awards and the role he'd still love to play.

After five decades on stage and screen, Alfred Molina is very much still here.

00:00 Alfred Molina: Still Here Hollywood
01:01 His First Movie, Raiders of the Lost Ark
02:17 Alfred Molina Was Completely New to Filmmaking
04:52 Why Spielberg Told Him to Stop Watching Dailies
07:18 Why Raiders Changed Adventure Movies
08:43 Auditioning for Steven Spielberg
10:22 Learning From Hollywood's Greatest Directors
12:20 The One Director He Couldn't Understand
14:33 Regretting Not Paying Attention in School
15:08 Classical Acting Training at Guildhall
17:08 Did Classical Training Help in Hollywood?
19:01 Becoming Doctor Octopus
20:00 The Secrets Behind Doc Ock's Tentacles
23:10 The Movies Alfred Molina Loves
25:34 Why Young Fans Know Him as Doc Ock
27:04 Does He Take His Characters Home?
29:52 Why He Keeps Returning to the Stage
31:31 The Incredible Boogie Nights Firecracker Story
34:40 Actors, Directors and Happy Accidents
38:32 Film vs. Television vs. Theater
40:38 The Roles He Still Wants to Play
43:34 Playing Tevye and Diego Rivera
44:53 Salma Hayek's Fight to Make Frida
47:00 Alfred Molina Gets Candid About Awards
50:09 Why He Doesn't Really Watch the Oscars
51:24 The Best Acting Advice He Ever Received
53:18 He Thought About Quitting Acting, A Lot
55:42 Alfred Molina on Therapy
56:04 His "Genetic Flaw" Theory About Actors
58:00 The Role He Still Dreams About
59:59 The Career Moment He'd Love to Relive
1:02:06 Inside Hollywood's "CADS" Group
1:04:09 Why Their Friendships Matter

Show Credits

Host/Producer: Steve Kmetko

All things technical: Justin Zangerle

Executive Producer: Jim Lichtenstein

Music by: Brian Sanyshyn

https://stillherehollywood.com

http://patreon.com/stillherehollywood

Suggest Guests at: stillherehollywood@gmail.com

Advertise on Still Here Hollywood: jim@stillherenetwork.com

Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.