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In this mini episode, we’re joined by Mike and Steph Crugnola of Walking Shadow Shakespeare Project to talk about their mission to make Shakespeare more accessible—for both audiences and artists.

We dive into the company’s flexible and innovative production models—including one rehearsal performances, collaborative directing, site-specific stagings, and immersive experiences—and how these approaches open up new ways of engaging with Shakespeare’s work. Steph and Mike also share how they intentionally build accessibility into every level of their process, from casting and rehearsals to performance format and audience experience.

Whether you're a theatremaker looking for inspiration or a Shakespeare fan curious about inclusive practices in classical performance, this conversation offers a thoughtful look at what it means to make Shakespeare’s work truly for everyone.

To learn more about Walking Shadow Shakespeare Project, visit www.walkingshadowshakespeare.com or follow them on Instagram @wsshakes.

More about Mike and Steph Crugnola

Mike and Steph Crugnola are on the board of Walking Shadow Shakespeare Project, a nonprofit theatre company based in Austin TX, committed to breaking down the barriers of accessibility to Shakespeare for artists and audiences alike. They're focused on creating Shakespeare for the Austin community that more accurately reflects the Austin community, so actors of all races, abilities, genders, ages, and sexual orientations can see themselves in Shakespeare's work.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org).

Find additional links mentioned in the episode in our Linktree.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you.

Did Shakespeare write The Tempest in response to a shipwreck, or was something bigger at play? In this episode, we explore the early modern travel narratives that many scholars believe inspired Shakespeare’s final solo play.

We begin with lesser-known travel accounts that focus on cultural encounters in Russia, Southwest Asia, Central America, and India—narratives that shaped how early modern England imagined the world beyond Europe. Then we turn to one of the most famous stories of the time: the 1609 Sea Venture shipwreck on the coast of Bermuda, often cited as a direct influence on The Tempest.

Along the way, we examine how these texts reflect English perceptions of unfamiliar peoples and cultures—from fascination and admiration to fear and misunderstanding—and how those attitudes echo throughout the world of The Tempest.

If you’d like to explore more about Shakespeare’s engagement with proto-colonialism and early travel writing, check out these past episodes from our archive:

• Mini: Shakespeare and the Colonial Imagination

• Mini: Shakespeare's World: Immigrants, Others, and Foreign Commodities

Whether you're encountering The Tempest for the first time or revisiting it with a global lens, this episode offers rich context on how Shakespeare’s world was shaped by the stories of travelers, survivors, and empire-builders.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org).

Find additional links mentioned in the episode in our Linktree.

Works referenced:

Judkins, David C. “Travel Literature of the Early Modern Period.” CEA Critic, vol. 64, no. 1, 2001, pp. 47–58. JSTOR, http://www.jstor.org/stable/44378330. Accessed 3 July 2025.

Vaughan, Alden T. "William Strachey's "True Reportory" and Shakespeare: A Closer Look at the Evidence." Shakespeare Quarterly, vol. 59 no. 3, 2008, p. 245-273. Project MUSE, https://dx.doi.org/10.1353/shq.0.0017.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you.

To kick off our series on Shakespeare's The Tempest, we are (as always) starting with an overview of basic facts and history about the play and an introduction to the major themes and motifs of the play.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org).

Find additional links mentioned in the episode in our Linktree.

Works referenced:

Shakespeare, William, et al. The Tempest. Bloomsbury Publishing, 2011.

SparkNotes Editors. “The Tempest” SparkNotes.com, SparkNotes LLC, 2005, https://www.sparknotes.com/shakespeare/tempest/

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you.

We are now on to our tenth play series! Today we are starting our series on Shakespeare's The Tempest with a synopsis episode. In this episode, we will provide a detailed summary of the plot, breaking down the action of the play scene by scene.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Special thanks to Nat Yonce for editing this episode.

Music is "Neverending Minute" by Sounds Like Sander.

For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org).

Find additional links mentioned in the episode in our Linktree.

Works referenced:

Shakespeare, William, et al. The Tempest. Bloomsbury Publishing, 2011.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you.

In this bonus episode, we’re joined by Dr. Kent Lehnhoff to talk about his new book, Voice and Ethics in Shakespeare’s Late Plays. Together, we explore how Shakespeare uses the concept and qualities of human voice in The Tempest, Cymbeline, King Lear, Pericles, and The Winter’s Tale, how he writes for and about the voice, and beyond that, how embracing the unique voice of each character (and actor) can create a more ethical, inclusive theatre.

