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  • "Everyone will see it, Every demographic!" Between seasons we check out the bonus tracks from Side D of SPIRIT PHONE (2016) by LEMON DEMON

    "Everyone will see it, Every demographic!" Between seasons we check out the bonus tracks from Side D of SPIRIT PHONE (2016) by LEMON DEMON
    2025/10/07

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    Spirit Phone is the seventh studio album by Lemon Demon, a musical project created by American musician Neil Cicierega. The album was released digitally through Bandcamp on February 29, 2016, marking his first full-length album in eight years. All tracks were written, performed, and recorded by Neil Cicierega.

    The album's cover art was created by Cicierega's wife, comic book artist Ming Doyle. The song "Sweet Bod" features a guitar solo by Dave Kitsberg of Time Lord rock group Time Crash. The album received generally positive reception and was largely successful, with the track "Touch-Tone Telephone" once being Lemon Demon's most streamed track with over 80 million streams on Spotify. On July 10, 2018, independent label Needlejuice Records announced vinyl, CD, and cassette releases of Spirit Phone.

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    Check out our post-punk band The Alliterates new song The House Came Crashing Down on the Vol 1: Let's Begin compilation from Shift-Ctrl-Music

    Check out our cover of Child's Christmas in Wales (OG by John Cale) on Chaos For Christmas from Rejected Youth Records


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    Lucid Fugue

    Buy our theme song
    Non-Euclidean Pornography | Lucid Fugue (bandcamp.com)
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    27 分
  • Between seasons we take a look at an EP from San Diego hardcore punk band STRUGGLE, formerly known as PROLETARIAN STRUGGLE. The themes on this EP lead us to believe they have opinions about current events.

    Between seasons we take a look at an EP from San Diego hardcore punk band STRUGGLE, formerly known as PROLETARIAN STRUGGLE. The themes on this EP lead us to believe they have opinions about current events.
    2025/10/01

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    Side Two of this album is the EP we are reviewing today if you want to check it out here. https://struggle31g.bandcamp.com/album/one-settler-one-bullet

    At the turn of a decade, 1990, aligned a group of angry, disenfranchised teenagers from San Diego who connected in that they all had something similar to say about the city around them– one afflicted with racism, consumerism, abuse, animal cruelty, sexism etc. (much like any other). The message, in essence, was to say “fuck all of these things”, and the result was some of the members’ first “official” forays with fast-paced, aggressive music in a hardcore band. Struggle (Initially called Proletariat Struggle, but later shortened due to the fact that it was a bit of a stretch to say that the members were all “working class” at that point in their young lives, or that the main focus was merely classism) would turn out to be the seed for what would later splinter off into various but equally important and beloved artistic avenues for the six members.

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    43 分
  • "Nobody sees you got me down on my knees!" SEASON 2 FINALE! We are looking at a compilation from American soft rock group BREAD entitled, THE BEST OF BREAD (1973). An album that just kind of appeared in Sean's collection and most of us are unfamiliar with

    "Nobody sees you got me down on my knees!" SEASON 2 FINALE! We are looking at a compilation from American soft rock group BREAD entitled, THE BEST OF BREAD (1973). An album that just kind of appeared in Sean's collection and most of us are unfamiliar with
    2025/09/23

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    Check out Jacob's band Robo Dojo

    Bread were an American soft rock band from Los Angeles, California. They had 13 songs chart on the Billboard Hot 100 between 1970 and 1977.[2]

    The band was fronted by David Gates (vocals, bass guitar, guitar, keyboards, violin, viola, percussion) with Jimmy Griffin (vocals, guitar, keyboards, percussion) and Robb Royer (bass guitar, guitar, flute, keyboards, percussion, recorder, backing vocals). On their first album session musicians Ron Edgar played drums and Jim Gordon played drums, percussion, and piano. Mike Botts became their permanent drummer when he joined in the summer of 1969, and Larry Knechtel replaced Royer in 1971, playing keyboards, bass guitar, guitar, and harmonica.

    https://en.wikipedia.org/wiki/Bread_(band)

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    1 時間 51 分
  • "Wir fahr'n, fahr'n, fahr'n auf der Autobahn!" for the penultimate episode of the season we take a record out of Steve's dad's collection in memorial, we're looking at a release from German electronic pioneers KRAFTWERK and their 1974 album AUTOBAHN

    "Wir fahr'n, fahr'n, fahr'n auf der Autobahn!" for the penultimate episode of the season we take a record out of Steve's dad's collection in memorial, we're looking at a release from German electronic pioneers KRAFTWERK and their 1974 album AUTOBAHN
    2025/09/16

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    Autobahn is the fourth studio album by German electronic music band Kraftwerk, released in November 1974 by Philips Records. The album marked several personnel changes in the band, which was initially a duo consisting of Florian Schneider and Ralf Hütter; later, the group added Klaus Röder on guitar and flute, and Wolfgang Flür on percussion. The album also completed the group's transition from the experimental krautrock style of their earlier work to an electronic pop sound consisting mostly of synthesizers and drum machines. Recording started at the group's own Kling Klangfacility, but was predominantly made at Conny Plank's studio. Autobahn also includes lyrics and a new look for the group that was suggested by Emil Schult, an associate of Schneider and Hütter.