About Kent Lehnhof

Kent Lehnhof earned a BA from Brigham Young University and a PhD from Duke University. He is Professor of English at Chapman University, where he specializes in early modern literature and culture, especially the works of William Shakespeare. Dr. Lehnhof has published two dozen scholarly articles, has co-edited two essay collections, and is coming out with a new book in October titled Voice and Ethics in Shakespeare’s Late Plays. In this book and in many of his articles, Dr. Lehnhof treats Shakespeare’s plays like lively enactments of ethical philosophy. He believes that one of the things that makes Shakespeare’s work distinctly Shakespearean is its interest in exploring what it’s like to be in relation—what it’s like to be tied to other people, some of whom love you, some of whom hate you, and some of whom pay you no mind at all.

At present, Dr. Lehnhof is finishing a guidebook for Arden Shakespeare called Understanding Shakespeare’s Plays: A Candid Companion to All the Drama. This book goes through all the play, one by one, giving an overview of each and offering insights and analysis as to what it offers. Dr. Lehnhof only has six plays left to do, which means he’s getting down to the deep cuts. Timon of Athens, anyone?

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org).

Find additional links mentioned in the episode in our Linktree.

Works referenced:

Lehnhof, Kent. Voice and Ethics in Shakespeare’s Late Plays. Cambridge: Cambridge University Press, 2025. Print.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you.

In this wrap-up episode, we reflect on our journey through Shakespeare's King Henry V by examining three distinct productions that bring the play to life in unique ways. We begin with Kenneth Branagh's 1989 Oscar-nominated film adaptation, renowned for its realism and cinematic approach. Next, we delve into the 2022 Donmar Warehouse production starring Kit Harington, which frames Henry’s leadership through a modern lens. Finally, we discuss the 2012 Shakespeare's Globe production with Jamie Parker, which offers a more traditional yet energetic take on the play. By comparing these interpretations, we explore how different directorial choices and performances can influence our understanding of the play's themes, characters, and historical context.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org).

Find additional links mentioned in the episode in our Linktree.

Works referenced:

Branagh, Kenneth, director. Henry V. Performance by Derek Jacobi, et al., Curzon Film Distributors, Ltd., Samuel Goldwyn Company, CBS Fox Video, 1989.

Shakespeare, William. Henry V. National Theatre Live, https://www.ntathome.com/henry-v. Accessed 2025.

Shakespeare, William. Henry V (2012). Shakespeare’s Globe, 2013, https://player.shakespearesglobe.com/productions/henry-v-2012/. Accessed 2025.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you.

In today's episode, we are exploring the English relationships with foreigners and immigrants from other European countries. First, we'll discuss what the experience of immigrant communities was like in England during the Tudor and early Stuart periods--were the English people xenophobic or welcoming to others? We'll look specifically at experiences of Dutch and French immigrants, who made up the majority of immigrants to England in the mid-late 1500s.

Then, we'll take a look at England's attempt to colonize Ireland through Essex's campaign in the late 1590s and how English anxieties about foreign invasions while also attempting to invade Ireland may have influenced Shakespeare's writing of King Henry V. We'll also discuss the characters of Macmorris, Jamy, and Fluellen and how they represent contemporary English relations with the Irish, Scottish, and Welsh.

We have previously explored England's proto-colonial practices and treatment of people of the global majority outside of Europe, and their legacies in the following episodes:

• Mini: Shakespeare and the Colonial Imagination
• Mini: Shakespeare's World: Immigrants, Others, and Foreign Commodities
• Mini: "Decolonize the Mind" through Shakespeare
• Mini: Intercultural and Global Shakespeare in a Postcolonial World

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org).

Find additional links mentioned in the episode in our Linktree.

Works referenced:

Goose, Nigel. “Immigrants and English Economic Development in the Sixteenth and Early Seventeenth Centuries.” Immigrants in Tudor and Early Stuart England, edited by Nigel Goose and Lien Luu, Liverpool University Press, 2013, pp. 136–60. JSTOR, https://doi.org/10.2307/jj.4418193.12. Accessed 16 Apr. 2025.

Goose, Nigel. “‘Xenophobia’ in Elizabethan and Early Stuart England: An Epithet Too Far?” Immigrants in Tudor and Early Stuart England, edited by Nigel Goose and Lien Luu, Liverpool University Press, 2013, pp. 110–35. JSTOR, https://doi.org/10.2307/jj.4418193.11. Accessed 16 Apr. 2025.

Highley, Christopher. “‘If the Cause Be Not Good’: Henry V and Essex’s Irish Campaign.” Shakespeare, Spenser, and the Crisis in Ireland. Cambridge: Cambridge University Press, 1997. 134–163. Print. Cambridge Studies in Renaissance Literature and Culture.