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    1 時間 6 分
  • "You can stand me up at the gates of hell, but I Won't Back Down" in memorial to Steve's father who recently passed away, we are reviewing a cassette from his collection that was formative to his musical upbringing, FULL MOON FEVER (1989) by TOM PETTY

    "You can stand me up at the gates of hell, but I Won't Back Down" in memorial to Steve's father who recently passed away, we are reviewing a cassette from his collection that was formative to his musical upbringing, FULL MOON FEVER (1989) by TOM PETTY
    2025/09/08

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    Full Moon Fever is the debut solo studio album by American musician Tom Petty, released on April 24, 1989, by MCA Records. It features contributions from members of his band the Heartbreakers, notably Mike Campbell, as well as Jeff Lynne, Roy Orbison(who died prior to its release), and George Harrison, Petty's bandmates in the Traveling Wilburys.[3][2] The record showcases Petty exploring his musical roots with nods to his influences.[4] The songwriting primarily consists of collaborations between Petty and Lynne, who was also a producer on the album. MCA Records under Irving Azoff originally refused to issue the album, believing it did not contain any hits. Azoff resigned within a few months and, with new label management reviewing the album positively, they decided to release it.

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    1 時間 44 分
  • "You spent the days inside avoiding social landmines, That poke at every bruise." This week we bring in Sean and Laura to check out the debut album from punk rock multi instrumentalist JEFF ROSENSTOCK entitled WE COOL? (2015)

    "You spent the days inside avoiding social landmines, That poke at every bruise." This week we bring in Sean and Laura to check out the debut album from punk rock multi instrumentalist JEFF ROSENSTOCK entitled WE COOL? (2015)
    2025/09/02

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    We Cool? is the debut solo studio album by Jeff Rosenstock.[3][4][5][6][7] It was released by SideOneDummy Records on March 3, 2015.

    The album crashed the SideOneDummy website upon its release.[8] It debuted on the Billboard charts at #7 for Heatseekers Albums, #43 for Rock Albums, and #157 for Current Albums.[9] It features guest appearances by Laura Stevenson, P.O.S, and members of Shinobu. Jeff Rosenstock toured the album with AJJ, Chumped, and The Smith Street Band.[10] The lead single, Nausea, was a song written much before the album's conception.

    https://en.wikipedia.org/wiki/We_Cool%3F

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    1 時間 11 分
  • Saying goodbye to the Prince of Darkness OZZY OSBOURNE, Steve brings in the record that introduced him to BLACK SABBATH..... songs anyway! SPEAK OF THE DEVIL/TALK OF THE DEVIL (1982)

    Saying goodbye to the Prince of Darkness OZZY OSBOURNE, Steve brings in the record that introduced him to BLACK SABBATH..... songs anyway! SPEAK OF THE DEVIL/TALK OF THE DEVIL (1982)
    2025/08/14

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    Check out Clayton's band Jeremy Mercy and the Rapture Orphans

    Speak of the Devil is a live album by English heavy metal singer Ozzy Osbourne, released on 22 November 1982 by Jet Records in the United States.[6] It is a double album consisting entirely of live renditions of songs originally recorded by Osbourne's previous band Black Sabbath. The album was entitled Talk of the Devil in the UK, that being the more commonly expressed idiom there.

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    1 時間 36 分
  • "I hope you know that this will go down on your permanent record" this week we listen to the 80s most 90s sounding band. Sean brings in his copy of VIOLENT FEMMES (1983) by folk punk group VIOLENT FEMMES

    "I hope you know that this will go down on your permanent record" this week we listen to the 80s most 90s sounding band. Sean brings in his copy of VIOLENT FEMMES (1983) by folk punk group VIOLENT FEMMES
    2025/08/06

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    Check out our folky live set we talk about at the end of the episode

    Violent Femmes is the debut album by Violent Femmes. Mostly recorded in July 1982, the album was released by Slash Records on vinyl and on cassette in April 1983, and on CD in 1987 with two extra tracks, "Ugly" and "Gimme the Car".

    Most of the songs on Violent Femmes and its follow-up were written when songwriter Gordon Gano was an 18-year-old high-school student in Milwaukee, Wisconsin.[9]

    The album was recorded at Castle Recording Studios in Lake Geneva, Wisconsin in July 1982. It was self-funded before they had signed with their record label, Slash. Gano said, "It was a strange situation because we hadn't met anyone from Slash or been to Los Angeles when we signed with them. The good thing was because we recorded the album first, it was exactly the way we wanted. There was no executive influence."[10]

    https://en.wikipedia.org/wiki/Violent_Femmes_(album)

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    1 時間 20 分